Jazz Club Quarterly // April-June 2017

We’re back with more fantastic jazz from the second quarter of 2017! Unfortunately with the departure of staff writer and our friend Jimmy Mullett from Heavy Blog, it’s left a hole in our Jazz Club trifecta. Thankfully we were able to fill that void quickly with our buddy Dave Tremblay of Can This Even Be Called Music? Dave is constantly finding interesting and original stuff in the way of jazz and elsewhere, and we’re excited to have him join and help us recommend jazz of all stripes that demands your attention.

What Heavy Blog Is Really Listening To – 7/8/17

For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.

Fire! Orchestra – Ritual (Can This Even Be Called Music?)

To understand what Fire! Orchestra is, we have to first know whence it came. And that would be the Fire! trio. Since 2009, Fire! is comprised of mastermind, saxophonist, and keyboardist Mats Gustafsson (who is widely known as a great jazz musician, especially for his improvisational style), bassist Johan Berthling, and drummer Andreas Werliin, both of whom are also known in the Swedish jazz scene for their work in other bands. As of today, they have released three full-length albums on their own, as well as two collaborations – one with Oren Ambarchi (In the Mouth a Hand), and one with Jim O’Rourke (Unreleased?) – plus a couple of EPs. They gained further recognition by playing fresh, inspired and energetic avant-jazz, getting better with each subsequent album, culminating with their 2016 release, She Sleeps, She Sleeps. Back in 2012, they had the idea of expanding their formula with the addition of an orchestra. Now with nineteen musicians instead of three, there was much more space for experimentation and variety, although there was already a lot of both in their simpler format.