Tag Archive: Tool


Tool really know how to put on a show.

I don’t get to go to a lot of shows these days. Part of it is my location, sure; Toledo gets maybe a handful of good tours a year, and I only know of a couple of good local bands, but it’s also because I’m an old man and a responsible adult, with a full-time job and a wife and kid and house and whatnot. I’m not complaining, of course, but I do enjoy concerts a great deal, so I guess going to one every year or so makes it that much better. It helps when the bands playing end up being the likes of Between The Buried And Me and, in this case, the almighty Tool. For this show, I recruited my old concert-going buddy Raybob (not his given name, at least not fully, but I’ve called him that as long as I can remember, so we’ll roll with it), whom I hadn’t gotten to see in nearly a year, and we rolled out to the Huntington Center.

I hadn’t actually been to the Huntington Center before, even though I live in Toledo, mostly because I haven’t gone to any of the Toledo Walleyes‘ hockey games. From what I hear, the place is actually pretty successful as arenas go, which is nice. After paying ten bucks to park in a lot several blocks from the arena (it was fifteen a half-block closer – score!), we hoofed it to the arena and made it in good time. From there, we got in with little hassle and headed up the stairs to the second level. After wandering the entire perimeter because we misread a sign, we discovered that the staircase to the top level was, in fact, right behind us where we had first come up to the floor, and feeling a bit silly we climbed once more.
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Apparently Ticketmaster done a little fuck up by releasing ticket information for an early 2012 run for Tool, and although they pulled the offending page, the dates – plus a few more – have resurfaced. Shows are as follows:

01/14 Reno, NV @ Reno Events Center
01/15 Las Vegas, NV @ Mandalay Bay Events Center
01/17 Tucson, AZ @ Tucson Arena
01/18 Albuquerque, NM @ Tingley Coliseum
01/20 Grand Prairie, TX @ Verizon Theatre
01/24 Toledo, OH @ Huntington Center
01/25 Toronto, ON @ Air Canada Centre
01/26 London, ON @ John Labatt Centre
01/28 Boston, MA @ TD Garden
01/29 Camden, NJ @ Susquehanna Bank Center
01/31 Uncasville, CT @ Mohegan Sun Arena
02/08 Duluth, GA @ Gwinnett Arena

If sources are to be believed, Audio Ink Radio have had these confirmed by Ticketmaster, so the legitimacy is certainly there!

Frontman Maynard James Keenan’s Puscifer will be on the road in February/March, so this is probably almost all that we can expect for early 2012, but with a new album rumoured, things are looking bright for the Tool fans and fanboys alike!

- CG

That’s news, right?

As Metal Injection shrewdly pointed out, it feels like about 10,000 days since Tool released 10,000 Days, their last album, but it was only 2006. I say only; that’s a mental amount of time for a still active band, but they’re not the only ones I suppose.

Speaking with Pulse of Radio, Maynard said:

“I’m allowing them their space to do what they do, so we’re still in that mode. Even if they told me how close they are to being done, I couldn’t tell you because if I say 60 percent, people will start counting down. When it’s done, everyone will know. But I haven’t done anything yet. They write forever and then we go in and knock it all out. We’re writing. We’re writing vocals. But nothing’s solid. With Puscifer, there’s ideas and then we’ll record stuff … but with Tool, we practice jams, but there’s no actual recording going on until it’s time to record.”

Sooooo…we’re not gonna see anything for a while, basically. When have they not taken their sweet time though? And when you’ve got horde of dedicated fans ready to throw money right at their faces, I’d say it’s not a problem until the wine-making business is in trouble.

More updates when we gte them, but it’ll probably be this time enxt year if you’re lucky.

- CG

It doesn’t happen often, but every now and then a relatively new and unknown band or project comes along that blows me away on first listen. More often than not, you’ll hear about it immediately. Today is one of those days. Brace yourself for Bispora.

Bispora is a near perfect hodgepodge of just about every prog metal band that dominates my listening. Throughout the course of The Cycle, I picked out bits of Between the Buried and Me, Tool, Cynic, Intronaut, Meshuggah, Periphery, etc—and it’s all so seamless that songs feel like actual unique songs instead of a series of ripoffs strewn about under an umbrella. Bispora seriously pulls this off with apparent ease, and it’s unbelievable how well the band excels in incorporating these influences into their own sound.

The Cycle is a free download, so there’s no good reason why you won’t be listening to this nonstop for the rest of the day. Stream it below:

Download The Cycle by clicking through the above Bandcamp player or via Mediafire.

[Thanks to Grover at TNOTB for the tip!]

- JR

After Jimmy asked you readers a tough question last week, I thought I’d ask an even tougher one on this day of freedom and tomfoolery:  what are your favorite breakdowns?

The breakdown is a simple concept to grasp, but difficult to use it to good effect to a song.  No, we aren’t talking about the herp-derp breakdowns every deathcore band and they’re dogs do, we’re talking breakdowns that are crucial to the development and fullness of a piece.  My all time favorite breakdown is:

Elitist – Caves (2:24 – 2:37)

This breakdown is very unique.  The whole breakdown is accompanied by an arpeggiated chord, giving the breakdown the element of size.  Also, the rhythmic structure in these eight bars is complex.  The first bar goes through relative unassuming, thinking it’s another one of those standard breakdowns, but the second bar comes in with a rather unique rhythm, throwing a triplet in on beat 3, while not ending the bar with another triplet.  Instead, it throws straight sixteenths at you, while removing the 3 note in the sixteenth.  This gives the illusion that it is in an odd time signature – but it is actually all in straight 4/4.  It’s really that bar that makes it for me.  The guitarist do some neat breakdown riffing by throwing bends in the mix to give it added originality.  The drummer perfectly accompanies the band with machine-like precision.  The band does a great job at using triplets to change the feel of the breakdown. A lot of technical jargon there, but in short it’s just plain fun to hear and to comprehend what is going on, and it’s just full of energy.

So yeah, hit me with your favorite breakdowns, and after the jump, I have a few more for you.

- GR

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As many of you will know, masters of all that is metal (or a stoner’s approximation of, at least) Metalsucks have been counting down a list of who they (the staff) consider to be the top 25 modern metal guitarists. Of those I know, I’ve agreed with the vast majority of inclusions, and by the time this goes to press, there should only be the number one slot left to be announced – on Monday I would presume, thanks to Labor Day this Monday just gone.

So with this weekend break in mind, we want you to don your deerstalkers and tell us, based on who has already been mentioned, who you think will be – or who you think deserves – the number one slot from Axl, Vince and co.

For your convenience, I’ve listed the entries so far below, but I’d highly recommend reading the series – they make some damn good points regarding their choices.

Sound off in the comments!

- CG

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Tool have got it good, let’s not lie. They can essentially say and do whatever they want and legions of fans will lap it regardless so when it comes to spreading rumours or just general bullshit, they reign supreme. Be it in the form of releasing an entire fake tracklisting and title for Lateralus, stating that Tool would come second in the priorities for Maynard now that he had become a born again Christian or even suggesting that the majority of the band was nearly dead after a lethal car crash, Tool fans seem to brush it off with a simple ‘Oh, you guys!’ and then carry on.

So it’s with hesitance that I believe this genuinely disturbing article/ramble posted over at ToolBand.com a few days ago. Along with discussing such enlightening topics such as the recent misfiring apocalypse, Taco Bell and even ‘an extra Gamma-traversing spheroid’, it states that the new Tool album will definitely be released on either the 15th or the 22nd of May 2012. I think it’s fair to say that this probably isn’t set in stone but it’s more likely just an indication that we won’t get a new album this year or any time soon.

-DL

Growing up in Eastern Kentucky, I was raised listening to quite a bit of country music. I didn’t like a single bit of it, naturally, and I found a love for heavier music. I discarded modern country as pop music with slide guitars, cashing in on a fickle and conservative demographic (which I still hold to be true, as far as GAC or the radio is concerned.) I thought I’d never hear a band in the realm of country music that I would enjoy, but Wovenhand has proven me wrong.

To call Wovenhand a country band would be only marginally accurate. The Denver-based band grabs influences from a few different genres. Call them industrial folk or post-country, they have a dark and peculiar sound that can be best described as Gothic Americana. Imagine Johnny Cash writing an album with Nine Inch Nails in his final years instead of doing a one-song reinterpretation. You’d most likely have a sound close to Wovenhand.

I know Heavy Blog doesn’t live up to its name as much as it probably should, but I thought our readership had an open enough mind among them to warrant passing something like this on. Hell, they’ve toured with Tool. If that doesn’t give them cred as musicians, I don’t know what will. Their 2004 album Consider the Birds gets a full recommendation from myself and Mitch ‘Dethcaek’ West. Tortured vocal harmonies, haunting piano lines, visceral tribal percussion, and depressive gospel lyrics litter this apocalyptic country album. Forget everything you’ve known about country music, leave your biases at the door, and give this a listen.

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Between the Buried and Me

The Parallax: Hypersleep Dialogues

01. Specular Reflection

02. Augment of Rebirth

03. Lunar Wilderness

[04/14/11]
[Metal Blade Records]

Thankfully, Between the Buried and Me’s studio discography, up to this point, has been comprised of only full length releases. Too many young bands are putting out piles of EPs before they even have a go at a full length album, which really is a shame. Instead of making a statement, many bands instead opt for sentence fragments. Not BTBAM; they’ve always been an album kind of band, holding off on recording an EP until their seventh release, and even then, it’s a  prequel to a larger concept instead of a quick dish of b-sides to tide us over. Leave it to Between the Buried and Me to make an EP release feel as exciting as a full-length album.

The Parallax: Hypersleep Dialogues is thirty minutes of some of the finest moments in Between the Buried and Me’s career. When looking at the band’s discography, a gradual stylistic evolution can be seen; The Parallax: Hypersleep Dialogues is the next logical step in that direction. Those looking for return to their more metalcore sound can keep holding their breaths—Between the Buried and Me are full on progressive metal.

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Chevelle are arguably the best band to come out of that “post grunge” era in the 90′s and early 00′s. They get lumped in (unfairly, in my opinion) with bands like Breaking Benjamin, Three Days Grace, and Staind, but Chevelle always stood out as something different; Pete Loeffler’s lyrics are certainly smarter than your average radio rock tune, drawing a huge Tool influence in pen and voice. They can still write some killer songs as well!

So Chevelle are in the studio! Chevelle’s rarely touched twitter account posted the above photo to stir up some excitement. No other info is available right now as it’s a bit too early in the process, but I know my 2011 just got better knowing I have some new Chevelle coming my way later this year. They might not be particularly heavy, if they can keep writing catchy songs without dumbing themselves down, they’re fully backed in my book.

After the jump, a video from their last album Sci-Fi Crimes, “Letter From A Thief”

- JR

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