Unearth – Extinction(s)

Unearth sound like Thy Art is Murder now. That’s the big takeaway from their brand spanking new seventh album, the coyly titled Extinction(s). Yet just because its ultimate evaluation, along with the album itself, is overly reductive doesn’t mean it’s not still a fierce slab of hyper-aggressive metalcore, with plenty…

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147 – Wizard Who Has More MP Than HP

Heavy Pod Is Heavy Cast!

Slow news week, but we have stuff to talk anyway. Mainly new Thy Art Is Murder, Tom “Fountainhead” Geldschläger’s new instructional package, new Unearth album, new Venom single, Within the Ruins’s instrumental album, Nekrogoblikon’s motivational book, Bring Me The Horizon’s deathcore medley, and Dream Theater’s studio video (and this video on Mangini vs. Portnoy). Them on cool people time we discuss Cam again, then talk about the new She-Ra series and Tetris Effect. Enjoy!

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The Anatomy Of: As Oceans

North Carolina is an underappreciated hotbed of talent in the American metal scene, where bands like Between the Buried and Me and Corrosion of Conformity, among many others, have come up to inform the progression of their respective musical niches on a worldwide scale. It also doesn’t hurt that acts…

Polaris – The Mortal Coil

Australian metalcore scene has been in a bit of a sorry state these last couple of years. The once burgeoning scene that gave us the likes of Parkway Drive, I Killed the Prom Queen and The Amity Affliction (when they were still good), has produced markedly less world class acts over the past half-decade or so. Maybe it’s just because I got older, but contemporary pack-leaders Northlane and In Hearts Wake—while fine for what they are—seem to lack the spark and excitement of those bands who emerged in the genre’s heyday during the mid-to-late 2000s. Maybe it’s also because the local scene has seen a pivot toward the more extreme realms of deathcore, with bands like Thy Art is Murder and Aversions Crown proving the country’s most remarkable exports of the modern era. Yet The Mortal Coil only goes to show that there’s still plenty of mileage left in the supposedly well-worn Aussie metalcore tank.

Arkaik – Nemethia

Death metal in the current era is unfortunately met with a divide among generational fans, effectively causing a bit of an old-head vs youth situation. If you’re just getting into the genre now, you’re probably brought into this world by bands such as Fit for an Autopsy, Thy Art is…

The Celtic Connection – Bones, Chugs and Harmonies

There’s nothing quite like a great sandwich. Whether it’s cookies either side of creme, cold cuts stuffed in slices of bread or earnest, driving hard rock with heart stuck between two slabs of dirty, bludgeoning death. We’re going with the latter on this weeks Celtic Connection with Scottish and Irish produce, as per. It tickles my pickle that I get to cover three bands with nothing shared other than their red haired heritage. Sure, the two Scots acts may share the same rough area but they couldn’t be any further apart in terms of taste, style and fans. Throw in some low end loving Irish folks and hey, we’ve got a party on our hands.

Rotten to the Core – devthbed, Justice for the Damned & Vein

We’re at a point where a hot shit, flavour of the month band can become old hat moments after they are touted as the next big thing. It’s so easy to lose track of who’s who, what’s hot and not and generally what the hell is happening in music and it’s always gonna be impossible to hear everything good out there. That’s where Heavy Blog, and others like us, come in. We have our core features focusing on specific genres—what’s up Grind My Gears fans?!—but today I’m lumping together bands who’s only similarity is their shared suffix. They’re all “core” in some form or another. To make things more digestible, I’ve even added a strapline for each, covering their sound in one fantastically humorous sentence. Please, enjoy and rock responsibly.