Heavy Blog’s Top 25 Albums of 2018 (So Far)

Midpoint. Half in, half out. Shadow. A divide. Balance. The semantic milieu surrounding stuff that’s divided 50/50 is incredibly rich; it opens some of the greatest cultural creations of all time (“Midway upon the journey of our life / I found myself within a forest dark” – Dante’s The Inferno) and…

Doomsday // June 2018

Greetings, heaviest of Heavy Bloggers! Welcome to Doomsday, our celebratory roundup of all things slow and low, doom and gloom that may have slipped under the radar over the past month (or so). I’ll be frank, fellow doomheads: the month of June, at least for this author, was dominated by…

Release Day Roundup – 6/22/18

Each month, we always seem to come to the same conclusion when it comes to our Editors’ Picks column: Friday release days open the floodgates and unleash a seemingly endless stream of quality new music. But while some of our Editors and Contributors sit down gleefully each week to dive into this newly stocked treasure…

Khemmis – Desolation

Success, the cliché insists, is a double-edged sword. History (and the Encyclopedia Metallum archives) is littered with now-defunct bands who toiled away for years in storage units and near-empty basements, yearning for record deals and the elusive larger acclaim that remained just beyond their grasp. But what of the bands…

Doomsday // April 2018

Greetings, heaviest of Heavy Bloggers! Welcome to Doomsday, our monthly roundup of some of the most noteworthy releases in the doom world released over the past month. April was a true sleeper month for doom as some of the most titanic releases were saved for the month’s back half. Who knows? Maybe there was even a surprise release last week you heard about perhaps? With this much to bang our heads to, we better get straight to it. Enough chatter! Grab your earplugs, it’s doomsday.

Green Druid – Ashen Blood

Denver, CO and doom metal. The two have in the past few years become synonymous. The weed-laced city has become a haven for all that is slow, low, and filled to the brim with psych, sludge, stoner, and death-infused doom and gloom. Primitive Man, Khemmis, Spectral Voice, In the Company…

Hypergiant – Father Sky

The early 2000s brought us a wealth of riff-worshipping, bone-quaking goodness  – what has essentially become the foundation of many current doom, stoner, and sludge metal acts. Bands like Mastodon, High on Fire, and Baroness expanded upon the standard set by metal’s forefathers with more progressive tendencies, expansive arrangements, fiercer presentation, technically demanding performances, and (presumably) better strains of grass. At the same time (and likely benefitting from the same improved… *ahem* genetics), there was also a bubble of traditionalists like The Sword, Wolfmother, and Saviours who made the case that a more conventional approach was worth revisiting, reinvigorating classic sounds for a new generation of headbangers. It’s from this very specific nexus that Australia’s Hypergiant explode, harkening back to familiar territories on both sides of this early-00s coin.

Doomsday – October 2017

Hello heaviest of Heavy Bloggers! Welcome back to Doomsday, our monthly roundup of All the Doom that’s Fit to Print.™ October is a special time of year, particularly in America: the weather is turning colder and gloomier, horror movies show up in earnest in theaters and cable networks across the country, and the general anticipation of Halloween fills the air. October 2017 was particularly special for doom heads as both Bell Witch and Primitive Man unleashed career-defining tours de force upon the world. But wait, there’s more! Lots more! Grab your earplugs, it’s Doomsday.