Tag Archive: Steve Evetts


Forgive my poor photoshopping skills...

Hot on the heels of that bit of pre-Puciato era Dillinger news, I’m throwing caution to the winds and gazing into my crystal ball to provide you with a bit of 100% unfounded, purely speculatory discourse for your Monday lunchtime.

Browsing over what I’d missed over the past few days (I moved flats on Saturday – there’s no hot water or curtains yet, but at least we have internet…all about the important things), I noticed The PRP’s throwaway post about a tweet Greg Puciato ripped off over the weekend:

Being a DEP fan, this obviously caught my interest. New record soon? Well shit, that’d be a peach. But no, that’s not what I was thinking.

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This weekend, both Architects and Red Seas Fire have uploaded new studio footage for their respective upcoming albums. Check these bad boys out.

Architects completed recording their new album, The Here And Now, with Every Time I Die and Dillinger Escape Plan producer Steve Evetts. The album is currently due out early 2011 on Century Media. I hope it’s at least as good as 2009′s Hollow Crown was. 2011 is already looking up!

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UK prog-influenced metalcore darlings Architects have wrapped up the recording process for their as of yet untitled upcoming album. The album was produced by Steve Evetts, known for producing The Dillinger Escape Plan and Every Time I Die albums. The only thing left to do now is mix it, master it, and release it.

The band hope to have the album out by the end of the year, and if it’s anything like last year’s Hollow Crown, it will be a great listen. Here’s Architects’ “Follow the Water”.

- JR

This is bootleg footage of Every Time I Die‘s new song “Rager” being played at Rock City in Nottingham, UK on May 12th. The track is expected to be on their upcoming album New Junk Aesthetic, which is due out at some point this fall via Epitaph Records. It’s being recorded in Anaheim, CA with producer Steve Evetts, who produced Dillinger Escape Plan’s Ire Works.

The song is pretty thrashy during the beginning, but sounds pretty much like a typical ETID song. It’s better than I expected anyway.

-JR

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