Even a cursory glance of our biweekly “What Heavy Blog Is Really Listening To” posts will reveal that there is a great deal of variety among our staff’s musical tastes. Due to this, we brainstormed the idea of “Playlist Swap,” another biweekly segment that takes place between playlist updates. We…
As incredible as the tour was, the pairing of Coheed and Cambria and Between the Buried and Me in 2013 had caused a bit of head scratching. Certainly, the Vinn Diagram of audiences on that trek had quite a bit of overlap given both acts’ prog leanings and love of conceptual universes, but you could really feel the divide in the room between fans of either band.
Chances are, if you’re on this website in the first place, you’d likely find yourself in the center of that Vinn Diagram because you know that catchy post-hardcore and technically-minded prog metal compliment each other well. And if that is indeed the case, then you’re going to love Philadelphia’s In The Presence of Wolves.
During the mid-2000s, the UK hardcore and metal scene underwent a re-energisation of sorts due to the emergence of several bands who have since spearheaded the genres to modern popularity. Bands like Enter Shikari and Bring Me the Horizon resonated with mainstream crowds since their inceptions and have since established themselves as global institutions. On the other hand, Architects instantly occupied the forefront of an underground charge and, over the years, have also crossed over into popular realms. However, bubbling underneath the surface was (and still is) a whole scene of innovative, vital artists whose records define the country’s musical output at its finest, with albums that will undoubtedly stand the test of time among aficionados of heavy music. One such act is Devil Sold His Soul who, in this writer’s humble opinion, are one of the best bands the UK has ever birthed.
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.
The genre of technical death metal is tricky to do well. Oftentimes the songs are so densely arranged and executed that they are impenetrable and listeners may struggle for something—anything!—to latch onto. There are bands that do it well, and it’s probably time to start paying attention to Replacire, as they’re bringing some new perspectives and ideas to the genre. Their new album, Do Not Deviate, condenses some of the ideas from their debut, The Human Burden, into a heavily detailed monster. If listeners want a visual cue for what to expect, the bad ass cover art provides a perfect look. Robotic ferocity, Escher-esque labyrinths and the occasional mystical occult vibe–because, hey, why not? And, despite giving plenty for listeners to digest on early listens, this album practically screams that obsessive listens will reveal hidden layers and secrets.
Seminal post-metal band Isis have lived on very favorably in their postmortem years despite sharing their name with the most hated organization in the world. Their disbandment left a perfect legacy in a discography free of blemishes, and while their 2009 swan song Wavering Radiant was their most accessible release and fared lighter with its extended use of clean singing and Tool-esque instrumental passages, it’s still highly regarded as a masterpiece and genre classic — a classic that for the last 6 years remained unobtainable to many fans who missed the early stages of the vinyl revival.
What makes art, in my opinion, so damn amazing, is that there’s no clear-cut formula of it. Every time we try to dissect art, we always end up with more questions than answers. No definition will perfectly fit it, and while that’s a frustration to many a philosopher, I find…
Aside from being a cool title, this feature is really dependent on a band actually having a Bandcamp account. Nowadays, if a band doesn’t have releases streaming on this platform, I might ignore them completely. That’s just how it works. You get used to the layout and ease of something, then anything else seems just meh. But I digress. Back once again with some of the best and most bludgeon(ish) bands releases streaming through Bandcamp right now, I bring you not one, but two British acts laying the smacketh down. Each in their own charming manner.
Hot dang, it’s been a while since we’ve had one of these, hasn’t it? We’re usually keen to tell you what we at Heavy Blog is Heavy are listening to, but it’s about time we again took the time to clue you in to what some of the artists in…
There is a dissonance to the music of Dysrhythmia not employed by the above bands, and, obviously, Neil Peart has never employed blast beats, though Rush is perhaps a great analogy for what Dysrythmia aspires to, as both bands feel collaborative and feature equal contributions to the larger sound. But these extreme metal flourishes are only one element of the music and weave seamlessly with the larger tapestry, rather than being the dominant color, resulting in an album influenced by extreme metal, as opposed to an extreme metal album.