Like Unique Leader before them, The Artisan Era is fast becoming the go-to label for all things prog and tech death, cultivating a roster of “who’s who” among up-and-coming names in the genre such as Warforged and Inanimate Existence while simultaneously attracting longstanding names in the genre by pressing releases for acts like Augury and Spawn of Possession. Chances are, if there’s a new band wearing The Faceless and Necrophagist influences on their sleeves and they’re worth the time and attention, The Artisan Era is backing them, their logo becoming a seal of quality.
Strap in for another ugly one.
August! What a hellhole of a month; for those of us on the more tropical leaning parts of the world, the month demarcates an eerie center of the year where everything freezes in lurid heat. Or, if you’re in Manhattan like some of our Editors, your olfactory senses bloom into…
Each month, we always seem to come to the same conclusion when it comes to our Editors’ Picks column: Friday release days open the floodgates and unleash a seemingly endless stream of quality new music. But while some of our Editors and Contributors sit down gleefully each week to dive into this newly stocked treasure trove, others find themselves drawing a blank at the end of the month due to the breakneck pace needed to keep up to date with what’s been released. Which brings us to this Heavy Blog PSA: a weekly roundup of new albums which pares down the the week’s releases to only our highest recommendations. Here you’ll find full album/single streams, pre-order links and, most importantly, a collection of albums that could very well earn a spot on your year end list. Enjoy!
Sometimes you have to take a step back to move forward. Counter intuitive, yes. But as I’ve progressed through life I’ve found this to be true. Perhaps related to a career, where one has to go back to the drawing board to re-learn concepts long forgotten from some slept-through college lecture. Or in one’s personal life, where sometimes rehashing old wounds is the only way to progress past them. Music often falls into this same trajectory. Sometimes the alteration of sound works against a band rather than for them. While I am an enormous proponent of progression and change in music, how a band decides to engage in new musical and thematic concepts matters. Some do it right (Artificial Brain, Ingurgitating Oblivion), while some do not (latter-day Metallica, Morbid Angel). Yes, the parenthetical suggestions used to prove my point here are infinitely debatable, but I would make the argument that not all of these bands’ forays into uncharted territory worked in their favor. So it’s nice to see a band keep to their progressive trajectory, but pull from their back catalog elements that make their sound more enjoyable. Inanimate Existence are one of those bands, and with Underneath a Melting Sky have further perfected their sound by staying adventurous while simultaneously plundering the most essential elements of their past records.
No, there hasn’t been a glitch somewhere in the Heavy Blog matrix. This is a review of a Rings of Saturn album in the year of our egg, 2017. The sci-fi loving deathcore darlings (ahem) release another blast of widdly diddly death metal full of sweeps, synths and other worldly references too obscure for this writer to care about looking up. Look, if they are going to be lazy enough to record each note at a time then you won’t catch me doing the hard work either. In the few short years since Lugal Ki En was released, the world of technically leaning death metal has spawned some outrageously talented acts; Archspire and Inanimate Existence are the golden boys of tech-death, leaving breakdowns and breeing behind. Do Rings of Saturn still belong in a world that belongs to bands like this? Can they save the world from the alien invasion of tech-death newcomvers?
Today we’re lucky enough to be joined by the mastermind behind technical death metal band Infinite Density, Brendan Brown, also of Ne Obliviscaris and Vipassi fame. This year marked the release of Infinite Density’s debut album, Recollapse of the Universe, and it’s one of the best releases we’ve heard all year. Bearing strong thematic and musical similarities with bands such as Wormed and Inanimate Existence, the album showcases a varied vocal approach, massive grooves, ear worm melodies and a few nice surprises along the way too. It’s definitely going to sit pretty high on this writer’s end of year list, and we’re super excited that Brendan has made himself available to talk us through the album itself, how it came about, the Australian scene, and maybe even a word or two on his other projects.
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.
There’s got to be something in the water over in the Bay Area of California, because there’s been an inordinate amount of insane death metal coming out of here for well over a decade now. Inanimate Existence may not be household names in the scene, but they’ve also been one…
Meta-title! How metal of me to be very meta on a metal podcast that’s also pretty meta. This week we have a bunch of news. Either new releases, singles, teasers or whatever from: Inanimate Existence, Darkthrone, Wardruna, The Dillinger Escape Plan, Sinsaenum, Lamb of God, Voivod, Shokran, Dark Tranquillity, Thy Catafalque, Fit for An Autopsy, The Agonist, Disillusion, Exotype, Native Construct and Serpentine Dominion. Also an analysis of how global metal is, Pelagic Records’s starter kit, and a top 10 list of bands from Norway. While on the topic of top 10 lists, we do an impromptu “Top 10 songs that have the desired effect every time”. Or as Eden calls it, “Evergreen songs” or something. Whatever. Then we have our bullshit philosophy corner on Hegelian dialectics and the early metal scene! Finally, we talk about No Man’s Sky in the cool people section. Whew!