Big Business – The Beast You Are

Things change. It is the one constant in life. Nothing always stays the same. It is the natural order of things. And that can be tough to deal with. You can fight it all you want, but it almost always results in abysmal failure. When change rears its head, you…

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Hey! Listen to Hexuus!

With all our love of the modern production studio and the wonders it can make with sound, sometimes you just need a bit of raw in your life. Stoner/sludge can be good for that, if the band has enough guts to really dig into the filth which makes the genres…

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Burning Vow – Burning Vow

Few subgenres in metal have as many abilities to express music like doom. How many different combinations of “doom ___” can you think of? How many different variations on the sound have there been? I can think of quite a few, and I know for a fact that the sound can be quite expansive. It takes creative musicians to do it, but doom seems to have that in spades. Chalk up another entry with Burning Vow and their self-titled debut.

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DIRGE – Lost Empyrean

For fans of post-anything metal, there was a turning point where we came to dismiss instant gratification. The point where we came to fall in love with the longform sonic journey, the gradual and subtle expanse of musical ideas, or the entrancing (and at times physical) nature of cascading, droning riffing and phantasmal leadwork. Bigger than that, it’s where we abandoned immediacy in exchange for the ambient, the psychedelic, the densely layered, or the ruminating.

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Doomsday – 2018 In Review

A dark and foreboding greeting to you, heaviest of Heavy Bloggers! Yes, I’m afraid it’s that time again. The death of the year 2018 demands a review, and we would be quite foolish not to oblige. It’s been another very solid year for doom metal. Personal favorites and genre darlings alike have returned with huge releases, up and comers have made themselves known, and a certain giant of the scene made a comeback after a far too long hiatus. What’s not to like about DOOM 2018?

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All Hail the Yeti – Highway Crosses

Few bands have suffered from the dreaded “sophomore slump” in recent memory as much as Los Angeles’ All Hail the Yeti, The metal world waited four long years following their promising, self-titled, 2012 debut, only to be greeted by the abominably disappointing Screams from a Black Wilderness (2016), which saw…

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