135 – Dog Of Raw

This week, regular co-host Cody joins us for a whole lot of news. And of course I immediately derail it by trolling him. But then, we discuss: Revolver’s 20 essential nu-metal albums list, new music from Dol Ammad, Within the Ruins, Skyharbor, Monuments, Metal Allegiance, Doug Moore of Pyrrhon performing with an orchestra, Neckbeard Deathcamp, Science of Disorder, Voivod, Beyond Creation, Geist of Trinity, and Behemoth. Also Testament’s new cryptocurrency. Then we do a cool people section about some games, movies, and Cody’s vegetarian diet. Enjoy!

Naberus – Hollow

It’s important for bands to keep up momentum, both on a smaller and larger scale. When Naberus dropped their impressive debut record, Reveries, in 2013 they managed to create a respectable amount of buzz within their local Melbourne and Australian scenes. Following that, however, the band’s trajectory seemingly stalled, and…

Mask of Judas – The Mesmerist

If it feels like Mask of Judas’ debut album has been a long time coming, it’s because it has. Active since the start of the decade, appearing at the inaugural Tech Fest in 2012 and releasing the Axis EP in 2013, they established themselves at the heavier end of the…

The Sleeper – Apparatus

After a quiet 5 years, German progressive metal outfit The Sleeper have finally provided a follow-up to their debut 2013 album, Aurora. The band’s newest effort is a 6 track EP titled Apparatus, and it marks a significant change in the project’s sound. Aurora felt like a release that was…

Hey! Listen to Arteries!

Sometimes bands and promoters feel the need to cram their press-releases with ridiculous and nonsensical claims about being “counterculture mercenaries” who dish out “stomping alpha-wolf brutality”; how they are the “sonic equivalent of Christopher Nolan, David Fincher and John Carpenter making a Hammer Horror style movie together, set inside an…

Djent Was A Genre Full Of Great Debuts And Little Else

Djent had an explosive entrance into the world of heavy music, around the start of the decade. It was a truly exciting occurrence, with first-wave acts like Periphery, Animals As Leaders and Cloudkicker filtering the technically-driven progressive sound of acts like Meshuggah, Sikth, and those of the budding “Sumeriancore” movement, into something  altogether more accessible, while still retaining much of their forebears’ technical and progressive edge. Yet, like most new sub-genres, djent quickly devolved into pastiche and gave way to over saturation—perhaps a little bit quicker than most. Djent, it seems, has had a propperly ballistic trajectory, and—in 2017—as its momentum trails off, it’s hard to get excited about this once-promising phenomenon.