Tag Archive: Sikth


We’re only two weeks in, and 2012 has already got off to a funny start. We’ve had some drab news; The Human Abstract have faded away quietly at the height of their power, along with the likes of The Carrier, and Oceano; the latter due to the departure of vocalist Adam Warren amongs other things. Similarly, Killswitch Engage are without a frontman as Howard Jones confirmed he had left the band, although they are looking for a replacement, who may or may not be Jesse Leach… We also had last week’s announcement that absolute metal legend  Tony Iommi of Black Sabbath being diagnosed with early stage lymphoma. Although we remain hopeful, in the vein of 2010′s Nergal crisis, nothing is assured.

It’s not all doom and gloom, though. The past few days in particular have seen a couple of rays of excitement, firstly in the news that post hardcore legends At The Drive-In have made good on a statement made by Cedric Bixler-Zavala in 2009  that the El Paso quintet could once again play together, and secondly with the word that Swedish hardcore punk heroes Refused are also back and scheduled to play Coachella in April, Way Out West in August, and possible other shows beyond to give The Shape Of Punk To Comeits proper dues. This got me thinking; what with Paul Scholes re-signing for Manchester United, Thierry Henry returning to Arsenal on loan, and my hamster from when I was thirteen clawing its way free of the shoebox in which it was buried to terrorise the cat, it seems like 2012 could be the year of the grand return. Whether or not you think this is a precursor to the actual dead walking the earth, and thus a sign that the Mayans were right and we’re all going to die up by December 21st, you have to admit that there are a few more legends that need to resurface to make the end of the world party worth attending. Behold my humble wishlist:

At The Drive-In

First up, the mercurial masters of nineties post-hardcore, who as I said above, reunited this week after eleven years away. It’s a fucking good start, I tell thee. If you do the math, you’ll know that At The Drive-In were last seen in 2001. March, to be exact, off the back of a six year recording/touring cycle that culminated in a world tour. By that time they were fucking tired of each other, and vocalist Cedric Bixler-Zavala and guitarist Omar Rodriguez-Lopez were on some serious drugs by this point. Things were not happy. In this video, filmed for the renowned …Later With Jools Hollandshow in the UK in late 2000, you can see the sheer passion with which they played, but also how much they clearly despised each other by this point. On the one hand you’ve got guitarist Jim Ward and the rhythm section soldiering on, playing the fucking song…and then you’ve got Cedric leaping around, throwing around chairs and not bothering with half the songs, and Omar at times barely playing his own damn song…but then pulling it back at others. Absolutely electric stuff, and for me 100% what At The Drive-In were about.

Bonus shot: Robbie Williams’ face at having to follow ‘One-Armed Scissor‘.

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Alright, before you get too excited, SikTh are unfortunately still broken up. However, the now legendary and influential British tech metal band have touched on the subject of the band’s future on their new official Facebook page, as well as opening a new much requested merch store.

You can read the band’s full official statement here, which goes into detail on the reasons for setting up the official Facebook page. Essentially they were being badgered so much to bring some more merchandise out that they figured this was the best way to do it.

More intriguing is the news that, whilst they are still broken up and there are no immediate plans to reform, there is, as they put it “un-finished business.”

Any sign of life and movement over at the SikTh camp is exciting, and now that merchandise is finally available, it may spark something more out of these guys. It may not be any time soon, but I can rest easy knowing that there’s a possibility of  getting to hear a new SikTh record in a few years.

Obviously, if something else ever comes out of the SikTh camp, we’ll keep you covered. In the mean time, buy a shirt and support the band!

- JR

I’ve heard smatterings of information about this collaboration for a while now, apparently it was meant to make it’s debut in early 2011 but the press caught wind of their secret show and it was cancelled. No matter, Primal Rock Rebellion is the (unfortunate) name of the new project comprised of  two members of legendary British bands — Mikee Goodman of now defunct tech-metallers SikTh and guitarist Adrian Smith of none other than Iron Maiden. An odd coupling, for sure, but one that should produce interesting results starting with the above track “I See Lights” from their upcoming debut due out sometime this year.

Interesting is definitely the word to use. There’s nothing particularly offensive about “I See Lights” — it takes a traditional hard rock approach and at times feels a little nu-metal inspired but steers completely clear of the anthemic gallop of Iron Maiden or the juddering meanderings of SikTh. Primal Rock Rebellion aren’t the sum of their parts, instead it feels more like both members trying something a little more straightforward and to the point.  While it didn’t blow my mind in any way, I’m intrigued enough to want to hear the rest of the material but that may just be me placing too much importance on the more prominent endeavours of the members.

- DL

Corelia: The Cut Guest Interview!

“The Cut? Wait, what is that?!”

The Cut is a student-ran magazine at Carnegie Mellon University in Pittsburgh, PA. Among their ranks is resident metalhead and admin Dan Curhan, regular HBIH reader and commenter. While The Cut is a music rag of sorts, their focus isn’t really the same as ours; while Dan runs a monthly metal column, the overall scope is more broad and all-encompassing. Not too long ago, Dan hit up Heavy Blog favorites Corelia for an interview and thought it appropriate for us to cross-post. We were more than happy to oblige! Read Dan’s interview with guitarist Chris Dower, bassist Adrian Alperstein, and drummer Clayton Pratt below, where they discuss their excellent new EP Nostalgia and vocalist Ryan Devlin’s new position in The Human Abstract.

 

The Cut: You guys have just recorded and released your EP, and you did that all yourselves, right?

Chris Dower: Yeah, we pretty much did everything ourselves. The only we didn’t really do ourselves was the final mastering. The guy who mastered it, his name is Luke Martin, he’s from the UK. Um, cool guy. Never really talked to him, just over Facebook, but he offered to master the EP for free. So we called him up.

 

The Cut: Nice! So did you buy all your equipment? Or did you rent it? Or..?

CD: Well, Ryan [Borrell, the other guitar player] and I both own Axe-Fxs, so that makes recording the guitar pretty easy. Other than that, we just used Superior Drummer for the drums, and vocals…

Clayton Pratt: Yeah, vocals we pretty much did the same thing. Cheap stuff, we used a [PreSonus] FireBox, which is a lower model of a Firepod, which we used for the interface and the preamp for the mic. The mic we used was an SM-7b, and going into Cubase, and yeah, that’s it. That’s all we use.

 

The Cut: Nothing too fancy, but it came out really good.

CD: Yeah, we were surprised. We were kinda wary – we started recording the EP and we were like “uhh how’s this gonna turn out? we’re not really experienced with self recording.” It was painful, but it turned out really well, I think.

CP: Yeah, it took a lot of extra time making, like, that kind of stuff sound professional. We just took the extra time to make it sound professional.

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Volumes – Via

Volumes

Via

01. Paid in Full
02. Limitless
03. Wormholes
04. Reversion
05. Serenity
06. The Colombian Faction
07. Affirmation of Ascension
08. Intake
09. Behind the Curtain
10. Recovery
11. Edge of the Earth
12. Via

[10/11/11]
[Mediaskare]

Volumes sure did see a rapid jump to success. Before even releasing their debut album, they toured alongside the biggest bands in the entire scene and gaining a sizable fanbase. I could never really see it at the time of their EP, though. It seemed that almost everyone was raving about The Concept of Dreaming (this site’s official review included), and I just couldn’t get what all the fuss was about. Now the LA-based sextet released their highly anticipated full-length album Via to a reasonable and unignorable amount of fanfare, I felt obligated to give it another spin. I think I’m starting to see it.

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Aliases – Safer Than Reality

Aliases

Safer Than Reality

01. What’s Left For Us?
02. The Reality of Beliefs
03. We Never Should Have Met
04. Refraction
05. All That Glitters Is Gold
06. While I Drown
07. The Beginning Has No End
08. Sirens

[08/15/11]
[Basick Records]

Whoever continues to whine about Sikth being disbanded after hearing Safer Than Reality gets a punch in the dick. Sure, it was a great loss, but it’s been a few years and everyone has since moved on. It’s better to go out on a high note like Death of a Dead Day than to drag on when there was obvious internal conflict. I’m just saying, our memory of Metallica would have been much better if they had disbanded given the events prior to St. Anger—not that Sikth were capable of such an atrocity, mind you. They ran their course and thought it was for the best to go out on a high note, and to this day I still see the odd petition on my Facebook feed that makes some sort of hamfisted attempt to reach out to the members for a reunion. I don’t think it works that way, guys.

Ranting aside, out of the ashes rose half of their the tech-crazy guitar duo Graham “Pin” Pinney and his new band Aliases, whose debut album Safer Than Reality is a testament to the spirit of Sikth living on, albeit in a slightly different fashion with a fresh set of faces. While they say that the apple doesn’t fall far from the tree, Aliases are MUCH more than Sikth 2.0., and when rowdy opener “What’s Left For Us?” sprints out of the gate, it’s undoubtedly true.

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Well that’s a twist I wasn’t expecting. After parting ways with dual vocalists Neema Askari and Greg Pope many people were left wondering who, if anyone, could fill their space and as our very own Disinformaysia pointed out — this is the exact problem that killed off one of the best British bands of the last decade, Sikth. Needless to say I was a little worried about what would happen to one of my most anticipated albums of 2011, so I was extremely happy to see this Facebook update:

Hey guys, we have some news for you! Firstly, our music video for ‘Memoirs’ is edited and pretty much ready to release! Secondly, we’ll be releasing our debut album with an array of guest vocalists, we’ll have some more details shortly, but it’ll definitely be ridonkulous! Let us know who you want to hear in the comments! – Mike

Guest vocalists? I have to say I agree with the commentors in that the first names that come to mind are Dan Tompkins of Tesseract, Mikee Goodman and Justin Hill of Sikth and Spencer Sotelo of Periphery. Any or all of those would be a pretty damn awesome in my eyes but, to be honest, from what I’ve heard on the music side of things it should be good anyway. Personally, I wouldn’t have minded if they’d just upped and gone instrumental. So, wild speculation time, who would you love to hear on the new Monuments record?

- DL

The debut album from Aliases (featuring Pin from Sikth fame on guitar) has got to be one of my most anticipated albums of the moment. Safer Than Reality is only about a month away and we’ve got a small taste of it so far, but it’s shaping up do be one of this year’s highlights. Above, you can watch their brand new video for “What’s Left Of Us,” which just made its online debut this weekend at Metal Injection. It’s some standard (albeit good looking) performance shots, but it does get me excited for the album!

Safer Than Reality is due out August 15 on Basick Records.

- JR

Looks like things are gearing up for the release of British tech-metal débutantes Aliases‘ album Safer Than Reality since its official announcement last month, with the release of a free download of the first new track since “We Never Should Have Met” in April last year,entitled “What’s Left For Us?“.

The band features ex-SikTh guitarist Graham ‘Pin’ Pinney, and if what I heard on the Tech Yourself Before You Wreck Yourself tour earlier this year was anything to go by, it’s going to shred your ears right down to your brains (metaphorically, of course).

Aliases will also be taking over Scuzz TV in a couple of weeks, launching their new video for the track.

If somehow you missed it, catch “We Never Should Have Met” after the jump. Safer Than Reality is out August 15th through Basick Records, adn we’re promised a tour later this year. Git some!

- CG

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Consensus around here is that it is prog metal March. I checked the calendar and it is indeed March, so I’ve decided to weigh in by compiling a list of the biggest cliches in prog album art design. Intensive research went into polling the 900 songs in my iTunes library with a genre label containing the word ‘progressive’. While these visual elements can be considered cliche because of how often they are used, I think that the quality of (most of) the artwork is still high. If anything, it’s a testament to how the same elements can be used multiple times and still look relatively fresh. The list is a in descending order of how often I think each cliche element is used.

5. Mathy things, equations, visual representation of mathematical concepts


Covers appearing from left to right are (1) Scale The Summit - The Collective, (2) Mouth of the Architect - Time & Withering (3) The Human Abstract - Nocturne

 

I don’t have a lot of examples of this, but I’m absolutely positive that more math inspired covers exist. The new Scale the Summit artwork is probably the most glaring example, it depicts a pattern most commonly associated with sunflower seeds and other flowers, as well as types of broccoli, cauliflower and other natural things. The pattern is a visual representation of the Fibonacci sequence and the golden mean. It is composed of two opposite spirals superimposed on top of each other. I was reading an interesting article about the occurrence of this in nature, but I can’t find it again, so if you would like further reading try here or here. The Mouth of the Architect cover is essentially the same pattern.

The cover for Nocturne has some Da Vinci-esque sketches on it and from what I understand, that dude was pretty mathematically inclined. I know, weak example, but it’s the best I could do on short notice.

I know there has to be more math-inspired covers out there but I’m drawing a blank as to what and where they are. It’s kind of a bummer, because I love art inspired by math and data visualization work in general. If anyone has any suggestions of album art or design work inspired by mathematical concepts I would love to check it out.

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