Progfest may not be a name which is too familiar amongst many of our readers. This small, traditionally Melbourne-based music festival has been going strong and steadily growing for the past 10 years and features noted alumni such as Ne Obliviscaris, Caligula’s Horse, sleepmakeswaves, and Twelve Foot Ninja, all of…
After a quiet 5 years, German progressive metal outfit The Sleeper have finally provided a follow-up to their debut 2013 album, Aurora. The band’s newest effort is a 6 track EP titled Apparatus, and it marks a significant change in the project’s sound. Aurora felt like a release that was…
Progressive death metal outfit Entheos have had a productive three years, to say the least. 2015 saw their formation, shortly followed by the release of their debut EP Primal. 2016 saw the departure of founding guitarist Frank Costa and the introduction of their new guitarist, Malcolm Pugh. Frank had already recorded all of the rhythm guitars for the bands first full length album, so Malcolm came in and knocked out the lead guitars so that The Infinite Nothing could be unleashed upon the world. Only two months after the album’s release, the band announced the departure of Malcolm Pugh and in the same breath announced that former Scale the Summit guitarist Travis LeVrier would be taking his place in the band permanently. Now, in the latter half of 2017 we have received their second album, Dark Future, recorded in the early part of this year.
Loincloth are an interesting group, one that meshes together various elements from realms of metal but keeps a very distinct sound of sludgy, crushing, and almost atonal instrumental metal. Their records sit nice and snuggly on their Southern Lord label, baring resemblance to the general dark ambiance and heavy production that bring together other artists in this territory. Not only do they have their sound up to scratch, but they even get quite progressive within their sound, employing left-field rhythms and grooves that are extremely math-core inspired and really grab you and keep you engaged. This band have so much going for them, and they truly showcase what it means to do a lot with a little. Not to mention I absolutely love that I can put an image to this music of three shirtless, bearded guys in a claustrophobic room, jamming intensely while getting lost in the power of the riff. But yet, while this record is a fun experience at first, there’s some qualities to it that need some workshopping because this release wears pretty thin, pretty fast.
Sydney’s Polaris have quickly become one of Australian’s most promising acts. The melodic metalcore crew certainly aren’t reinventing any wheels, but the sheer vigour and precision songwriting they bring to those templates previously laid down by the likes of Architects and Periphery render them entirely refreshing nonetheless. The band have just announced their debut, full-length album, The Mortal Coil, which is set to be released in November, and if the two singles they’ve release off the album so far are anything to go by, it’s going to be an absolute rager.
Prepped and pumped from day one, armed with the knowledge of where the best food and spots were, we entered Poble Espanyol. The setlist promised to be stacked with some of my favorite acts and my expectations were high. I was worried about being disappointed but it was just a nagging voice in the back of my head; my spirit was frivolous and I allowed myself to imagine crazy scenarios of far fetched and perfect set-lists, incredible and soul lifting shows and what have you. Those rampant expectations were all met and exceed, as the second day proved to be one of the best musical experiences of my life. Venue, company, performance, crowds, bands, all combined in that perfect, harmonious way which is usually resolved for dreams and erupted on to the scene. But let us start in the beginning and chart this journey towards the end, an unbelievable catharsis at night.
Do you like exclusively clean vocals? Do you like progressive rock with a bit of a groovy, even djent-y edge to it? Will you listen to anything that comes out of the San Francisco Bay Area music scene? Well then, have I got the band for you! They’re called Sea in the Sky and though they liken themselves to Periphery, CHON and Polyphia, I hear flashes of swancore bands like Dance Gavin Dance, Stolas and Hail the Sun. They’re releasing a new album on September 29th called Everything All at Once, but luckily we can listen to two singles from it right this very moment!
The purpose of this post is not to give you a play by play description of the festival; this isn’t a show review first and foremost. The idea instead is to give you a feeling for what attending the festival is like, whether by describing the location, some of the shows, the overall air or even the food on offer. The purpose of this post is to see as many of you as possible at the next year’s festival. This institution is well needed in the metal scene and it’s a pleasure to be able to support it in my own way. There’s only one condition: you have to say hello next year if you do come. I’ll buy you a beer, promise. Let’s get to it, shall we?
Each month, we always seem to come to the same conclusion when it comes to our Editors’ Picks column: Friday release days open the floodgates and unleash a seemingly endless stream of quality new music. But while some of our Editors and Contributors sit down gleefully each week to dive into this newly stocked treasure trove, others find themselves drawing a blank at the end of the month due to the breakneck pace needed to keep up to date with what’s been released. Which brings us to this Heavy Blog PSA: a weekly roundup of new albums which pares down the the week’s releases to only our highest recommendations. Here you’ll find full album/single streams, pre-order links and, most importantly, a collection of albums that could very well earn a spot on your year end list. Enjoy!
Djent had an explosive entrance into the world of heavy music, around the start of the decade. It was a truly exciting occurrence, with first-wave acts like Periphery, Animals As Leaders and Cloudkicker filtering the technically-driven progressive sound of acts like Meshuggah, Sikth, and those of the budding “Sumeriancore” movement, into something altogether more accessible, while still retaining much of their forebears’ technical and progressive edge. Yet, like most new sub-genres, djent quickly devolved into pastiche and gave way to over saturation—perhaps a little bit quicker than most. Djent, it seems, has had a propperly ballistic trajectory, and—in 2017—as its momentum trails off, it’s hard to get excited about this once-promising phenomenon.