Zvi – Deer Pink

Sometimes music critics can benefit from adhering to the notion that “form follows function.” It’s an abstract use of the bauhaus principle, but one which feels especially relevant in the modern music landscape. We often slather genre tags on scenes and artists that are growing more and more stylistically agnostic,…

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Surachai – Come, Deathless

There are certain electronic artists who have logical crossover appeal with metal fans; Merzbow and Prurient immediately come to mind, as well as industrial-leaning acts like Author and Punisher. Yet, there are other purveyors of dark electronics whom I’ve always felt should have more fans in the metal community, specifically…

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Street Sects – The Kicking Mule

Austin, Texas favorite sample-based sons Street Sects career arc has been a fast, strange and always interesting one, with their extreme and extremely well-received debut End Position garnering them widespread praise, the band have evolved their sample-based sound while moving slowly away from their industrial elements, playing more to the post-punk side…

Mamaleek – Out of Time

Anonymity in black metal has always been a double-edged sword. While it’s refreshing to see artists solely focused on their music and presentation rather than themselves as artists, it can also be frustrating to be unable to spotlight bands that truly excel at their craft. This latter point certainly applies…

Street Sects – Rat Jacket

We’ve already vilified ourselves for missing Street Sects’s 2016 monster End Position, and if you haven’t heard it either, feel free to go spin the record now and share in our shame. The duo of multi-instrumentalist Shaun Ringsmuth and vocalist Leo Ashline came through with an exceptional dose of hyper-aggressive synth punk on End Position, making a bold statement in a genre defined by intensifying punk and its offshoots’ many disparate mannerisms. Not only was the album a debut that far exceeded the benchmark for a successful freshman full-length, it received well-deserved praise from the fickle beast that is the indie blogosphere. Perhaps the album’s success can be attributed to endorsement of well-respected “dark music” label The Flenser, or it could be due to the growing acceptance of heavy music as part of “normal” music consumption. However, there’s one undisputed factor for End Positions’s success, being the album’s undeniably impressive blend of industrial music and hardcore punk in a way that synth punk hasn’t seen done this well before. Seriously, if you haven’t heard this record, stop reading and go listen to it now; I won’t be offended, I promise.

Heavy Delinquency – Street Sects // End Position

As obsessive music fans, we have a pretty intense love/hate relationship with the constant onslaught of new music that crosses our paths on a weekly basis. By the time we sit down to compile our Release Day Roundup every Thursday, there’s a whole new slate of records that we need to tack onto our backlogs of new albums from weeks past, a list that remains replete throughout the year. This being the case, there are bound to be a handful of these albums that slip through the cracks, only to cross our paths months or years later and leave us wondering what possible reason we could have had to not listen to it sooner. While the time has passed to recommend these albums for your 2017 year end lists, we’ve decided to tweak our typical “Hey! Listen to…” series to launch Heavy Delinquency, which will allow us to talk about albums we slept on and make sure they receive the attention they deserve. Which brings us to Street Sects, the inspiration for this column and one of the greatest bands in modern synth punk.