Welcome to the final installment of Death’s Door in the Year of Our Nefarious Overlord 2017! Wipe your feet on the mat, remove that stupid holiday-induced smile from your face, and prepare yourself for ultimate year-end audio brutalization. Because, quite frankly, 2017 was one of the best years for death metal in decades. A bold statement indeed, and thankfully one with plenty of data in the form of amazing records to back it up. The overwhelming number of releases in this dirtiest of metal subgenres, coupled with the breadth of quality releases in each of the branches of the death metal tree, all accumulate to create one of the most impressive lists of death metal albums in a given year since the early 1990s. 2017 presented us with exceptional records at such an alarming clip that it was often a full-time task to keep track of them. Death metal this year was in equal measure mind-numbingly technical, socially forward-thinking, compositionally adventurous, and reverent of the past, generating albums that displayed with full clarity all that makes this music the metal behemoth that it is. What a time to be alive. In our final segment of Death’s Door for the year, we will be highlighting the trends and movements within death metal that we found to be the most significant, as well as our own personal top 15 death metal records on the year. Prepare yourself. Madness awaits.
It’s hard to believe that there was a time before the steady stream of blasé lyric videos, but at the turn of the millennium, music video purveyor MTV had to “bring back” the music video. The artform was essentially replaced by trashy reality television and cartoons by the late 90s, but eventually came MTV2 – a quality sequel (well, for a few years) nobody really deserved. So I guess it only made sense that they also resurrected their metalhead favorite from the 80s and 90s soon thereafter – Headbangers Ball. After all, this era had a ton to offer. The NWOAHM movement was all the rage, metalcore was hitting its stride, and melodeath was pretty much the coolest shit ever. Given that the combo of Kazaa and my dial-up setup wasn’t doing me any good – true story: I waited days (plural) to download Meshuggah’s Chaosphere only to find out that some jerk just relabeled of Neurotica tracks (some truly evil bastards out there), this couldn’t have been better timing for a dude who had recently gotten his license and began to fall in love with hanging out at the record store – the internet, for me, sucked for digging up new tunes.
Each month, we always seem to come to the same conclusion when it comes to our Editors’ Picks column: Friday release days open the floodgates and unleash a seemingly endless stream of quality new music. But while some of our Editors and Contributors sit down gleefully each week to dive into this newly stocked treasure trove, others find themselves drawing a blank at the end of the month due to the breakneck pace needed to keep up to date with what’s been released. Which brings us to this Heavy Blog PSA: a weekly roundup of new albums which pares down the the day’s releases to only our highest recommendations. Here you’ll find full album/single streams, pre-order links and, most importantly, a collection of albums that could very well earn a spot on your year end list. Enjoy!
There’s clearly some brilliance hidden somewhere in Wintersun. It’s not trivial to make concept albums with long songs and multi-layered instrumentation. To even attempt such a feat takes a certain degree of ambition and courage. Even when an attempt like this fails, it’s hard to fault a band for trying. Hard, but not impossible. It can be made especially easy when the band act arrogantly and set themselves up for failure. Positioning an album as “this is not the amazing album we promised, but something inherently and intentionally inferior to tide you over” is just not an attractive proposition for fans. Even setting that aside, if the music was good enough, that could erase all bad will. If it is good, that is. And it isn’t.
Melodeath is a genre that I have’t paid much attention to as of late. Short of a handful of gems, it all sounds the same. Plus, bands such as In Flames have completely abandoned their roots and gone full alt-metal with it (you know it’s true), and it’s not for me. Dark…
There’s just something so fucking great that sort of gets released in my mind whenever I hear a really well-done melodic death metal record. It’s like an energy behind the music; the feeling of the artists behind the music is so palpable that you feel like you could grab it…
It’s really difficult to put certain acts into a genre, especially when it comes to a band that mixes styles. The amalgamation of inspiration leads fans to not only revel in their sheer inimitability, but also marvel at how well they can pull it off. Daylight Dies is a band that seems to mix the melodeath style of having those crushing harmonic lead guitars with the slow, down-tempo trudge of doom. One of America’s frontrunners in their genre, they released some of the best albums to come out of their musical realm. However, after four long years between Lost To The Living and still trying to triumph over the success that was Dismantling Devotion the band had quite a large order to fill.