Tag Archive: Soilwork


Right now Devin Townsend‘s twitter account is a gold mine of small bits of information that are getting me majorly excited for the upcoming releases; Ghost and Deconstruction. So I compiled a list of the more important ones:

  • Ihsahn is a guest musician on Deconstruction. Majorly excited for this, After was a prog masterpiece so it should be very interesting to see what he brings to what is supposed to be the heaviest album of the set. I swear I remember reading that there would be quite a few guest appearances on it but this is the first I’ve heard of other than Dirk Verbeuren (Aborted/Soilwork etc) on drums.
  • The boxset (containing all four Devin Townsend  Project releases) has been mentioned again and should apparently include all the Protools sessions as a bonus. Devin’s always been known for his dense and complex recordings so I’m looking forward to picking through those.
  • Century Media will release a live EP for free on their website sometime next week. Live Devy is always good.
  • Finally, not from the twitter account but Metal Hammer are reporting that Devin is set to appear on a Frank Sinatra tribute album, the unfortunately titled Sin-atra. He’s contributing a cover of “New York, New York” and will appear alongside others such as Joey Belladonna (Anthrax), Dee Snider (Twisted Sister) and Tim ‘Ripper’ Owens (Judas Priest/Iced Earth etc).

It’s all happening!

-DL

Deadlock – Bizarro World

Deadlock

Bizarro World

01. Virus Jones
02. State of Decay
03. Falling Skywards
04. Earthlings
05. You Left Me Dead
06. Brutal Romance
07. Alienation
08. Renegade
09. Htrae
10. Bizarro World
11. Paranoia Extravaganza

[02/28/11]
[Lifeforce Records]

Oh, Deadlock, how do I describe the relationship we have? You continually give me reasons to dislike you, but then you give me reasons to like you. When will the fence riding stop? From Earth.Revolt to Manifesto, German modern melo-death 6 pack (all right that was lame) have given me chills, but gags as well. I hate to be the bearer of bad news, but Bizarro World, the band’s 5th release in a rollercoaster career, fails to change my mind.

At first glimpse, the album seemingly has hope. Looking at the title of the album and the song names should give you a good indication that this album does not feature the animal rights slacktivism they have come to be known for in the lyrical side of things. That right there drew a huge smile across my face. While I can’t endorse the new lyrical direction (that is, relating the DC comics universe) as much as I can some pseudo-intellectual babble about mysticism (see Decrepit Birth), it’s definitely a step up. With a change in lyrical content, I had come to the assumption that this album might not be plagued by the inconsistencies of the past. Kind of like an intervention or a cleansing. But here we are again, going up and down. I swear I’ve been here before.

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Oh Devy, you so crazy.

With Ghost and a headline tour under his belt for the end of 2010, Devin Townsend & Co. recently dived into recording for the new Devin Townsend Project album, Deconstruction.

If you haven’t been following (for shame!), both Ghost and Deconstruction are set to be double albums which compliment each other in their varying sound. Ghost is ambient and relaxed, reportedly making Ki look like death metal in comparison. Decon is also supposed to be heavy, fast, and technical—something fans of Strapping Young Lad will surely be waiting for with bated breath. Oh, and that’s Soilwork drummer Dirk Verbeuren. EXCITE.

And was that some Ziltoid talk at the end with the gang vocals? Is that a part of Z2 or is tDhere some sort of cameo? Is Ziltoid the Omniscient Ziltoid the Omnipresent?

I am excited. 2011 is going to be a blast. Best-case scenario: we get 4, possibly 5, albums worth of Devin Townsend related goodness. I can’t wait!

- JR

The Absence – Enemy Unbound

The Absence

Enemy Unbound

01. Vertigo
02. Erased
03. Deepest Wound
04. Maelstrom
05. Enemy Unbound
06. Solace
07. The Bridge
08. Wartorn
09. Hidden in White
10. Vengeance and Victory
11. Triumph

[Metal Blade | 9/14/10]

Florida quintet The Absence had fallen off my radar for quite a while. In fact, melodic death metal as a whole has been merely an afterthought for a long time. The genre itself is falling to shit with the rise of so many bands doing nothing interesting. While I do enjoy well-executed modern melo-death (Scar Symmetry, Soilwork), I crave the original shit. Sometimes I just need the greatness of classic melo death and The Absence does exactly that.

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Those Swedish dudes in the band Soilwork recently posted a blog thing describing what it’s like every day touring. If you’re like me and aren’t touring then this post might be a bit insightful to those who are curious. It’s not the most elaborate thing in the world, but you have to give respect to those who put up with the seemingly mind-numbing tasks for the sake of our entertainment. I’d probably kill myself. Nevertheless, it’s a short, interesting read. You can read it here.

-MK

Raunchy – A Discord Electric

Raunchy

A Discord Electric

01. Dim the Lights and Run
02. Rumors of Worship
03. Nght Prty
04. Street Emperor
05. Blueprints For Lost Sounds
06. Shake Your Grave
07. Tiger Crown
08. Big Truth
09. The Great Depression
10. The Yeah Thing
11. Ire Vampire
12. Gunslingers and Tombstones

[Lifeforce | 10/11/10]

Danish metallers Raunchy are a hit or miss with many people. Employing a few genres such as industrial metal and metalcore into their sound, they play much brighter and melodic music than their parent genres, resulting in something that’s usually catchy and fun to listen to but also something you can or can’t stand. With a name like Raunchy, it’s hard to take them seriously, but rest assured that these guys play for realz. However, being a true band isn’t enough to save A Discord Electric from being mesmerizingly (is that even a word?) amazing at times and downright abysmal at others. Average is the best word to describe it.

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Soilwork

The Panic Broadcast

01. Late For The Kill, Early For The Slaughter
02. Two Lives Worth Of Reckoning
03. The Thrill
04. Deliverance Is Mine
05. Night Comes Clean
06. King Of The Threshold
07. Let This River Flow
08. Epitome
09. The Akuma Afterglow
10. Enter Dog Of Pavlov

If you were a new listener of Soilwork and decided to pick two random albums out of their discography, they would sound extremely different. This is one of their best qualities: diversity and evolution. A spot in metal history should be reserved for these Swedish metallers. While not everyone has enjoyed all of their work (I being one of them) you would be hard-pressed to find bands who deserve the credit these guys do. It’s this quality that truly elevates them to another level. The Panic Broadcast, Soilwork‘s latest release, continues this trend.

By now you should know Soilwork has become more accessible to the masses. The Panic Broadcast is no different. Melody, aggressiveness and ultimately, catchy as fuck. Bjorn “Speed” Strid is as strong as ever, changing from screams to more of a powerful yell and his singing becoming much more passionate, light and refined. In the end, he delivers some of the catchiest things I’ve ever heard from him (“Night Comes Clean”, “Epitome”). With the return of Peter Wichers, Soilwork have improved in the guitar department tenfold. Strong, groovy, thrash-influenced riffs and well-constructed solos that are absolutely killer flood this album like torrential downpour. Dirk Verbeuren also makes another solid effort with his diversified portfolio of drumming styles.

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Today, Swedish modern metal 6-piece Soilwork posted a new song titled “Deliverance is Mine” which has its own music video coming soon. If you’re one of the many, many people who haven’t heard the new record (like me), then this is good news. I personally like the song. We all know they aren’t the same Soilwork from 10 years ago, nor do I wish they were, so you need to see it for what it is now and not what you wish it was. The band has evolved, and evolution is integral to a band, for better or for worse. So head on over to their Myspace for a listen! It features a fairly catchy chorus, some nice riffs and a killer solo. What do you guys think? Is Soilwork still good or did they fall into the same sellout cesspool years ago and now they’re forever doomed?

The Panic Broadcast drops July 2nd in Europe and July 13th in America through Nuclear Blast Records.

-MK

Last night I decided to give the new Whitechapel album a try, a band I have always joked about for being generic and having three guitarists. My opinion didn’t really change much, but it inspired me to really start listening to some of my more older music. If you were born in the early 90′s and you listened to heavier forms of music, there’s no doubt you probably listened (and liked) to Slipknot, Korn and Limp Bizkit (although, this rant is mainly about Slipknot). After all, the music was simple, it was catchy and really related to a lot of issues a kid might be dealing with. The lyrics never affected me, but maybe to others it did. In any case, I miss the days of this kind of music. Nowadays the trend for kids growing up is generic -core music that really has no substance. Yeah, that’s right. No substance. You’re probably thinking I’m fucking retarded for saying Slipknot has substance but we all know the unnecessary 9 men had a sound that wasn’t really paralleled. Anyone could pick out them in a crowd. Now, you have Deathcore Band #825, all playing the same music endlessly. Breakdowns and being brutally HXC!!111! is the new thing and it sucks. Of course anyone who was never into Slipknot and enjoyed much of the heavier 80′s/90′s metal like Death and Atheist will disagree entirely and say it all sucks and call you an untrue faggot… and it’s that elitism that caused me to push my old musical taste aside.

The reason is stupid, I agree. Entry-level metal bands really gave me a more wide variety of metal taste and I’m always going to thank them for that. Yet, until today, I just couldn’t stomach listening to them again. Not because my tastes evolved and that I hate it now as a result, but because you’re untrue and a disgrace to metal if you do as previously mentioned. At least in the eyes of some people, anyway. Entitlement and elitism has always been retarded and it will continue to be retarded, but for some reason it always got to me. I felt like I was betraying the metal community if I didn’t listen to stuff the majority accepted. It’s a dumb reason, but I didn’t want to betray the community that I loved. The community who showed me great bands. The community who helped me find the roots of the more technical music that I listen to today such as Death, Atheist and Iron Maiden. The community who really helped me push aside the stereotype that if you listen to death metal you’re weird. Of course maybe that’s just from growing up, when everyone else started to stop giving a fuck about the social norm. Even though a lot of things suck this generation of kids (shorthand typing for example), that was one thing I liked. In any case, I can’t ignore what the metal community has done for me indirectly and directly. So, any metalhead, or anyone who just likes metal in general, I thank you. I may be the only one in my group of friends who doesn’t share the same taste, but I’ve learned to just not care because of you guys. But now, within my own musical taste, I should stop caring about what the metal community thinks.

I nostalgia’d hard last night when I listened to a few songs off Slipknot‘s Iowa album. Anyone who was born in the early 90′s and liked them knew that CD was a classic. I can’t sit here and lie saying that it sucked because last night I enjoyed it thoroughly. Tracks like “New Abortion”, “Metabolic” and “The Shape” are just too catchy and memorable for me to pass off, no matter how “untrue” it makes me. Slipknot has a place in my heart because they were the entry-level to In Flames and Soilwork, who were entry-level to modern metalcore, who were subsequently entry-level to death metal.

At the end of the day, I can’t ignore it. Fuck staying true, if I even was in the first place. I wanna listen to all kinds of metal. Of course I still prefer the music I like now exponentially and I’ll always respect the bands who shaped metal today, but I think I’ll start mixing it up when I get tired of listening to noodling and radical tempo changes. It just gets tiresome to listen to the same kind of metal. I do like electronica and 90′s rap a lot so I’m not exactly narrow-minded in the grand scheme of things, but within metal I need to stop closing off music I used to like simply because I care about what people think.  I’ve tried post, sludge, doom and black, but they just don’t click for me. Of course, I’m always down to give a chance to any kind of metal so feel free to leave me any kind of recommendation. Ultimately, though, I get tired of the same music. And I’m remedying this by going back 5 or so years to the golden days of nu metal.

Maybe it’s just a nostalgia thing. Maybe it’s just part of growing up. After all, I bought a used Wii and Super Mario Galaxy 1 & 2 JUST for the platforming. I miss platformers, but a lot of developers seem to be hellbent on generic brown & bloom rehash shooters. I digress, though.

This could all be temporary and in a few weeks I might give a big fuck you to the music of my youth, but in any regard, I’m gonna pop in Iowa after I finish digesting how great of an album Monsters by The 25th Hour is.

In summary, if it’s good, listen to it.

-MK

I was getting kind of excited for the new Soilwork effort, as return of founding guitarist Peter Wichers was supposed to be something worthwhile… but sadly I’m just not feeling their new song “Two Lives Worth Of Reckoning,” which is streaming over at Soilwork’s MySpace.

I don’t know, on first listen I was unmoved. Second listen was a bit better, but nothing I’d go out of my way for. Maybe it’ll grow on me? I haven’t been into Soilwork for a while, as the last album I enjoyed by them was Natural Born Chaos. I guess I just grew out of this whole melodic death metal/modern metal thing, but I’ll keep trying.

In the mean time, check out the new song and tell me what you think. The Panic Broadcast is due out July 13th via Nuclear Blast Records.

- JR

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