Doomsday, April 2019

Greetings unto thee, heaviest of Heavy Bloggers! Hopefully, the majority of you have emerged from your wintry dens of protection and gotten some sun on your bodies. Maybe you even enjoyed that special holiday in April that doom dudes are really into. I’m speaking, of course, about Earth Day. What…

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Big Business – The Beast You Are

Things change. It is the one constant in life. Nothing always stays the same. It is the natural order of things. And that can be tough to deal with. You can fight it all you want, but it almost always results in abysmal failure. When change rears its head, you…

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Asthma Castle – Mount Crushmore

Doom metal can sometimes become a catch-all term. Bands just get that label because they don’t clearly fit into something else. If it’s not fast-paced or evil enough, then you can’t give it the death or thrash or black label. But you have to give it something. If it sounds…

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Doomsday – February 2019

Many blessings unto you all, heaviest of Heavy Bloggers! The music releases are coming much harder and faster now that we’ve all gotten back into the swing of things, so keep your eyes peeled for those new releases. Being that it’s the dead of winter, it’s a perfect month for…

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Doomsday – January 2019

Happy new year to you, heaviest of Heavy Bloggers! Time for that fresh start you’ve all been waiting for. New year, new Doomsday! January, much like December, is a weird time for music. Everybody has that refresh period after the holidays to get their heads back together. You will see…

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Burning Vow – Burning Vow

Few subgenres in metal have as many abilities to express music like doom. How many different combinations of “doom ___” can you think of? How many different variations on the sound have there been? I can think of quite a few, and I know for a fact that the sound can be quite expansive. It takes creative musicians to do it, but doom seems to have that in spades. Chalk up another entry with Burning Vow and their self-titled debut.

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All Hail the Yeti – Highway Crosses

Few bands have suffered from the dreaded “sophomore slump” in recent memory as much as Los Angeles’ All Hail the Yeti, The metal world waited four long years following their promising, self-titled, 2012 debut, only to be greeted by the abominably disappointing Screams from a Black Wilderness (2016), which saw…

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