Tag Archive: Strapping Young Lad


 

It has been a while since I posted something. My power supply in my computer died a few weeks ago and I only got around to fixing it recently. To my dismay, all the news I had planned to post when I replaced it had been posted so I’ve had to do nothing but sit in silence. Regardless, I am back! Since all the writers seem to be hopping on this bandwagon and not wanting to seem like a dirty hipster I will provide my worthless opinion on my favorites of 2011. Without further ado:

10. Protest the Hero – Dunsel

Scurrilous was easily one of my most anticipated for this year after becoming a die hard Protest the Hero fan in 2009, clocking in probably 700 song plays for the band’s Fortress release alone. To (what seems like) everyone’s dismay, Scurrilous failed to meet the gold standard set by their previous release. Still, there are a few songs on the album that I consider some of their best work to date and this is one of them. “Dunsel” shows a progression in sound for Protest the Hero whilst retaining the flavor of Fortress. And c’mon: the ending is simply too good.

9. Origin – Expulsion of Fury

Origin kicks a lot of ass and their previous album, Antithesis, was probably one of the craziest records I’ve heard in a long time. Needless to say, the guys are at it again and there’s no doubt in my mind they’re going to slay with the new album. What makes this song good for me is that it’s pretty memorable. A lot of kick ass riffs packed into 3 minutes.

8. Obscura – A Transcendental Serenade

Much like Scurrilous, Obscura‘s Omnivium failed to meet the hype. It’s still a great record, but I think I was excited for it too much and as a result was rather disappointed with the outcome. Nevertheless, Obscura did deliver on one track and that is this one. It’s memorable, it’s instrumental and the vocoder section at the end is a chilling conclusion to this track. Oh and dat bass.

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From The Archive

The discovery of a new band is always exciting. Will it be something you’ve heard countless times? An experience that leaves a bad taste in your mouth? Or is it a treat from which you cannot stop consuming? I wanted to take a trip back in time to reminisce about bands/albums that not only introduced me to heavy music, but kept me coming back for more…

From The Archive: Strapping Young Lad – SYL

Strapping Young Lad - SYL

With all the latest spins of the awesomeness that is Deconstruction, I couldn’t help but find myself gravitating back to this crazy Canadian’s other band, Strapping Young Lad. I believe it’s the fact that his soon to be released album, Deconstruction has a lot in common with what you would hear on a Strapping Young Lad album. It’s heavy on top of heavy. But wait, I seem to be getting ahead of myself. So lets go back a few years as my first introduction to Strapping Young Lad was with their debut album, Heavy as a Really Heavy Thing. It took a bit of warming up to fully appreciate it, but once I did, I was a fan. And since then I’ve enjoyed all their albums as well as the progression this band went through with each one of those releases. But as I look back, I find myself always going to one album in particular, their 2003 full-length, SYL

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Imagine Strapping Young Lad and any given Tim Burton movie score. You won’t have to because I know you hit play before you even started reading this. I don’t even know where to begin with this song, as there’s so much going on. Joe Duplantier (Gojira) and Paul Masvidal (Cynic) both contribute vocals, and they sound fantastic. There’s admittedly a TON of hype behind Deconstruction. So far, it’s all been warranted. What you’re hearing above is likely to be not only one of the greatest metal albums of the year, but of the 10′s. I may be getting ahead of myself, but JUST LISTEN TO THIS. FUCK.

The world will get a little brighter when this monster of an album drops June 20th. Gimme gimme.

- JR

Ana Kefr – The Burial Tree (II)

Ana Kefr

The Burial Tree (II)

01. Ash-Shahid
02. Emago
03. Monody
04. In The House of Distorted Mirrors
05. Thaumatrope
06. Bathos and the Iconoclast
07. The Zephirus Circus
08. Jeremiad
09. Apoptosis
10. Parasites
11. Paedophilanthrope
12. Fragment
13. The Blackening
14. The Collector

[5/3/11]
[Muse Sick Records]

Every now and again, an album comes that changes the face of metal - Between the Buried and Me‘s Colors and Strapping Young Lad’s City both spring to mind. They raised metal to new levels of creativity and catapult that band to almost overnight stardom. Which brings me to Ana Kefr, a five-piece band from Riverside, California.  They formed in mid-2008 and released their debut, Volume 1.  One year later they released the single “Tonight We Watch the Children Fucking Burn.” Not much noise was made, but now, with The Burial Tree (II), Ana Kefr have released what will no doubt become a landmark LP in the metal community.

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Sideblast – Cocoon

Sideblast

Cocoon

 

01. Cocoon
02. Barbarians
03. The Shape
04. Discordant Symphony
05. Demigod
06. Signs
07. Dirge
08. The Fall
09. Insomnia
10. Ashes
11. My Perverse Disguise

[Cyclone Empire]
[01/28/2011]

Just as I’m about to lambast 2011 for not delivering on the death metal front, Sideblast show up, blow me away (obvious pun avoided) and let me know that I’m just not looking hard enough. Of all places, France isn’t my first thought when it comes to modern death metal; even I remember a time when French metal was basically a joke, so it’s no wonder it took me this long to catch up on Cocoon. They’re a fairly new band to me, having only one previous album, but if there’s one thing you need to know about me, it’s my gigantic musical boner for Strapping Young Lad. Sideblast are pretty much channeling City and Alien with all their might and the music is definitely there; diet-Meshuggah chug sections, turn-on-a-dime tempo changes and ridiculous synths all jostle for space on Cocoon in a surprisingly tasteful way.

It’s weird that many of the best bands from France essentially take another fairly individual band’s sound and tweak it into a far more sleek version of the original. For instance, Gojira are pretty much the bastard child of Morbid Angel, and fellow country men Scarve also share a love for the heavier side of Devin Townsend. This isn’t meant in a bad or accusative way; I have no problem with imitators/tributes as there is genuinely nothing new under the sun anyway, but that’s merely an observation.

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But Gein! Devin Townsend was in Strapping Young Lad! That’s true, but 2-man band The Omega Experiment fuse the calmer vocals of Devin Townsend’s solo work and the instrumentals of SYL. Check it out:

There’s no denying the similarities. Its got the catchy chorus, the wacky instrumentals and a pretty decent thick sound. In fact, they’re so apparent I originally questioned whether they somehow got Devin to contribute to their music. Turns out it was just multi-instrumentalist Dan Wieten (who also did the guitars, drums, bass and production).

The EP is excellent and simultaneously helps soothe the wait for Townsend’s monstrous dual release [Changed the wording after some bad wording that led to some negative criticism. Sorry! -Ed.] You can get it for free from bandcamp right here.

 

-MK

 

 

After being absolutely blown away by their live performance at Bloodstock, Xerath quickly became one of my favourite UK bands. If you’re never listened to them, then take one part Meshuggah and mix it with a heaped spoonful of Strapping Young Lad, topped with a lavish amount of symphonic elements.  Sounds good doesn’t it? Well try it for yourself:

Unite To Defy” is from the upcoming II album (that’s ‘Two‘ and not ‘AYE-AYE‘), and it ain’t no pirate metal. II will be released on the 25th of April through Candlelight Records and looks set to be even more epic than the debut, I (starting to see the theme here?).

 

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Dear sweet Lord, it’s been a while since I’ve done one of these! If you’re new to Heavy Blog or do not remember, this is where the highlights of our music submissions end up for you to feast your ears on! We hope you enjoy!

This time on Hits From The Inbox we have progressive metal band The Ciem Show. They’re sound is accurately self-described as “Progressive / Experimental Metal with Doomy tendencies… recommended for fans of Meshuggah, Devin Townsend, Arcturus, Ulver,King Crimson, and Faith No More.” Niiiiice. Their vocalist is certainly channeling some Strapping Young Lad-era Devin Townsend. Check out their album Lifelike Scenes below in its entirety.

If you dig the album (and you know good and well that you do!), you can download the album for free here.

The band are unfortunately having trouble finding a drummer. Here’s what bassist/guitarist Christopher had to say about their situation:

We are located in New Jersey and are currently suffering from a common, but deadly disease: Currently Seeking Drummer Syndrome (CSDS for short.) We have been suffering from CSDS for the better part of three years now, and if a cure is not found soon enough, we may never be able to perform live. Ever. Our previous drummer succumbed to an even more deadly disease, Apathia Sleeplatea Headupassia (in layman’s terms: laziness with a bit of the crazies), shortly after recording his parts for Lifelike Scenes..

Ouch. Are you a drummer in or around New Jersey? Hit them up on Facebook if you’re interested!

- JR

ENDITOL – ENDITOL

ENDITOL

ENDITOL

01. Monoculture
02. Ayin
03. Blame
04. Huath
05. Exterminans
06. Heavenvein
07. Scaven
08. Hope Universal

[Independent | 2010]

Take one part Dream Theater, one part Disturbed, and one part Strapping Young Lad and throw them in a blender. The end result is an interesting mixture called ENDITOL, a two-man project featuring Divinity‘s Sacha Laskow and AutoBody vocalist Jerrod Maxwell-Lyster.

As the album art would suggest, ENDITOL is a progressive and industrial tinged metal band with dark melodic atmosphere going on through the music. Just as Meshuggah and Strapping Young Lad, ENDITOL’s music can be chuggy without the annoyance and technical without all the directionless wank. The composition is on point, complete with tasty riffs and solos that are bound to get you hooked. Synths are also thrown in from time to time to exclamate the prog and minute industrial influences. All of this works together wonderfully in context and makes for a heavy and catchy experience.

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The only thing I cared about is their cover of “Cars” with Gary Numan. The rest is just meh. I know they were influential and whatever, but I honestly don’t get why everyone’s popping e-boners over the “reunion”. I’ll just listen to Strapping Young Lad (which features half of the members of the current FF lineup) and Meshuggah, who did that whole industrial death metal/chuggy thing better, if you can call Fear Factory death metal.

Not only is the sound generally aged and boring, but to listen you have to navigate through the clunkiest site I’ve had to endure in a long while. You need a Facebook account to listen, and you have to unlock tracks by leaving comments spamming your friends on Facebook and Twitter. I listened to opening track “Mechanize” and gave up, because fuck that noise. Snap judgments are too damn easy.

If you still care, here it is. Meh.

- JR

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