Tag Archive: Stella Dawes


To celebrate the re-release of Stella Dawes’ 2007 DIY-produced album Contrasts on iTunes that I mentioned yesterday, here’s the track The Unspeakable from it. To be honest, I had a lot of trouble trying to choose just one for you, as they’re all a tad dead good. Poor me, but lucky you either way.

Go pick up the album, or download their most recent track Your Opinon Is Wrong for free from Musicglue. More tunes also available on their website or Myspace.

They’re a lovely bunch of lads and they really deserve your support.

- CG

Unless your opinion is that you think they’re good and you want to give them money, because that’d be just fine by them!

Those with a keen memory might recall one of my first posts here was regarding the fantastic Stella Dawes, an unsigned band from Birmingham in the UK. They play a passionate mix of screamo and hardcore, and have one of the most unique guitar tones I’ve heard in a long time. Seriously; it’s gnarlier than your grandma’s vagina.

They are announcing the release of their ridiculously good 2007 self-produced album Contrasts on iTunes, as is the done thing these days, so all of you who put off paying for shipping the hand-crafted CD case to the states  (a beautiful package, complete with a personal note from the band) can get in on this great piece of DIY craftsmanship.

To celebrate this re-release of this old music, they’re giving away a brand new track, Your Opinion Is Wrong over at Tuneglue. The version up for grab is an update of part of a trio of demos they put on their MySpace earlier this year, which have been played a fuck-ton (to the nearest metric fuck-ton) by me already. Now it’s your turn.

- CG

AZWAI – The HBIH Interview

Local music scenes are funny things. For the most part they are wildly hit and miss, but growing up I was blessed with a fairly diverse and talented one: one that has inbred time and time again, recycling members, nurturing talent like some rapey old school janitor with a hunchback and a frog for a wife.

AZWAI are the six-fingered middle child of the Worcestershire music scene. There are hills. There are woods. Plenty of places to hide your incestuous progeny; perhaps in a cow shed in the middle of nowhere?

This is where I found Malvern’s very own bastard sons – [corresponding to the photo above] Dan Stokes, Adam Murkin, Craig Taylor and Dan Taylor [unrelated. Or so they say. See above paragraph.] – slavering over their instruments and sodomising a dead rat. Luckily they were in a ‘playful’ mood, and after placating them with the latest Hollyoaks calendar, they agreed to answer a few questions.

[End of hyperbole. Ish]

CG: AsZerosWeAreInfinite is not what you might call a usual name. How and why did you choose it in particular?

AdamDS: It’s based on a mathematical theory known as ‘God math’, which talks about zero as being an infinite number. In the beginning we just wanted to write hardcore but the more we wrote, and specifically the more technical our music got, the more the name stuck.

AM: Well in honesty, it was either that or ‘I’m A Pterodactyl’. We went for the one with the better acronym.

How did you all get started in music? What drew you to the heavier end of the musical spectrum?

DS: We stumbled across rock music in high school like everyone else, and found like-minded people. I began writing music when I was fifteen. I found that my tastes became more and more violent the older and grumpier I got, and that I had a burning desire to constantly push myself to the very edge of my abilities; writing songs I could barely play. Eventually, we wanted the music we wrote to cause an emotional reaction out of the people listening and the easiest emotion to provoke from a crowd is anger. We’ve always thought that anger and passion go hand in hand and we’re all very passionate people.

CT: Slipknot. End of.

God By Any Other Name

Between my crooked teeth

And self-prophecised lies

You will discover salvation for your ache

What is it about Malvern that produces such a plethora of brilliant bands and musicians?

AM: Must be the water…

DS: I think its because it’s ‘small town syndrome’. We all live in this town where there isn’t much to do apart from drink and listen to music, so eventually you have a whole gaggle of people in the same generation feeling the same frustrations of being from nowhere special. A band seems like the perfect place to vent those feelings and turn them into something constructive. Of course I could be way off and it could just be the water. The Queen does drink it. But I doubt she’s in a Converge cover band…

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Stella Dawes Dot Com

I posted about these dudes a while back. Continuing the DIY ethic of their debut album Contrasts, they’ve built their own official site, on their own. In fact, I believe it was only one of them, and he knows squat all about web design. Props?

The main reason for posting this is the plethora of audible goodies you get as a result. Their Myspace page offers two of the best tracks from Contrasts, as well as some tasty new demos, but for those of you hooked by ‘When the Tiger Lost His Voice‘, ‘The Unspeakable‘ and ‘Happy Ever Afternoon‘, the player on StellaDawes.com also features the third recent demo, as well as album tracks ‘Dichotomy‘, ‘Everything Happens to Eeyore‘ and ‘Investment Intercourse: A Deposit‘.

These guys are one of my favourite unsigned British bands; blending chaotic screamo with atmospheric post-whatever, but always feeling fresh. Think how refreshing City of Caterpillar were, and you’re someway close to these awesome dudes.

I hope this spurs you on to supporting them, even if it’s the measly £3* offering, because they’re genuinely a talented bunch.

- CG

*$4.50 at time of going to press

Stella Dawes – Contrasts

Stella Dawes

Seriously, why have Stella Dawes not been signed yet? A clutch of glowing reviews like theirs, and you might have expected someone major to have taken notice by now.

I first received my copy of ‘Contrasts‘, their debut full-length, in the summer of 2008. Boy was I excited. I’d been keenly following this band for a while, ever since vocalist Mike Shakespeare, ferreting his way around Myspace one day, politely messaged a bunch of like-minded people in my area asking us to check out his band. Words such as ‘Mare‘, and ‘Eden Maine‘ were bandied around, and I’ve been in love ever since.

I had known the album had been in production for a while. Mike and guitarist James Barter were taking on the entire process themselves, fitting it around day jobs, so a delay was to be expected. But when it came, I was stunned. Two tracks, ‘Dichotomy‘ and ‘Everything Happens to Eeyore‘ had been favourites for a while, and the recently previewed ‘Happy Ever Afternoon‘ and ‘The Unspeakable‘ had satiated my desire for new material, but even these didn’t prepare me for the majesty of the beast.

You see, with a lot of albums, and ones of this genre in particular, the songs – the lyrics and the heartfelt meaning behind them – can come out quite same-y. Not entirely, obviously, but I quite often find myself having to check the name of the track against the listing to get a bearing of where I am in the record. This is never the case with Stella Dawes. Every song has a unique hallmark, not least in thanks to Bart’s unique guitar sound – something akin to the love-child of a chainsaw and a cheese grater. You know it’s ‘Gut‘ because of the throaty staccato opening. You can differentiate between the two ‘Investment Intercourse‘ tracks (Deposit and Return respectively) because the former kicks you squarely in the groin at 1:31. You know you’re listening to what is arguably the album’s centrepiece ‘When the Tiger Lost His Voice‘ because, well, who else sings about tigers except Survivor? No riff or chord progression is repeated between songs, and they could have, because they’re all good.

For me though, it’s the very lyrics I mentioned earlier that make this record for me. Furious wrath and hardcore go hand-in-hand, and that’s all well and good, but I like my lyrical spice to take a more intelligent twist than your average ‘argh, I’m so misunderstood!’. Mike knows what he doesn’t like about the world, but he expresses it intelligently and, above all, poetically. Lines like ‘we polish shit, but like it or not, nobody here is perfection’ ring true, as well as being delivered with consistent gusto and conviction.

Just a little note on the packaging. If ever there was a reason to buy a physical copy, this is it. The brown cardboard case is beautifully DIY (in keeping with the ethos of the whole package), and charming to boot. The insert, chock full of handwritten lyrics, continues the theme, and a nice little bonus was the typed insert thanking me for buying the CD. It’s these little touches that might draw the ever-increasing number of pirates away from torrent sites and towards their wallets, were the majority of albums not merely templated jewel-case jobs. Anything to help in the war.

I know the band is not currently gigging due to the departure of founding bassist and drummer, Steve Butcher and Simon Kendrick, but I wish them the best of luck finding suitable replacements to fill the void. Based on a heavy amount of speculation (and the appearance of a couple of demos on their Myspace page recently), I suspect that the rest of the band will use this time to gather their creative thoughts, and I hope they will hit us with a stunning sophomore release sometime soon.

Stella Dawes - Contrasts

  1. Mouth
  2. Happy Ever Afternoon
  3. Dichotomy
  4. Investment Intercourse: A Deposit
  5. Everything Happens to Eeyore
  6. Gut
  7. Investment Intercourse: A Return
  8. Sleep is For the Week
  9. Fifteen Hour Drive
  10. When the Tiger Lost His Voice
  11. The Unspeakable
  12. Decay

Myspace // Support

[The boys are very reasonably offering you to 'set your own price' on what you think is fair for the music. You can choose to pay either £3 ($4.84), £5 ($8.07) or £7 ($11.30) + shipping. Check out the link above to hear what you're letting yourself in for. It's hardly expensive, and the packaging alone is worth it.]

- CG

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