Doomsday // November 2018

Greetings, heaviest of Heavy Bloggers! It’s that time of the month once again where we delve into the deepest of fuzzy riffs and slowest of bangers. I have to admit, I both love and hate this time of year when it comes to music. Everyone rushes to get their records…

Share
  • spread the world
1419 views

Bummer – Holy Terror

I don’t want to jinx anything, so I’m not going to claim that we’re amidst a “noise rock renaissance.” What I will say, though, is that we have been getting a ton of great noise and noise-adjacent records over the last few years. Fantastic recent releases from Buildings, Wrong, Metz,…

Release Day Roundup – 4/20/18

Each month, we always seem to come to the same conclusion when it comes to our Editors’ Picks column: Friday release days open the floodgates and unleash a seemingly endless stream of quality new music. But while some of our Editors and Contributors sit down gleefully each week to dive into this newly stocked treasure…

Norska – Too Many Winters

“Personality” is a word that’s not frequently thrown around when discussing doom or sludge metal. We’re often (and justifiably) engrossed in domineering riffage, thundering drums, and the bellowing growls of some dude shrouded in beard. But no matter how much you love the stuff, as they say, first impressions are…

MONARCH! – The Heavy Blog is Heavy Interview

Writing a standout doom metal album is a difficult task nowadays. This isn’t due to an overall lack of quality within the genre’s modern progenitors, but because of the antithesis; more and more excellent doom metal albums seem to enter the running for our year ends lists with each passing year. MONARCH! (Monarch from here on out) has never struggled with this  endeavor over the course of their 15-year career, particularly when it comes to their recent output with the eminent Profound Lore Records. Yet, while Sabbracadaver was certainly a doom highlight in 2014, Never Forever sees the band returning this year with their most colossal and grandiose album to date, presenting a masterful synthesis of drone metal with doom’s more macabre characteristics. We sat down with the band to discuss the process of writing their latest epic, as well as a handful of other topics related to their past, present and future within the shifting landscape of modern doom. 

The Anatomy Of: Bionatops

Welcome to Heavy Blog is Heavy’s feature, “The Anatomy Of.” Taken from the Between The Buried And Me album of the same name, in which the band pays tribute to artists/bands that they feel have most inspired their songwriting, “The Anatomy Of” allows us to hand off the metaphorical microphone to bands…

Grind My Gears 2.0 – Test Launch

Since I started writing Grind My Gears, I’ve always focused on one project or band at a time. This has given me free reign to spew curse words and horrible imagery by the bucket load and I am inherently grateful to the editors and staff here for allowing me this. However, I feel like this column can step up its game. The other regular features on Heavy Blog are a cut above and such, from here on out, myself and whichever poor bastard I rope into helping me will try to match those standards. We’ll look at fresh grind compilations and releases, love letters to classic grind records and interviews and conversations with some of the cream of the modern crop. Maybe more, maybe less, I guess we’ll play it by ear (because it’s grind). Without further fanfare, please welcome your own damn self to Grind My Gears 2.0.

Hey! Listen to Shepherd and Death By Fungi!

India is a place I wouldn’t really associate with extreme music. The limited exposure I’ve had with the culture comes primarily from Indian restaurants, vacation stories from friends, or movies. That being said, it feels like a really traditional kind of place. The limited amount of Indian music I’ve heard is immediately identifiable as such, and even the pop music feels like it follows in that convention, there’s a distinct “sound.” So when I caught wind of a split by hardcore bands from Bangalore and Mumbai, I was obviously surprised. But the more I thought about it, the more it made sense. Why wouldn’t there be an underground scene in India? Beyond that, considering how “conventional” and “traditional” it seems to me as some ignorant dude from the states, it makes absolutely perfect sense that there would be some positively savage bands out there stickin’ it to the man.