Tag Archive: Limp Bizkit


Cut Your Teeth Make It Loud

For some reason, Cut Your Teeth just don’t get the attention they deserve. Their new track “If It’s Loud” was released just before the new year and is a 2 minute ode to everything that’s fun about hardcore and thrash, containing the sort of lyrics Manowar would write if they picked up a six pack and dropped the dragons and elves. Naturally, there’s crusty riffs, shout-a-longs and even the Cut Your Teeth mainstay of a guitar solo that would do Eddie Van Halen proud — even now I’m overthinking it, it’s just a great track.

Best of all? It’s free much like the entire Cut Your Teeth discography, including the brilliant CYTII which was on my shortlist for the best albums of 2011 but unfortunately lost out in ruthless culling down to only 20 albums. Head over here to their Bandcamp page for the free downloads. Also, after the jump is a bonus video of Cut Your Teeth improving the Limp Bizkit hits collection tenfold by dressing in onesies and squealing incomprehensibly over the top of them.

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Korn – The Path Of Totality

Korn

The Path Of Totality

01. Chaos Lives In Everything (feat. Skrillex)
02. Kill Mercy Within (feat. Noisia)
03. My Wall (feat. Excision and Downlink)
04. Narcissistic Cannibal (feat. Skrillex and Kill the Noise)
05. Illuminati (feat. Excision and Downlink)
06. Burn the Obedient (feat. Noisia)
07. Sanctuary (feat. Downlink)
08. Let’s Go (feat. Noisia)
09. Get Up! (feat. Skrillex)
10. Way Too Far (feat. 12th Planet)
11. Bleeding Out (feat. Feed Me)

[12/03/11]
[Roadrunner Records]

Most of you should probably not even bother reading this review any further; Korn are a fairly polarizing band in the metal community, and many of you have made up your minds about them a decade or more ago. If you hate them to your core, this review isn’t likely to change your mind and will only serve as cannon fodder for allegations of how absolutely false I am. I get it, man. The idea of Korn and Limp Bizkit putting out better albums that Morbid Angel and Metallica must have asses chapped across the metalverse. Well, here we are. 2011′s been weird, huh?

For those new to the site, I grew up on Korn in the 90s. They’re one of the reasons I eventually wound up getting into heavier music than what was regularly played on the radio, so I’ll always hold a place for them in my heart. It must be a generational thing. The dudes of Metalsucks have a soft spot for hair metal like Motley Crue because of their musical environment growing up in the 80s, and how I can’t stand this new-fangled crabcore scenebro thing that’s going on. It makes sense when you think about it, but I’m starting to digress.

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The discovery of a new band is always exciting. Will it be something you’ve heard countless times? An experience that leaves a bad taste in your mouth? Or is it a treat from which you cannot stop consuming? I wanted to take a trip back in time to reminisce about bands/albums that not only introduced me to heavy music, but kept me coming back for more…

From The Archive: Korn – Korn

Dan’s busy this week and I had just realized that I have never bothered to reach into his brainchild article From the Archive. I thought I could use the platform to talk about an album that I feel is greatly under-appreciated in the metal community, and that’s Korn‘s 1994 self-titled debut album, an album that—like it or not—influenced an entire movement of hard rock and metal for decades to come.

Korn holds a special place in my heart, as they were my favorite band in my teenage years, bridging the gap between radio-friendly hard rock and hip hop and into the realm of metal. Korn get a lot of flack from fans of extreme metal though, and I can see why. You can blame them if you like for bands like Disturbed and Limp Bizkit and whatever other nu-metal bands that saturated the market in the late 90′s and early 00′s. However, before the trend and rise to fame and eventual journey into rap-metal aesthetics, Korn’s debut album is a raw and emotional record that really created a sound that wasn’t heard before. Korn took cues from grunge and heavy metal to form this aggressive and twisted being that really was new and exciting.

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The Francesco Artusato Project

Chaos and the Primordial

01. Chaos and the Primordial
02. Typhoeus
03. Gardens of Yama
04. Ceased Time
05. The Metamorphosis
06. Pour L’ egyptienne
07. Aktion T4
08. The Madness of…
09. Layers of Corrosion – The Last Particle

[06/28/11]
[Sumerian Records]

We love more than our fair share of tech-wizardry here at Heavy Blog. Animals as Leaders, Scale The Summit, and countless other shredntities and eponymous projects have captured our attention over the years. We’re suckers for instrumental music when it’s done right, plain and simple — but what makes or breaks an instrumental project? Tough question, and I’m glad you asked. Allow me to use The Francesco Artusato Project as an example of what not to do.

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Limp Bizkit – Gold Cobra

Limp Bizkit

Gold Cobra

01. Introbra
02. Bring it Back
03. Gold Cobra
04. Shark Attack
05. Get A Life
06. Shotgun
07. Douche Bag
08. Walking Away
09. Loser
10. Autotunage
11. 90.2.10
12. Why Try
13. Killer In You

[06/28/11]
[Interscope]

What’s the point of reviewing a band like Limp Bizkit on a metal blog? Limp Bizkit’s comeback album Gold Cobra is their first release in nearly six years and has been the subject of hatred since long before its release. To slag an album such as Gold Cobra would be a pointless exercise in patience and I’d just be preaching to the choir, and to praise it would be the suicide of whatever credibility I may have. Really, there’s no win either way if I were to review an album like this for you folks, so I might as well just do it for myself.

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R.I.P. Seth Putnam

Honestly, I have no real idea of what to say here. I mean the infamous Seth Putnam seemed like a guy who spent his entire life trying to get closer to death; with Anal Cunt he insulted anything and everything, he gave us a fairly comprehensive list of things that were ‘gay’ (including windchimes, Limp Bizkit, recycling, Anal Cunt fans and especially you) and he even lapsed into a coma after a suicide attempt in 2004. Despite this turn of events, Putnam still went on to perform ‘You’re In A Coma‘ and stated that being in a coma was ‘just as gay as the song I wrote’.

Putnam clearly had no boundaries but he represented something important in a music scene that essentially prides itself on pushing the envelope in every way. No one was safe from his scathing attacks and he seemed to thrive on pushing peoples buttons, but Putnam managed to make a respectable 15 year career out of it — a career that was as hilarious as it was sickening. He even collaborated with some great bands and musicians along the way such as Scott Hull, Eyehategod and even Pantera. Whether he really believed in what he was saying or it was all one big joke is left unanswered, but to the man who gave away a picture of him getting a blowjob while shooting up on heroin with the first 100 copies of his latest album:

 

Fuck you Seth Putnam.

May you rest in peace.

Hit up GG Allin in the the afterlife, you guys would probably get along.

On a more serious note, Seth Putnam left this world leaving behind friends and family. Regardless of your personal opinion of him, he was as human as you or I and so my condolences go out to them. Plus, he would have wanted people to talk shit about him, so do you really want to fall into that trap? While you decide, here’s “Recycling Is Gay” from I Like It When U Die:

- DL

[Editor's note: Be sure to check out Seth's Twitter page. If you can take a joke, it is the funniest thing you'll read today. It's a shame these obscene tirades are at an end. I'd wish him to rest in peace, but he'd probably call me a faggot for doing so; so enjoy the dirt nap, dickwad. - JR]

…The Fuck, Limp Bizkit?

I want the last two minutes of my life back.

Bizarre, pointless, and more than a little pervy. The only bit I enjoyed was the very ending, for obvious and sadistic reasons.

- CG

Not that the original one was much better, but seriously? Answer me these questions three:

1) What are the three chicks licking? An invisible window? Probably.

2) Ship? Chameleon? Bigfoot? For why?

2) Actually no; I’m pretty sure that’s Fred Durst; but what on earth is he doing picking his nose?

- CG

Monsters – Monsters

Monsters

Monsters

01. Freelance Terror
02. My Urge To Kill
03. The Ugliest Joke
04. Oblivion
05. Sin Spitter
06. Saw Blade
07. The Traveler
08. Head Pile
09. The Children Of The Riot

[01/11/2011]
[False Prophet Records]

So let’s air the dirty laundry then. Monsters are the first band signed to False Prophet Records, the label owned by Emmure‘s Frankie Palmeri who may be quite possibly one of the most hated groups ever, next to bands like Limp Bizkit. Obviously, post-ironic beardcore this is not: it’s tough-guy deathcore. Now as time goes on, I find myself enjoying more and more tough-guy deathcore; bands like Defiler and Oceano, mostly because it’s just funny and so damn over the top. However, my main problem with it is that when I’m laughing I can’t tell; am I laughing with them or at them?

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Last night I decided to give the new Whitechapel album a try, a band I have always joked about for being generic and having three guitarists. My opinion didn’t really change much, but it inspired me to really start listening to some of my more older music. If you were born in the early 90′s and you listened to heavier forms of music, there’s no doubt you probably listened (and liked) to Slipknot, Korn and Limp Bizkit (although, this rant is mainly about Slipknot). After all, the music was simple, it was catchy and really related to a lot of issues a kid might be dealing with. The lyrics never affected me, but maybe to others it did. In any case, I miss the days of this kind of music. Nowadays the trend for kids growing up is generic -core music that really has no substance. Yeah, that’s right. No substance. You’re probably thinking I’m fucking retarded for saying Slipknot has substance but we all know the unnecessary 9 men had a sound that wasn’t really paralleled. Anyone could pick out them in a crowd. Now, you have Deathcore Band #825, all playing the same music endlessly. Breakdowns and being brutally HXC!!111! is the new thing and it sucks. Of course anyone who was never into Slipknot and enjoyed much of the heavier 80′s/90′s metal like Death and Atheist will disagree entirely and say it all sucks and call you an untrue faggot… and it’s that elitism that caused me to push my old musical taste aside.

The reason is stupid, I agree. Entry-level metal bands really gave me a more wide variety of metal taste and I’m always going to thank them for that. Yet, until today, I just couldn’t stomach listening to them again. Not because my tastes evolved and that I hate it now as a result, but because you’re untrue and a disgrace to metal if you do as previously mentioned. At least in the eyes of some people, anyway. Entitlement and elitism has always been retarded and it will continue to be retarded, but for some reason it always got to me. I felt like I was betraying the metal community if I didn’t listen to stuff the majority accepted. It’s a dumb reason, but I didn’t want to betray the community that I loved. The community who showed me great bands. The community who helped me find the roots of the more technical music that I listen to today such as Death, Atheist and Iron Maiden. The community who really helped me push aside the stereotype that if you listen to death metal you’re weird. Of course maybe that’s just from growing up, when everyone else started to stop giving a fuck about the social norm. Even though a lot of things suck this generation of kids (shorthand typing for example), that was one thing I liked. In any case, I can’t ignore what the metal community has done for me indirectly and directly. So, any metalhead, or anyone who just likes metal in general, I thank you. I may be the only one in my group of friends who doesn’t share the same taste, but I’ve learned to just not care because of you guys. But now, within my own musical taste, I should stop caring about what the metal community thinks.

I nostalgia’d hard last night when I listened to a few songs off Slipknot‘s Iowa album. Anyone who was born in the early 90′s and liked them knew that CD was a classic. I can’t sit here and lie saying that it sucked because last night I enjoyed it thoroughly. Tracks like “New Abortion”, “Metabolic” and “The Shape” are just too catchy and memorable for me to pass off, no matter how “untrue” it makes me. Slipknot has a place in my heart because they were the entry-level to In Flames and Soilwork, who were entry-level to modern metalcore, who were subsequently entry-level to death metal.

At the end of the day, I can’t ignore it. Fuck staying true, if I even was in the first place. I wanna listen to all kinds of metal. Of course I still prefer the music I like now exponentially and I’ll always respect the bands who shaped metal today, but I think I’ll start mixing it up when I get tired of listening to noodling and radical tempo changes. It just gets tiresome to listen to the same kind of metal. I do like electronica and 90′s rap a lot so I’m not exactly narrow-minded in the grand scheme of things, but within metal I need to stop closing off music I used to like simply because I care about what people think.  I’ve tried post, sludge, doom and black, but they just don’t click for me. Of course, I’m always down to give a chance to any kind of metal so feel free to leave me any kind of recommendation. Ultimately, though, I get tired of the same music. And I’m remedying this by going back 5 or so years to the golden days of nu metal.

Maybe it’s just a nostalgia thing. Maybe it’s just part of growing up. After all, I bought a used Wii and Super Mario Galaxy 1 & 2 JUST for the platforming. I miss platformers, but a lot of developers seem to be hellbent on generic brown & bloom rehash shooters. I digress, though.

This could all be temporary and in a few weeks I might give a big fuck you to the music of my youth, but in any regard, I’m gonna pop in Iowa after I finish digesting how great of an album Monsters by The 25th Hour is.

In summary, if it’s good, listen to it.

-MK

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