EXCLUSIVE PREMIERE: Australia Gets Brutal With Depravity’s “Vile Defloration”

There’s something in the water in Australia. Outside of crocodiles, naturally. The country produces quality extreme metal on the regular, and particularly in the realm of death metal has no shortage of premium artists, with recent releases from Portal and Grave Upheaval once again cementing the scene’s weird, overwhelming dominance.…

Chaos Echœs – Mouvement

First impressions have always been a powerful force when it comes to music consumption. Whether due to a lack of time and/or money, listeners have limited resources to dedicate to the ceaseless torrent of new music and the seemingly bottomless pool of vintage releases. And as superficial as it may…

Death’s Door // February 2018

Hello, Hellions. Welcome to Death’s Door, February Edition. Wipe your feet on the mat, pull up a bone chair and feast on the flesh of the unbelievers while I complain about the worst month of every year. Yes, that would be February. The Corporate Holiday has passed, the fresh stench…

Hey! Listen to Blame!

Ukraine’s Blame might only be in their infancy, but that hasn’t stopped them from releasing one of the most impressive slabs of punishing, grove-driven technical death metal in recent memory. Almanac is the second of two EPs which constitute the band’s entire discography to date, although it comes off like…

Death’s Door 2017 // Death Metal’s Year in Review

Welcome to the final installment of Death’s Door in the Year of Our Nefarious Overlord 2017! Wipe your feet on the mat, remove that stupid holiday-induced smile from your face, and prepare yourself for ultimate year-end audio brutalization. Because, quite frankly, 2017 was one of the best years for death metal in decades. A bold statement indeed, and thankfully one with plenty of data in the form of amazing records to back it up. The overwhelming number of releases in this dirtiest of metal subgenres, coupled with the breadth of quality releases in each of the branches of the death metal tree, all accumulate to create one of the most impressive lists of death metal albums in a given year since the early 1990s. 2017 presented us with exceptional records at such an alarming clip that it was often a full-time task to keep track of them. Death metal this year was in equal measure mind-numbingly technical, socially forward-thinking, compositionally adventurous, and reverent of the past, generating albums that displayed with full clarity all that makes this music the metal behemoth that it is. What a time to be alive. In our final segment of Death’s Door for the year, we will be highlighting the trends and movements within death metal that we found to be the most significant, as well as our own personal top 15 death metal records on the year. Prepare yourself. Madness awaits.

Death’s Door – September 2017

Welcome to Death’s Door! Wipe your feet on the mat. Don’t want any oil getting on the floor. Yes, you heard me correctly. Oil. OIL. Everywhere. I remember a time when Hell was just covered in blood, now we’ve got these god-forsaken machines running around everywhere. Oh, but they don’t have SOULS they said. Tell that to my hellhound. All dogs do indeed go somewhere, and it isn’t always to the pearly gates. Anyhoo, technical death metal is king of the castle in 2017, and there isn’t much we can do about it. Sentient robots, alien lifeforms, and all that jazz. What a year it’s been, and frankly the amount of amazing music still to be heard troubles me. I don’t have time for this. I have shit to do. But here we are, discussing another ferocious month of death metal insanity. Grab a bone chair and make yourself a Bloody Mary (she won’t mind), there’s some good stuff to cover.

Necrovorous – Plains of Decay

Old school death metal is in a state of resurgence unprecedented in the subgenre. Father Befouled, Necrowretch, Dead Congregation, Undergang, Portal, and a seemingly bottomless list of other bands have released record after pounding, flesh-tearing record heralding back to Incantation’s doom-laden, suffocating death metal, or Immolation’s fire-breathing aggression. The early 90s is a period of inspiration for many a young death metal band, and especially so for Necrovorous, whose new album Plains of Decay desecrates the shrines of old to create a death metal sound that is both incredibly aggressive and filthy on an unsettling level. If you hate this sound, go find another review of a record you may enjoy. If death metal that venerates its forebears is up your alley, prepare yourself. This record is quite good.

Incantation – Profane Nexus

Metal has an abiding relationship with physical and geographical spaces. From the rolling cascades of the Pacific Northwest to the dense, foreboding forests of Norther Europe, metal has long championed music that not only exists in a specific physical place but is often consumed by it. Think the ice cold tremolo knives of Norwegian black metal, or perhaps the gentler wanderings of folk metal from across the globe, or the oppressively heavy and moderately paced trudging of Bayou sludge. To these ears, these are sounds that are intended to transport and project us into a physical space that often adds further distinction to the thematic and lyrical themes of the music. The same could be said of the music of Incantation, but opposed to feeling like the American East Coast from whence the band originates, the death metal legends have composed music for decades that feels as if it is slowly emerging from a deep, hellish cave. It is reverberating, dripping filth bathed in oppressive guitar work, echoing and cavernous vocals, and a seething, roaring rhythm section that feels like an earthquake. It is a sound shrouded in slow, creeping, all-consuming darkness that feels viscerally physical, and Incantation have molded and transformed this beastly noise into something close to perfection.