Tag Archive: The Red Chord



Here we begin our journey into the logos that make me proud to listen to metal. I would wear these logos on a tshirt at the gym and the beefcakes bullies would be so intimidated that they would stop making fun of my Yogilates X-Treme Kegel Blaster routine (patent pending). Here are the best scratchy band logos, 10 through 6.

 

Read part 1 here.

 

10. THE RED CHORD

To be completely honest, this logo is not that great. However, in high school I thought that it was the most badass thing on the face of the planet, so I am including it for nostalgic reasons. This is my list and not yours, suck it. That being said, the R is magnificent with it’s insect-like descender. I also greatly enjoy the E’s and H’s. I’ve always found the D’s to be a little bit awkward. High school me always did pretty well though, so he had to know one or two things right?

 

9. ANNOTATIONS OF AN AUTOPSY

This logo absolutely terrifies me. In a genre of music where the idea is to be as evil sounding and looking as possible, this logo truly succeeds. Sure it’s a little over the top but that only adds to it’s effectiveness. Analyzed from a high design perspective, it falls apart at the seams, but this logo is all about the initial gut reaction.

The first thing I think of when I look at this logo is the bugs from Starship Troopers. but not in the campy way that the movie presents them. I think of what it would actually be like to get dropped onto a planet and have to go into a cave filled with spiky, overgrown insects. Needless to say, I would be peeing my pants and praying for a swift rescue from Captain Zim (and a warm bath with Denise Richards).

View Full Article »

Meek Is Murder – Algorithms

Meek Is Murder

Algorithms

01. Hello, World!
02. Return Void
03. Algorithms
04. Recursions
05. (null)
06. Hope Springs Eternal (Spaghetti Code)
07. Sundowners
08. foo
09. Dining Philosophers
10. Garbage Collector

[03/22/11]
[Self-Released/Metalsucks]

As soon as the piercing feedback and subsequent hellish dirge of opening track “Hello, World!” erupts from your speakers, it becomes abundantly clear; Meek is Murder is the powerful return of the mathcore aesthetic done right. Sounding like Nails fronted by The Chariot’s Josh Scogin, Algorithms is so good that you can pretend Norma Jean never found out about Warped Tour and instead decided that a path of righteous technical showmanship and a steamroller of hardcore assault was the better way to go.

View Full Article »

Maybe even better, actually. If you’ve been keeping up with the site then you know that I recently attended the To Catch A Predatour featuring The Contortionist, Gaza, The Red Chord, Terror, and The Acacia Strain. All of the bands put on a good show, but the highlight for me was without a doubt when The Contortionist came on stage. They opened up with Primal Directive, the opening track from Exoplanet, and then they continued to play only tracks from their most recent effort for the rest of the set. No complaints here about that, seeing as how Exoplanet is one of the best albums to come out in the past year, in my book.

The band played flawlessly through all of the set, but sadly the crowd as a whole didn’t really seem to be that into it. That wasn’t really surprising though, I’m pretty sure most of them were only there for the brodowns and hardcore dancing…Anyways, after The Contortionist’s set I was able to meet each member of the band and they all seemed like very nice and down to earth guys when I talked to them which was really cool. Best live show I’ve seen in a while, and afterwords I found myself very inspired as a musician. So check them out if you haven’t already, and if they ever come anywhere close to you, do not miss the chance to see them live and support them!

-PM

Last week, I had the awesome opportunity to experience the To Catch A Predatour, and afterwords I got to interview Guy Kozowyk from The Red Chord! Guy was super awesome and it was a fun interview to do, but I’ll let the videos do the talking. Enjoy!

To Catch A Predatour, (featuring The Acacia Strain, The Red Chord, Terror, Gaza, and The Contortionist) is still going strong. Check out the rest of the interview and the remaining tour dates after the jump!

View Full Article »

So I’ve had my eye on the To Catch A Predatour for a while, mainly because I love The Contortionist and I would love the opportunity to watch them perform. Not that it wouldn’t be awesome getting to watch most of the other bands play too, and The Red Chord are pretty high up on my list as far as deathcore goes. I just recently found out though that in addition to the great show, I’m going to be able to do a video interview The Red Chord vocalist Guy Kozowyk! Talk about awesome. I’m going to the Nov. 3rd date in Winston-Salem, and that’s only a couple of days away so it’s pretty short notice, and this will be my first time doing anything like this so lets hope I don’t screw it up too bad! If you guys have any questions you want me to throw at him, post them here and I’ll include them in the interview!

-PM

Son of Aurelius

The Farthest Reaches

01. Mercy for Today
02. Let Them Hate and Fear
03. The Farthest Reaches
04. Olympus is Forgotten
05. Facing the Gorgon
06. Pandora’s Burden
07. A Champion Reborn
08. Myocardial Infarction
09. The Calm
10. A Good Death
11. The First, The Serpent

[Good Fight Music | 04/13/10]

I took a chance when I purchased Son Of Aurelius’ first album The Farthest Reaches. Usually before purchasing any album I guarantee I’ll enjoy it by giving it a pre-listen through research on the internet. Before buying The Farthest Reaches, I had only heard Mercy For Today and knew it fell into the broad genre of death-metal, a genre I’m very picky about. After listening to the album repeatedly for over a week, I can say I’m glad I took that chance; I’m glad I gambled.

View Full Article »

Wretched – Beyond The Gate

Wretched

Beyond the Gate

01. Birthing Sloth
02. The Deed of Elturiel
03. In the Marrow
04. A Still Mantra
05. Cimmerian Shamballa
06. On the Horizon
07. Part I – Aberration
08. Part II – Beyond The Gate
09. My Carrion
10. The Guardians of Uraitahn
11. The Talisman
12. Eternal Translucence

[Victory | 08/03/10]

Wretched is a tough band to describe. Personally, I consider them to be technical-death metal. Some will read this and immediately think of Beneath the Massacre or Brain Drill, but Wretched sounds nothing like either. They use technical and progressive riffs throughout, but they take a back seat to the blast beats  and shreds that sound most similar to The Black Dahlia Murder. The proggy and techy riffs are deliberately written as part of the song structure, and for this reason never interrupt the listening experience like one might think. This description specifically describes their latest album, Beyond the Gate.

Wretched’s first album, The Exodus of Autonomy, was a little more chuggier and at times sounded like Through The Eyes of The Dead’s Bloodlust. Beyond the Gate trades out much of the chugging (though not all of it) for plenty of screaming guitar solos. The shift in album art between the two albums coincides with this change, displaying an ominous face melting blast furnace.

View Full Article »

I don’t get to go to metal shows very often, so I have to pick and choose wisely. It seemed to me that Summer Slaughter’s stop fell on a Friday within a 4 hour distance and had arguably the best lineup, so that’s what I set my sights on. I was ready to have a good time, and all in all, I did.

However, things started off in the shitter. I was planning on and looking forward to interviewing The Red Chord’s Guy Kozowyk, but upon arriving at the box office I was turned away. Apparently, the guy at the ticket booth was not given any names under The Red Chord’s list, leaving me a bit confused, annoyed, and somewhat embarrassed. Seeing my genuine look of confusion, he offered to go and talk to the band and see what was up while I waited. After a few minutes had passed, he came back to tell me that there was too much going on backstage to get a hold of anyone and that it would be a good 20 minutes before he could reach anyone. I then noticed that people were being let in, so I said “I guess I’ll just buy a ticket and come back later,” and joined my friend (who had never heard of most of the bands on the bill) in line. Sadly, the shit didn’t stop there. Apparently it had hit the fan and sprayed all over the stage.

View Full Article »

Heavy Blog Is Heavy will be hitting up this year’s Summer Slaughter tour with Decapitated, The Faceless, The Red Chord, All Shall Perish, Veil of Maya, Cephalic Carnage, Decrepit Birth, Carnifex, Animals as Leaders, and Vital Remains. It really is the biggest extreme metal tour hitting America this summer. I mean, what other option is there? Mayhem and Ozzfest? Get the fuck out of my office.

So I’ll be hitting up the Cincinnati date here in a couple of weeks and I’ll be interviewing The Red Chord’s Guy Kozowyk, and I thought I’d open the floor up to some questions, so to speak. So, if you have any questions for me to ask Guy, let me know in the comments section.

Check to see if they hit a town near you after the jump!

View Full Article »

Inspired by GroverXIII of TNOTB’s series of posts regarding nu-metal, Heavy Blog Is Heavy will be counting down the top five reasons why the genre of deathcore isn’t totally full of shit. Check back every day this week at 3 PM EST for cannon fodder for your flame wars. If you want to throw in your two cents and call me out on missing out a gem that this genre has to offer, mouth off in the comment section. Enjoy!

When it comes to standard deathcore, The Red Chord are among the best. Mike “Gunface” McKenzie can write some killer jams that don’t require overuse of breakdowns and nary a bree is to be heard from Guy Kozowyk’s vocal chords, making for something completely listenable. Combining elements of hardcore, deathcore, and hints of grind, The Red Chord helped popularize and innovate the genre of deathcore as we know it.

2009′s Fed Through The Teeth Machine was practically universally acclaimed by critics, even averaging out to be the 9th best album that came out last year, by our head count. If you’ve ever given the album a serious listen, there’s no wonder why they earned all the high praise; Fed Through The Teeth Machine saw a more matured and focused approach that made for an intense experience, with its moments of brilliance.

View Full Article »

Powered by WordPress. Theme: Motion by 85ideas.