Parkway Drive – Reverence

The last couple of Parkway Drive records have seen the Byron Bay quintet branching out in several different directions. Although these experiments have been largely successful the band have found themselves lacking the coherence shown on their early releases, and it’s felt for a while that what they’ve been sorely…

Love Letter // Sepultura – Roots

This past weekend I was fortunate enough to catch Max and Igor Cavalera playing Sepultura’s iconic 1996 record Roots in full, as part of their twentieth anniversary “Return to Roots” world tour. The brothers were backed up by Max’s cohorts in Soulfly, Marc Rizzo and Tony Campos (now of Fear…

After the Firestorm – The Incarnation of Metalcore

Music operates in cycles and waves, with the energy generated from one, feeding directly into another. This is one of the major ways that we see genres and styles achieve growth. One particular genre that we have seen outgrow its roots and reach with newly grown tentacles into ever-evolving styles is hardcore. Just look around at the number of sub-genres that include the affix of “core” to their names. In this piece we look at the bands who evolved hardcore in both subtle and major ways to arrive at what we now know as “metalcore.” First, we take a look at some of the bands who were most directly tied to hardcore in its last iteration before metalcore truly came into being.

sleepmakeswaves – Made of Breath Only

Here at Heavy Blog, we’ve been quite vocally critical of musical crowdfunding. More often than not, the campaigns seem to stretch into infinity, forever unfulfilled. However, the basic concepts of fan supporting their beloved artists directly is one which we find highly appealing, seeing as how we’re fans who’d love to do that as well. Thus, it’s always refreshing to see an example of a crowdfunding campaign done right and, what’s more, one which produces an incredible album. Such is the case with sleepmakeswaves and their latest release, Made of Breath Only. This marvelous piece of high tempo post rock, bursting with the joie de vivre we’ve come to expect from these Australians, was successfully made possible by fans of the band (this writer included) and feels inherently made for them.

Best Of – Chris Cornell

Chris Cornell was nothing if not human albeit one with otherworldly pipes and a mind ripe with the ability to form words and phrases in such a way as to simultaneously connect and befuddle listeners and onlookers. By all accounts he was a contemplative person who loved his inner circle very much but he wasn’t alone in his troubles. His imperfections, those that his fans knew about anyway, bred a certain closeness strengthening the bond they had with the performer. He was one of rock’s golden but least gilded gods. We have lost another great one but his legacy speaks for itself. We will miss you, Mr. Cornell. Our condolences from the Heavy Blog Family to yours. Read on for what our staff and special contributors feel is a sampling of some of the best work over the course of Chris Cornell’s amazingly moving career.

Rick Chapple of Devil Sold His Soul – The Heavy Blog Interview

During the mid-2000s, the UK hardcore and metal scene underwent a re-energisation of sorts due to the emergence of several bands who have since spearheaded the genres to modern popularity. Bands like Enter Shikari and Bring Me the Horizon resonated with mainstream crowds since their inceptions and have since established themselves as global institutions. On the other hand, Architects instantly occupied the forefront of an underground charge and, over the years, have also crossed over into popular realms. However, bubbling underneath the surface was (and still is) a whole scene of innovative, vital artists whose records define the country’s musical output at its finest, with albums that will undoubtedly stand the test of time among aficionados of heavy music. One such act is Devil Sold His Soul who, in this writer’s humble opinion, are one of the best bands the UK has ever birthed.

Always Riled Up: Protest Music For A New Era, Part 1

This is part one in what will be an ongoing series of takes from artists across several genres as we explore what effect the changing political landscape in the US and abroad will have on music; the way we listen to it, how we listen to it, and who we look to for guidance, solace, or simple release in what is already proving to be a deeply challenging time, as well as how it relates in the larger context of society and history.