The Anatomy Of: Kaoteon

It’s always thrilling to find extreme metal in unlikely places. Labenese (by way of Amsterdam) blackened death metal act Kaoteon are embracing their status as unique cultural representatives by writing some truly compelling music while smashing middle-eastern stereotypes. Regardless of locality though, Kaoteon crushes. Spearheaded by duo Anthony Kaoteon (guitar) and…

Tribulation – Down Below

Of the comments on our post outlining Music Journalism’s Top 25 Metal Albums of 2017, one in particular provided an opinion that’s plagued the metal community for quite some time. The commenter criticized Heavy Blog for being too focused on “wanting to like what’s different as oppose to just listening to an…

Glaare – To Deaf and Day

If depression had an official soundtrack, there’s no question it’d be exclusively comprised of songs from post-punk’s family tree. The genre’s swirl of reverb, haunting bass lines and drab, lifeless vocals capture the essence of endlessly staring out the window of a dimly lit room on a rainy day, every…

Wave // Breaker – The G

The G, an “LA guy in Singapore,” burst onto the scene this year with his debut album Postcards from LA which the man himself describes as “a love letter to the California coast. I made it while I was preparing to leave, and wanted to express my feelings for the stretch of coast from Santa Monica to Santa Barbara—which has so much romance for me. It’s a deeply nostalgic record, which to me conveys warmth with maybe a touch of sadness.” His sophomore release, Cosmopolis, is very much attuned in the same way as it’s been touted as a “retro-futuristic road trip” since its release. “It’s still road music” The G declared. “So in that sense it is similar to Postcards. But it’s about the future, with all its promise and foreboding, and it’s about the romance of looking up to the stars and wondering what’s out there.” The G went on to elaborate, explaining that “I think it has a lot more emotional range than Postcards. So much synthwave is emotionally monotonic—like, “summer, summer, summer” or “dark, dark, dark.” Cosmopolis is a bit of both. There are upbeat songs, like “Arcology” or “Reunited,” and moody ones, like “Shadows in the Neon Rain” or “Stars That Fade.” I’m not always in the same mood, so why should my music be? I’d rather take listeners on a journey. A lot of my favorite albums take that approach, like 88:88.”

What Heavy Blog Is Really Listening To – 5/26/17

For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.

Ulver – The Assassination of Julius Caesar

Art is less concerned with clear borders or delimitation. In fact, it thrives where uncertainty flourishes, giving us a wordless dictionary to help us understand, empathize, and connect with phenomena too nebulous for a direct approach. The artist (and this is no original thought, as reading any number of countless thinkers on aesthetics will show you) is more of a mediator than an explainer, someone who is able to speak both the odd un-language of art and the odd language of our daily lives. Ulver have always understood this. From their black metal roots, channeling the wild indifference of nature, and through their by-now countless transformations, they have served as a unique trumpet for the unintelligible and yet impossible to ignore intonations that flash ceaselessly across the skies of our culture.

What Heavy Blog Is Really Listening To – 3/31/17

For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.

Brutality Will Prevail – In Dark Places

There are so many variants of hardcore right now. It’s bull in a china shop time for anyone obsessed with the aggression and emotion of good, honest hardcore. Unfortunately, hardcore fans can kinda suck. Everybody knows the ones. Chet and his bros, ready to get their hurt on, drink some beers (edge held for 4 days) and just get up in everyone’s shit. Brutality Will Prevail probably have a few fans like this clamoring for more two steps and call out choruses and they’re gonna be disappointed. In Dark Places sees the band getting back to the down and dirty, flirting with styles that don’t belong, according to Chet and his bros.

Indie Rapidfire Roundup – La Sera, Nicolas Jaar & Preoccupations

With Heavy Blog having changed the kind of content we publish and how we publish it, we’ve decided to retire our recurring Unmetal Monday column in favor of more ongoing/mercurial coverage of unmetal genres like indie rock, alternative, EDM, and more. One of the side effects of this is that we no longer had a central place to write about new music and albums from these kinds of artists/bands in a more informal way – things we might want to talk about but not necessarily in long-form. In light of that and our tradition of combining certain metal releases into groups to form “Rapidfire Reviews,” we’ve established this semi-regular column to take three recent or upcoming releases from the world of “indie” in the pejorative sense and offer some quick takes on them. In our latest Indie Rapidfire Roundup, contributor Mike McMahan and editors Nick Cusworth and Scott Murphy offer their thoughts on three very different, yet all well-anticipated albums: La Sera’s Queens, Nicolas Jaar’s Sirens and Preoccupations self-titled debut.

Stepping Stone: Killswitch Engage’s Alive Or Just Breathing

Jimmy Two’s first edition of this column was great and had me harking back to the glory days of browsing CD’s for hours and stressing because I only ever had enough money for one. One album kept coming to mind when I was considering what to pick for this feature. The album in question is the often heralded Alive Or Just Breathing by Killswitch Engage.