Not content with calling it quits after their current Explosions II tour, Norma Jean will be embarking on the Explosions II Part Deux tour across North America this spring, alongside After The Burial, Motionless In White, For The Fallen Dreams, and Stray From The Path. Personally I’d be most interested in seeing Norma Jean and After The Burial, but it looks like they’ll be getting the most stage time on this tour anyways so it’d be worth it. Plus, thanks to Peter we already know that Norma Jean put on a great show. I myself had the pleasure of seeing After The Burial recently and I enjoyed their set, although I’m more of a fan of Rareform and they played mainly newer material. Even though the tour dates are displayed on the flier, I’ll go ahead and post them after the jump to make it a little easier on your eyes. Aren’t I such a sweetheart?
Tag Archive: Rareform
The Contortionist
Exoplanet
02. Flourish
03. Expire
04. Contact
05. Advent
06. Vessel
07. Oscillator
08. Axiom
09. Exoplanet I: Egress
10. Exoplanet II: Void
11. Exoplanet III: Light
[Good Fight | 8/31/10]
Sumeriancore is a genre I generally don’t listen to. I feel like it’s a jack of all trades and a master of none, but Indiana’s The Contortionist prove that you can’t always count something out. If you were hesitant about listening to Sumeriancore bands, now is the time to change that. Simply put, Exoplanet delivers on all levels.
“Primal Directive” is an epitomizing opener, showcasing everything that The Contortionist rely on to make a fantastic album: resonating, heavy-as-fuck riffs intertwined with bright melodies. Throughout the song you’ll be met with these qualities, amplified only by the multi-ranged vocals. From high shrieks to low, booming growls, the vocals are anything but terrible. For even more diversity and to pair with the melodies, there is an extensive use of a vocoder. This fits the theme of the album well, adding an extra level of spacey, planetary-ness (I’m reminded of The Faceless‘ Planetary Duality album). My only gripe is I feel like the frequent layering of growls over singing abolishes the harmony of it. The contrast seems a bit unnecessary at times with the already-established melodies and tends to make said passage a little awkward and unfitting (middle of “Primal Directive”). While not the most unique harsh vocals, the diverse styles throughout Exoplanet should be enough to perk up your ears. In retrospect, the music here is god tier. What Exoplanet truly excels at is never making your listening experience boring. None of the breakdowns feel obligatory and none of the melodic breaks feel forced. Additionally, some of the unorthodox, unexpected transitions work well. The intro to “Expire” starts with some fading-in vocoder before busting out heavy blast beats while “Contact” feels like it’ll be the ballad of the album, but constantly changes from bright to dark. If you want booming tritone breakdowns, death metal passages and lots of melodies in between then Exoplanet is for you.
My headline writing skills are top-notch. See what I did there? I try too hard. Man, I suck.
But you know what doesn’t suck? The solo at the end of this After The Burial pre-production video.
It’s sounding good. Hopefully it’s better than last year’s reworking of Rareform. Not to say that it sucked, it’s just that it wasn’t very memorable to me. I suppose I should listen to it again sometime soon.
Anyway, After The Burial is coming out with a new album later this year. Of course, it’s gonna be on Sumerian Records, cause Sumerian has a monopoly on forward thinking metalcore/deathcore bands. Dunno when it’s coming out, as it’s only in pre-production, but I can’t hear what they can come up with.
- JR
















