Vaura – Sables

Of all the musical periods that have risen back into prominence, the ’80s have arguably enjoyed the most success back in the spotlight. Sure, we’re also seeing an influx of influence from ’60s/’70s singer-songwriters in modern folk, pop and rock, as well as some echoes of grunge resurfacing from the…

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Periphery – Periphery IV: HAIL STAN

It’s 2019, and Periphery are untethered by third-party oversight and have complete creative freedom. One would expect, given their memey and not-so-serious aesthetic and progressive-leaning musical nature, that they must have not had much oversight from their previous label Sumerian Records to begin with; after all, much of the music that Periphery were releasing under Sumerian had a paper trail of demos from the Bulb Soundclick demo era of the band, and the output was always super consistent in terms of quality and musical direction, so it was easy to just assume that the band called their own shots.

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Concert Review – Progfest 2019

Australia’s Progfest has been steadily gaining in size and popularity, in the decade since its inception. Just three years ago the touring festival consisted entirely of local acts. However, 2018 saw the bill expand to include Norway’s Leprous as international headliners, and the festival managed triple that number this year—drafting…

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Monuments – Phronesis

If there were ever to be a ‘Big Four’ of modern Djent, then Monuments would be one of them. Probably alongside Tesseract, Periphery and Vildhjarta, if you ask me. However, I think we can let those who care about that sort of thing argue about who the precise members of…