Originally, this post started out as a Stepping Stone, after I bought a cheap used copy of Slipknot at a local record store and proceeded to tumble down the nostalgia rabbit hole. But given that this year marks the album’s 20th anniversary, I felt like it deserved the proper Heavy…
Me and regular co-host Cody get together and discuss stuff. Cattle Decapitation being nice to students who were discriminated against, Limp Bizkit signing to Napalm Records, The Ghost Inside deciding to continue after their tragic accident, Metallica having some fun live despite Kirk, and Elliot Coleman doing a song for Dragonball Super. Then some recent music, like Alkaloid, Dimmu Borgir, Ihsahn, and Childish Gambino. Then we do a cool people section with God of War, and extended spoiler discussions of Westworld and Infinity War. Enjoy!
Of Mice & Men – Defy Despite everything seemingly being stacked against them from the outset, Of Mice & Men somehow (ahem..) defied the odds against them to become one of the most credible and exciting bands on the modern metalcore circuit. Yet their story has also been one of…
This past weekend I was fortunate enough to catch Max and Igor Cavalera playing Sepultura’s iconic 1996 record Roots in full, as part of their twentieth anniversary “Return to Roots” world tour. The brothers were backed up by Max’s cohorts in Soulfly, Marc Rizzo and Tony Campos (now of Fear…
A bunch of news and content! I’m just going to list it. Kiss’s Gene Simmons talking about his $2000 box set, Super Deluxe roasting Taylor Swift via Limp Bizkit, Machines of Man, Machine Head, Linkin Park’s tribute show to Chester (and our picks for vocalist), Sutrah, the Sacred Son artwork controversy, and the new Winds of Plague single. Also how ridiculous this Friday’s releases have been. Then we do a deep segment on producer Jens Bogren, including his work on Ihsahn, Leprous, Vildhjarta, Fleshgod Apocalypse, Devin Townsend, VOLA and more. Finally, cool people time. The cool horror/sci-fi game Echo, Kingsman: The Gold Circle, mother!, Hannu Rajaniemi’s The Causal Angel, Sunless Skies and more. Enjoy!
Long before I started watching wrestling in the mid-’90s, it was synonymous with metal. Whether it was dude’s with long hair who were evident fans of the genre, the theme rockin’ theme music they used or performances by bands at the shows, metal and wrestling have always been bedfellows that go together like spaghetti and meatballs, Beavis and Butthead and Nicki Minaj and terrible music. Given the long-standing relationship between each medium, we here at Heavy Blog thought it would be fun to examine their similarities and the components which connect them to establish why it is they’ve remained so interconnected throughout the years. Now, without further ado, LET’S GET READY TO RUMBLE!
Last year, my interest was piqued by a surprise release from Woodsplitter, an instrumental solo project from Ben McLeod, guitar player of one of my favorite “new” bands, Nashville’s All Them Witches. Inflamed examines metal guitar through a variety of lenses: post, prog, death, stoner, doom, and even krautrock; showcasing an impressive variety and a refined level of comfort as each track seems to pare down to the core of what makes these sounds appeal to so many. His newest venture, Egyptian Overload explores an even wider swath of sounds and textures, plus the addition of saxophone. I asked Ben a few questions about the project, the rawness of his latest record, and future plans.
Linkin Park are pop now. With their last three tracks – “Heavy,’’ “Battle Symphony’’ and “Good Goodbye’’ – they are one step closer to becoming an all-out boyband. Even for a band who are hated by a significant portion of metal circles, the new tracks have incurred the wrath and mockery of haters and fans alike. But it’s not that much of a grand departure either; Linkin Park has always been rooted in pop music to an extent. When they arrived on the scene during the apex of nu-metal, they brought a polished shine to the genre that was much more accessible than that of their peers. Hybrid Theory was a groundbreaking album in many ways, but it lacked the abrasiveness of Limp Bizkit and Korn records, offering a squeaky clean alternative to many of their peers. While pop elements can be found in the music of most popular nu-metal bands from the genre’s heyday, Linkin Park embraced them more on a grander scale from the get go.
How does one incorporate elements of poppier, more upbeat music into metal’s mix and perhaps even its external themes like album art, lyrics and delivery?
While many bands have taken a pass at this question, none of have solved it quite as well as Ninjaspy. In 2013, the Canadian band released their short (and excellent) debut EP, coupling it with a home-brewed, Ninja themed comics that elaborated on and worked together with the album (NOTE: we’ll not be referencing the obvious similarities between Ninjaspy and a certain Australian band who shan’t be named. A simple look at a timeline will give you all the facts you need). Their music incorporated elements of reggae and surf right into heavier influences from hardcore and modern metal. The result drew comparisons to System of a Down, SikTh, Limp Bizkit and others.
Limp Bizkit are far from the most unanimously loved band to ever grace the metal spectrum. Often derided as abrasive and angst-ridden rap metal for beer-swilling frat boys, it’s perfectly understandable why they’ve never found acclaim among the purists. However, there was a time when they were inescapable commercial juggernauts with a tendency to make headlines for the wrong reasons, as well as poster boys for the much maligned nu-metal subgenre.