When TesseracT’s Daniel Tompkins decided to explore his own pet project by joining forces with Skyharbor’s Keshav Dhar and Randy Slaugh to create White Moth Black Butterfly, it began as a modest attempt to explore some ideas that diverged from the type of rock for which his main band is most known. 2013’s One Thousand Wings (here’s what we had to say about “Certainty” from that album) was a sonic departure, to be sure, but it still maintained something of a kinship with its flagship influences. As with anything that we’ve come to understand about Tompkins, he will expound upon ideas over time and so the re-emergence of this project in 2017 means we should expect a few new twists, turns, and embellishments on the sound he helped to create several years ago.
Sydney’s Polaris have quickly become one of Australian’s most promising acts. The melodic metalcore crew certainly aren’t reinventing any wheels, but the sheer vigour and precision songwriting they bring to those templates previously laid down by the likes of Architects and Periphery render them entirely refreshing nonetheless. The band have just announced their debut, full-length album, The Mortal Coil, which is set to be released in November, and if the two singles they’ve release off the album so far are anything to go by, it’s going to be an absolute rager.
Enter: Howling Giant. They have returned with their third release, Black Hole Space Wizard Part 2, and have turned out something quite awesome with their collection of blueprints. The band here are in fine form melding together some of the best elements of bands such as Coheed and Cambria, Elder, and Mastodon. The spacier prog rock of the first band collides with the low end progressive doom of the second before topping off the mix with a hint of the Atlanta stalwarts vocal style that swirls and builds to something quite satisfying. Hear this delightful concoction for yourself in our exclusive streaming premiere below.
Prepped and pumped from day one, armed with the knowledge of where the best food and spots were, we entered Poble Espanyol. The setlist promised to be stacked with some of my favorite acts and my expectations were high. I was worried about being disappointed but it was just a nagging voice in the back of my head; my spirit was frivolous and I allowed myself to imagine crazy scenarios of far fetched and perfect set-lists, incredible and soul lifting shows and what have you. Those rampant expectations were all met and exceed, as the second day proved to be one of the best musical experiences of my life. Venue, company, performance, crowds, bands, all combined in that perfect, harmonious way which is usually resolved for dreams and erupted on to the scene. But let us start in the beginning and chart this journey towards the end, an unbelievable catharsis at night.
Do you like exclusively clean vocals? Do you like progressive rock with a bit of a groovy, even djent-y edge to it? Will you listen to anything that comes out of the San Francisco Bay Area music scene? Well then, have I got the band for you! They’re called Sea in the Sky and though they liken themselves to Periphery, CHON and Polyphia, I hear flashes of swancore bands like Dance Gavin Dance, Stolas and Hail the Sun. They’re releasing a new album on September 29th called Everything All at Once, but luckily we can listen to two singles from it right this very moment!
The purpose of this post is not to give you a play by play description of the festival; this isn’t a show review first and foremost. The idea instead is to give you a feeling for what attending the festival is like, whether by describing the location, some of the shows, the overall air or even the food on offer. The purpose of this post is to see as many of you as possible at the next year’s festival. This institution is well needed in the metal scene and it’s a pleasure to be able to support it in my own way. There’s only one condition: you have to say hello next year if you do come. I’ll buy you a beer, promise. Let’s get to it, shall we?
In 2015 Native Construct’s fantastic debut Quiet World took the community by storm. We at HeavyBlog loved it so much that we placed it at #3 in our Top 50 albums of 2015. It truly was a great album, flush with brilliantly executed genre-transitions, vibrant compositions, a grandiose concept, technically accomplished playing and a flair for originality. If you loved that sound as much as we did and you’re aching for something similar, then look no further than Others By No One’s debut EP Book 1: Dr. Breacher. Check it out below!
Each month, we always seem to come to the same conclusion when it comes to our Editors’ Picks column: Friday release days open the floodgates and unleash a seemingly endless stream of quality new music. But while some of our Editors and Contributors sit down gleefully each week to dive into this newly stocked treasure trove, others find themselves drawing a blank at the end of the month due to the breakneck pace needed to keep up to date with what’s been released. Which brings us to this Heavy Blog PSA: a weekly roundup of new albums which pares down the the day’s releases to only our highest recommendations. Here you’ll find full album/single streams, pre-order links and, most importantly, a collection of albums that could very well earn a spot on your year end list. Enjoy!
I came across Dawnwatcher while trolling the unsounded depths of The Metal Archives, twelve tabs deep and decades in the past as part of my research for (yet another) article on metal history. Dawnwatcher had one measly review to their name — an impressively poor 7% attributed to one of…
When you look back at the history of metal, it’s funny and somewhat weird that so-called “bedroom studio projects” have gotten so popular. It’s weird only when given the retrospective of the present, of course, now that we’re past their rise and, somewhat, fall. What makes it weird is the seeming incongruity between metal’s origins, so founded in the concept of the band and everything that comes with it, and the aesthetic of the bedroom project. Of course, given what we know now about how the internet and better/cheaper production abilities would affect metal, it seems obvious. More people can make music and they can spread that music to larger audiences. However, even knowing what we know today, it would have been hard to predict exactly how this scene would look and the various mannerisms which it today exemplifies.