Tag Archive: post-rock


On Saturday, Rise Records signed post-hardcore “dream team”, Decoder. I say dream team because the band features ex-members of Oceana, Of Machines, and Versa Emerge, but I use the term “dream team” loosely because none of those bands are essentially amazing to me. Decoder itself however, sounds pretty awesome (save for the high pitch singing vocals that I don’t care for) and has more potential than 2 out of 3 bands that Decoder spawned out of (I’ll let you guess which ones I’m talking about). You can check the band’s demo for “Dreamwalker“ on Myspace and expect a full length sometime early to mid 2011.

Alcest: Écailles de Lune

If you’re not familiar with Alcest, it’s a post-black metal band created by the Frenchman Neige. He soon after added musicians to the mix, and then subtracted musicians to the mix, and then added one for drums. This is the follow up to  Souvenirs d’un Autre Monde which was a fresh breath in the black metal scene. It had a mix of shoe-gaze and post-rock influences into black metal to create a surprisingly happy experience.

The new album follows on a similar path. It creates happy feelings (in me at least) and everything sounds gorgeous. The atmosphere takes its inspiration mostly from shoe-gaze. It is full, and powerful, but at the same time very light. Neige’s clean vocals soar over the music with gusto, and the traditional black metal shrieks don’t influence the album into a dark spiral. It retains it’s atmosphere and beauty the whole way through.

Unlike the previous full-length album, this one flows a lot better which creates a much easier and more enjoyable listening experience when engaging in the full album (not that the first album wasn’t). In fact, the whole album flows so well I can’t differentiate the songs very well. I just turn the album on and let it go. This album really puts you in a mood, and the exact opposite mood you’d expect from this area of metal. Despite this, it does it very, very well.

Alcest - Abysses

4.5 beautiful french black metal shrieks out of 5.

-MW

Carving out a niche of their own in a genre filled with Meshuggah clones, London based experi-metal group Cyclamen is making a name for themselves with a fanbase growing by the day. Cyclamen boasts a repertoire featuring both mathcore chaos and technical aggression to the seemingly polar opposite with post-rock atmospheres and calming beauty in a genre I like to call post-djent.

I swapped emails with Cyclamen mastermind Hayato Imanishi for Heavy Blog Is Heavy’s first ever interview to gain some insight to the world of Cyclamen.

Revenge-of-the-Geeks1.mp3

A quick Google search for Cyclamen leads one to find out that a Cyclamen is a flower. What inspired you to name your project after a flower?

Cyclamen is pronounced “Shikuramen” in Japanese, and since “Shi” means death and “Ku” means suffer in Japanese, so even though it’s a pretty flower it’s a taboo to give it in some occasion, like to people who are in a hospital. Also its “Hanakotoba” (translates to “flower word” – In Japanese culture, pretty much every flower has some sort of meaning and it’s important to know the meaning when you are giving flowers to someone) changes according to its colour. Red means “Envy”, white means “Innocence”, for instance.
I thought Cyclamen was fitting name because my music isn’t restricted in one genre – it could be aggressive (e.g. Revenge of the Geeks) or beautiful (e.g. Senjyu) or both in one song (e.g. Never Ending Dream) depending on what songs need to express certain emotion I am aiming to translate via music.

I remember reading on the Cyclamen MySpace a while back that Cyclamen basically started out because you missed your favorite band, Sikth, and wanted to write music in the same vein as them. In light of this, getting the attention of [Sikth vocalist] Mikee Goodman must have been a surreal experience for you, to say the least. How did this collaboration come about and how did it go down?

It was very valuable experience to work with such an awesome and creative vocalist, but since we both are perfectionists we ended up exchanging mails for about 3 months until the final version was made! He was very open to my opinion and understood what I wanted – Awesome guy all around and was real pleasure to work with him. Everyone should check out his new band The Painted Smile, it’s very different from SikTh but still very exciting : )

Sleep-Street.mp3

As time moved on, Cyclamen started to sound less like Sikth and started sounding more like its own thing. Was this a conscious decision or was it just an organic change that happened as writing progressed?

It may sound selfish, but I always write music just for myself. At that time I really needed SikTh-esque tech metal, but right now I am enjoying more post-rock (MONO, This Will Destroy You) and pop (The Ting Tings, B’z (Japanese rock duo)) so that probably reflects to what I write. I am sure once I get enough of these music I will write songs with different influences. But I think there is always certain Cyclamen sound that stays in every song I write – And I always make sure they are good songs obviously haha

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