Kvlt Kolvmn – January 2017

When I originally launched Kvlt Kolvmn back in 2015, my intention was to create an HLT-style outlet for all of the noteworthy releases I find while digging around for underground black metal. But as you can tell by the singular installment linked above…that didn’t end up happening. I never stopped my constant conquest for new BM, though, and I figured a new year would be a great opportunity to compile all of my findings in one place and jot down why I think they’re absolutely worth our readership’s time and attention. So here we are with Kvlt Kolvmn, Take Two – a monthly round-up of my top 10 favorite BM releases from the past 30 days. There’s a fair amount of variety here in terms of where these bands/one-man projects are from and the music they’re churning out, and my hope is you’ll find at least one of these albums worth your time (and, potentially, support). And while this might be self-explanatory, please comment with any releases I’ve missed out on but are definitely worth a spin.

Heavy Blog Primer – Our Most Anticipated Albums of 2017

Though it may seem like we talked ad naseum about how fucking spectacular 2016 was in terms of new music, the fact remains that we saw more fantastic albums drop than we could seemingly keep up with. But just when we thought our palates were satiated, here comes 2017 with an excellent early roster of release announcements, some we’ve expected for a while and others that came out of nowhere. The following is a surely incomplete list of all the albums worth craving as we ring in the new year. Some of these albums have been fully announced with pre-order links and all that jazz, while others are merely probable assumptions based on various updates on social media. Regardless, these are all phenomenal projects worth looking for in the coming year. This is by no means an exhaustive list, and we encourage you to comment with some albums you’re anticipating so we can share in your excitement.

With Strange Aeons Even Death May Die: Lovecraft In Metal

Since its inception, metal has been deeply entwined in the world of both fantasy and horror. The almost-unanimous pick for the genre’s first album, Black Sabbath’s self-titled debut, instantly separated themselves from other bands at the time with their lyrics about unintelligible and dark figures in the night, wizardry, and possibly rock’s first true tip of the hat to the genius author H.P. Lovecraft. With the title of the album’s third track, “Behind the Wall of Sleep,” Black Sabbath not only revolutionized heavy music from a sonic standpoint, but lyrically as well. Bassist/lyricist Geezer Butler’s fascination with black magic and campy horror flicks in the early years of the band could certainly be looked upon as the genesis from which the Lovecraft obsession in metal truly began.