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Alice-in-Chains-The-Devil-Put-Dinosaurs-HereAlice In Chains

The Devil Put Dinosaurs Here

01. Hollow
02. Pretty Done
03. Stone
04. Voices
05. The Devil Put Dinosaurs Here
06. Lab Monkey
07. Low Ceiling
08. Breath On A Window
09. Scalpel
10. Phantom Limb
11. Hung On A Hook
12. Choke

[05/28/13]
[EMI Records]

Deliberately side-stepping the band’s sad history of injuries and deaths and the religious controversy surrounding the title The Devil Put Dinosaurs Here, we now have access to an album that, whilst wallowing in its own melancholic tones, drags you back more closely than ever to the kind of immersive, organic experience that the Staley-era Dirt offered up.

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Brendon Small is a remarkable fellow. Not only has he enjoyed the success of two animated series on Cartoon Network’s Adult Swim (Home Movies and Metalocalypse), but the Berklee graduate is also a gifted musician and standup comic.

Small discusses Metal, why his next television endeavor won’t be animated, acting school, his heroes, and his hopes of returning to standup comedy.

So do you ever plan to revisit standup, and what was that like compared to acting, studying at Berklee, and then today, making cartoons?

It’s funny, ’cause my goals in standup are very specific and small from time to time because I enjoy doing it, I enjoy [it] when new stuff works. I’m kinda using it to develop some ideas right now, but there’s some other stuff that I’m working on. When I go up onstage, when you see me performing, it has nothing to do with the world of Metal, or anything. It’s more just related to my life and my family… it’s kind of almost more… about whatever’s going on in my life at any particular time. But it’s fun, I enjoy it. It’s harder than anything else you’ll do… I just kinda learned how to redo it, relearned the rules or whatever “not to do”. Stupid mistakes people [make] with the audience.

Playing Metal in front of 30,000 people is WAY easier than performing for a small room of 18 people.

Really? The pressure’s that different?

It’s just [that] comedy’s not guaranteed to work. It really is not. When you go see a comedy show, it doesn’t mean it’s gonna be funny. You’re trying something that may not work. When you go and see a Metal show, I can go and rehearse, I can sit with the drummer, I can write some songs, I can put ‘em on a CD, and… I can gauge whether people are enjoying themselves by sales on all that stuff. And then I can go and play them, and chances are good – unless I screw up – that what I give the audience is what they expect, and they’re excited and everything. But that is NOT the case with comedy. I could have a misstep from the very beginning and lose people who are actually fans, by maybe losing confidence in the moment… Even if you do really well at the top of your set, it doesn’t mean that the middle of your set is gonna go well. But you can also potentially get them back again.

Anyway… I’m still very fascinated by it, but you kind of get out of it what you put into it. You have some comics who just want to be standups for a living, then you have people that are gonna utilize it as a tool for writing.

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Noyan and Dez --- Separated at birth?!

It’s always a treat to hear a promising young band release their debut album with such hype and acclaim and completely follow through, starting their careers with an enthusiastic sprint out of the gate. The Safety Fire‘s debut album Grind The Ocean is already one of the best releases we’ve heard this year, and if they’re this strong as it is now, then these British prog/tech metallers have the potential to be giants in the genre in a few years time. While out on their first ever American tour alongside Protest the Hero, Periphery, Jeff Loomis, and Today I Caught The Plague, Noyan caught up with The Safety Fire in their Baltimore stop to talk to guitarist Derya “Dez” Nagle about the tour, their humble origins, and their debut album Grind The Ocean, out now on InsideOut Music.

So, your new album is out. How’s the reaction from the fans so far? How’s the tour?

It’s been amazing so far. Being the first time we came out to USA, we didn’t know what to expect; so to come out to shows and see people knowing the songs is a massive thing for us. We had no idea that there’d be such a positive reaction. Also, people who didn’t know us turned around and getting into the music and having comments like, “Wow, I never heard you before but now I’m buying the album,” from seeing us live is amazing. It’s been great so far.

So, you guys dropped onto the international scene out of nowhere, so what’s your story? You guys are kind of an enigma.

The band started literally when we all got our instruments at 15, and it’s been the same lineup since then. We progressed in an oldschool fashion like bands like Deftones and Alice in Chains kind of thing where high school friends become bands. That’s what we are, instead of finding other musicians with the same color that then make a band, we developed altogether. It was a long process. The band as The Safety Fire kind of started maybe in like 2006 or 2007 when we started to write music kind of in the style of what we write now.

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Corrosion of Conformity

Corrosion of Conformity

01. Psychic Vampire
02. River of Stone
03. Leeches
04. el Lamento de las Cabras
05. Your Tomorrow
06. The Doom
07. The Moneychangers
08. Newness
09. What We Become
10. Rat City
11. Time of Trials
12. Canyon Man
13.  The Same Way

[02/28/12]
[Candlelight Records]

Corrosion of Conformity started in 1981. Since that time, they’ve seen some things, and probably done some things as well. Such happens as time passes. Seven Earth years have came and gone  since we’ve gotten a full length from them.  In the Arms of God was their previous album effort and is well received by many including myself. It was an awesome stoner/southern rock ride.

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Brendon Small, creator (and pretty much everything else) of Adult Swim’s Metalocalypse and Home Movies, is finally poised to release his side-project this year with Brendon Small’s GALAKTIKON. Described as a “High Stakes Intergalactic Extreme Rock album,” GALAKTIKON seemingly rips a page out of Devin Townsend‘s Ziltoid The Omniscient and will be an over-the-top rock opera of sorts with influences from modern black metal, Queen, Foo Fighters, Soundgarden, Smashing Pumpkins and Weezer. Here’s what Brendon said in a statement:

“This album should be thought of as an audio comic book, an over acted chamber drama, a ridiculous premise that takes itself way too seriously all the way to the end,” states Brendon Small.

GALAKTIKON is pretty much Dethklok in a shiny melodic rock package, featuring legendary drummer Gene Hoglan and Dethklok live/studio bassist Bryan Beller, as well as retaining mixer/engineer Ulrich Wild. Obviously, this is quite the departure from Brendon’s work in Dethklok, but should be just as excellent given the roster’s quality!

Brendon Small’s GALAKTIKON is due out this April. We’ll follow up with more information as it becomes available! In the mean time, hit up the project on Facebook for up-to-date information!

- JR

Black Tusk – Set the Dial

Black Tusk - Set the Dial Black Tusk

Set the Dial

01. Brewing the Storm
02. Bring Me Darkness
03. Ender of All
04. Mass Devotion
05. Carved in Stone
06. Set the Dial to Your Doom
07. Resistor
08. This Time is Divine
09. Growing Horns
10. Crossroads and Thunder

[10/25/11]
[Relapse Records]

For quite a while now, Georgia has breed its fair share of bands that all utilize that brand of southern-tinged music, albeit to a much heavier degree. Bands like Mastodon, Baroness and Kylesa have made a name for themselves and despite their different paths, they’ve all retained certain characteristics such as massive hulking riffs, booming vocals and an all around gritty sound. And in the case of their backwater brethren, Black Tusk, they are no different. But what sets Black Tusk apart from the other bands is there no holds barred approach to writing high-energy hard rock/metal music that bodes well their overall hell raising attitude. And with the release of their latest album, Set the Dial, Black Tusk continue that formula, bringing back that southern hospitality which will undoubtedly have you banging your head and stomping your feet!

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Well, this isn’t good.

Coheed & Cambria Bassist Michael Todd was arrested yesterday afternoon for armed robbery of  a Walgreens pharmacy in Mansfield, Massachussetts. He claimed he had a bomb and demanded Oxycontin. As reported by TMZ, he apparently made off with six bottles of the stuff and jumped into a taxi, but cops quickly tracked him down.

All this while Todd was on his way to play show opening for Soundgarden that night at the Comcast Center. Ouch!

I don’t have a whole lot to say about this, but as a Coheed fan it’s obviously very disappointing and disturbing. Todd has a past history of heroin/painkiller addiction, but supposedly he has been clean for years. Either way, this is definitely a surprising new low, and I would imagine he just may be out of a job when he gets out of jail.

Coheed & Cambria are pressing on, with their touring keyboardist Wes Styles filling in on bass for the remainder of the tour. The band issued the following statement via their website:

“Michael Todd was arrested today on what we consider very serious charges and therefore he will not be finishing up the current tour. Wes Styles, longtime member of the Coheed family, will take on bass duties starting tomorrow for the remaining dates. No shows will be canceled.

We are surprised, to say the least, and will address the situation with Michael after the tour. For now, we just want to have a great time out here and finish with some killer shows in Boston, Poughkeepsie, Quebec City and Halifax.”

- JB

Comments From Hell (04/11-04/17)

Chris Catharsis brings you the week in review of metal bullshit every Sunday.  All the news you might have missed and whatever else is on the chopping block!

Well here I am – writing my first post for HBIH.  It’s a humbling moment, not unlike my first trike ride or back alley BJ.  I’m no stranger to the metal blogosphere, having been the owner and primary writer for Spine Language for practically a full year now.  Good times were had by all over there.  I interviewed some great bands, had some original concepts, and even started an Internet war with Otep (check that one off the god damn bucket list).  My posting there has been infrequent as of late because it takes a lot of time and effort to make quality content that satisfies my perfectionism, but my partner Dasher is doing a great job of making it seem like I know what I’m doing.

But now it’s time to start a new chapter with HBIH, and it begins with this weekly metal wrap-up column.  I don’t intend to cover absolutely everything, just what I take notice of.  Think of it like the CNN ticker, except with choice comments from the dirty asshole I call a mouth.  The point is to stimulate discussion and catch you up on things you might have missed; we’ll see if either of those objectives are actually fulfilled in the end (my prediction: highly doubtful).

Time (or rather word count) is of the essence – so let’s begin.

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