Being a music critic, journalist and/or blogger can be quite a thankless task at times, particularly when it comes to reviewing albums. A while back we ran a piece on some of the most aggravating comments a writer can receive on their reviews, but that article didn’t touch upon related…
To simply sum Darkest Hour up to yet another ATG-core band would not only be insulting, but wildly inaccurate as well. The band has been different ever since their inception, as they started much more closely in line with the hardcore-metal crossover of their heyday in the mid-90’s. Eventually this would change, of course. The band began to overlay their blistering metallic-hardcore with melo-death riffs galore, showing that they were not only impassioned Integrity fans, but At The Gates fans as well. The hardcore always lingered though, driving their sound to blistering speeds and intensities that other bands simply could not keep up with. At the time it was remarkable in its own right, the perfect marriage between death metal and hardcore, but soon it led to just as many bands trying to rip them off as closely as many before them had tried to rip off In Flames.
Metal and science fiction clash along various cultural axes. Their marriage begins with tone; both have a penchant for the wildly grandiose and imaginative personas, for personality writ large across a vast canvas. The juxtaposition continues along more “meta” lines, with both being adopted (or perhaps relegated to) the “geek”…
One of the things I love about having the opportunity to review albums is checking out bands that are just gaining a foothold beyond their local scene. Greensboro, NC metalheads, Undrask, are one of those bands I probably wouldn’t have learned about if not for having a copy of this album slid over to me by the Heavy Blog editors—but I’m glad it did.
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.
Hello everyone, welcome to psychology 101. In today’s class we’re gong to be looking at a host of psychological biases and contextualising them through numerous examples found within the music community. Most people already know what a bias is, but let’s start off with a definition to make sure we’re…
Hey, we have guests this week as well! Namely Brendon Williams and C.J. Jenkins from A Sense of Gravity! We talk about the upcoming album Atrament, how they got to this point, and what it takes to make progressive metal. There’s obviously more to it, so find out for yourself! Then we talk about news items, including the upcoming System of a Down album, Cyclamen’s cover of Linkin Park, the new In Flames album, Betraying the Martyrs, the Ned Flanders themed band Okilly Dokilly, the “incredible” Pain of Salvation artwork, new Behold the Arctopus (also Indricothere), Khonsu, the brother band of Keep of Kalessin, Eagles of Death Metal and the Bataclan, Oathbreaker’s Audiotree session, Hollow Earth, and this dank playlist. In the cool people section we discuss potential movie of the year Arrival. Enjoy!
How does a band keep their sound consistent yet fresh after 20+ years of active releases? Especially when the sound is something relatively limited and simple. In Flames clearly don’t have the right answer. Their fellow townmates, Dark Tranquillity, just might. Over the years, the Gothenburg outlet has remained relatively consistent in tone and even though they’ve gone through three distinct eras, they maintained a common thread through them all. While not every Dark Tranquillity album was an instant hit, especially a couple of their more recent ones, somehow with their 11th release Atoma they have rediscovered their spark. Both a return to form and a push forward, this album shows that this particular brand of Swedish melodeath still has more to offer.
After a month off whilst I traveled the world, we’re back with October’s edition of A Gift to Artwork, and we’re looking at In Flames. The Gothenburg Trio alum took the world by storm when they emerged at the forefront of the melodic death metal movement in the mid-to-late ’90s; however, their change in sound and direction at the turn of the century – and again post-2010 – have polarised fans the world over. Though their modern relevance continues to erode, the artistic legacy they’ve left behind still stands the test of time. Part of this legacy rests within their cover artwork as well as their music, and so today we’re going to be looking at three album covers, one from each of the three main eras of the band’s history.
We’re a year old now! So, we just do news like regular, then some opinion time. Also, bullshit philosophy time is back! Topics: Anthony Fantano on Meshugggah, Vader, Entombed, Red Fang, Car Bomb, Issues, Trivium, In Flames, Thrawsunblat, Ophidius, Avenged Sevenfold. This Metalsucks article on punk and comedy, then this thing about a certain luthier who is too good for pop music. Underrated album of the week: VOLA – Inamazes. Then we talk about why we got rid of review scores here at the blog. Enjoy!