Ayahuasca – Beneath the Mind

There must have been a point, early in Slipknot’s rise to fame, where the joy of new fans discovering the band was only matched by the despair of house sound engineers when presented with their technical specifications for a live show. Pushing the size of your band beyond four or…

Soulfly – Ritual

Max Cavalera and Soulfly and seemed to hit a bit of a rough patch following the back-to-back release of 2005’s outstanding Dark Ages (2005). None of the records released between then and now were particularly poor. Even the least of them, 2013’s Savages, was perfectly serviceable, and some (i.e. 2012’s Enslaved and 2008’s Conquer) even flirted with the band’s upper echelons. Yet there was a certain feeling that the band had fallen into a bit of a rut. Now, with Killer Be Killed (2014) and his recent return-to-form with Cavalera Conspiracy’s Psychosis (2017) under his belt, Max appears to be experiencing a late-career resurgence, and Ritual—his eleventh full-length release under the Soulfly banner—only continues that upward trajectory.

Krisiun – Scourge of the Enthroned

There are many paths towards the status of veteran in death metal. Some bands, like Mithras who recently came back to us, release classic albums and then disappear only to resurface years later, bearing the gospel of the riff once again. Others are second/third/fourth wave mavericks, incessantly dragging death metal into modernity like Misery Index. But there’s also a rare kind of beast out there, the death metal band that’s been around since the genre’s heyday and has also ceased to stop working, constantly releasing new music. In that category, few bands have the primacy of pedigree that Krisiun enjoy.

Half-Life – Napalm Death, Pt. 1

There are very few bands in extreme metal that can be rightly considered significant influencers in the formation and development of multiple subgenres. Napalm Death are one of them. From their inception in Birmingham, England in 1981 through their most recent full-length output in 2015, the band have explored the…

131 – Can’t Go Downhill If You’re Already At Rock Bottom

This week we’re super enthusiastic to bring you the contents! All of it. Specifically, Akon’s cryptocurrency haven, Tidal’s lawsuit, Michael Keene’s and The Faceless’s troubles, Cavalera Conspiracy doing a Sepultura throwback tour, Lamb of God in sign language, the new Obscura album, Periphery’s new label, Mike Shinoda’s new video, Antisoph, Shylmagoghnar, and Ghostbound. Then, cool people time with Westworld and a bunch of roguelikes. Enjoy?

Nervosa – Downfall of Mankind

Some people strongly bemoan the downfall of thrash metal. Once it was the juggernaut of the underground scene, but it quickly rose and fell in terms of its popularity and domination in metal culture. It simply could not keep up with the extreme lengths of its brother, death metal. It…

The Crown – Cobra Speed Venom

Swedish death metal veterans The Crown are back with their 10th full length album, Cobra Speed Venom, almost thirty years since their formation in 1990. Despite their longevity, the band seem to have remained largely unknown relative to their contemporaries such as In Flames, At the Gates, Soilwork and more.…

Scaphism – Unutterable Horrors

Death metal/thrash revivalism really sticks folk on one side of the fence or the other. Not every one can be Gruesome or Toxic Holocaust, after all. It’s unfortunate but probably quite telling that the “old school” bands don’t really get up to much of anything now – or are all now firmly positioned within dad or butt rock areas – leaving it up to death thrashers like Scaphism to doll out the rowdy death metal riffs and thrashy numbers. Finally finding their feet after several years and with second full length Unutterable Horrors, Scaphism do a pretty okay job of mixing the two favourite genres of denim vest-leather jacket combo fans.