Some bands hang around for a long time, producing similar but slight variations over a many year period, tweaking a tried and true format just a little with each new record. Others strive to create larger shifts in their sound over time to mixed results. There’s a certain amount of…
When TesseracT’s Daniel Tompkins decided to explore his own pet project by joining forces with Skyharbor’s Keshav Dhar and Randy Slaugh to create White Moth Black Butterfly, it began as a modest attempt to explore some ideas that diverged from the type of rock for which his main band is most known. 2013’s One Thousand Wings (here’s what we had to say about “Certainty” from that album) was a sonic departure, to be sure, but it still maintained something of a kinship with its flagship influences. As with anything that we’ve come to understand about Tompkins, he will expound upon ideas over time and so the re-emergence of this project in 2017 means we should expect a few new twists, turns, and embellishments on the sound he helped to create several years ago.
“Post” genres tend to get a lot of play around these parts. Post-hardcore and post-metal are broad stroke genres for a lot of bands that we love here at Heavy Blog; we love gorgeous sounds and carefully crafted tear jerks, that’s for sure. The “post” tag does seem a bit surplus to requirements however. Are we at the stage where we have post-prog, post-deathcore yet? I dunno. That’s a question for another writer to attack. What we do have right here is the self proclaimed post-everything band The Tidal Sleep and their earnest, emotional brand of hardcore. Released on Holy Roar Records in the UK (duh), Be Water is a benchmark record for “post” fans to gush over. Yes, even I, the gore obsessed cretin can see the beauty in this art form.
With time, Josh Scogin will be able to release music without it immediately being compared to his work in The Chariot. That time isn’t upon us yet, as fans of the Georgia legends still hanker for them, tearfully screaming “long live” at anyone and everyone within earshot. The second release from Scogin’s stripped down ’68 project should help these lost souls in finding new comforts, away from the mayhem and maelstrom that The Chariot offered. Two Parts Viper is one part Southern Americana, one part ex-The Chariot Josh Scogin and one part wonderfully over the top rock and roll. But 2014’s Humor And Sadness was made up of much and such the same measurements. Has the sound evolved enough for ’68 to finally become a stand alone entity?
“Blackgaze” is now a thing. It’s been confirmed. Just don’t use Deafheaven as the only example. Any new genre needs new blood to keep the momentum high and, though they may not sit perfectly within the designated safety lines, Ruetz are the blackened torch bearers this slightly kooky movement needs. Blackened hardcore when the hardcore needs to be blackened and post-gaze enough to keep the indie kids tapping brown leather shoes to the beat, debut salvo Melanoma stares at it’s trotters long enough to be a gaze. Thankfully, the gaze is short lived and the fun parts move firmly to front of stage.
Welcome back to our ongoing series of best-of lists for this year, where we give some of the bands we covered (or just adored) in 2016 a chance to publish their own lists regarding their favorite albums of this past year. Today, we’ve got a list by Wrvth, whose self-titled album ranked…
Aside from being a cool title, this feature is really dependent on a band actually having a Bandcamp account. Nowadays, if a band doesn’t have releases streaming on this platform, I might ignore them completely. That’s just how it works. You get used to the layout and ease of something, then anything else seems just meh. But I digress. Back once again with some of the best and most bludgeon(ish) bands releases streaming through Bandcamp right now, I bring you not one, but two British acts laying the smacketh down. Each in their own charming manner.
On this day, I bring not a standard blast of filth and depravity, instead something far more tied together and serene. In places. This is a track that defies my own need for blast beats and fuzz because it has neither and still cranks me right up. “Supercell” is the…
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.
In contrast to last week, we have so much news that it takes up a big chunk of our time! What kind of news? News like Perturbator’s perturbing image of nipples getting perturbed, the guitarist of Every Time I Die losing his first match in his wrestling career, Enslaved celebrating their 25th year, Axl Rose joining AC/DC, the singer of Puddle of Mudd having a breakdown onstage, and rumors about The Human Abstract, Mortician having their logo appropriated by a fashion label, then we discuss new music or videos from Caligula’s Horse, Babymetal, Wormed, Circle of Contempt, Black Mountain and Thrice. We also talk about this super cool genre map that we discovered. Then we go into our weekly discussions, this time about fallacies that prevent people from growing up and remaining content with their musical taste and… that’s it? We did spend a lot of time on these topics! But come back next week for more!