Post Rock Post – April 2018

In a sense, trying to get my meaning across with these opening paragraphs is more akin to post rock than I’d thought. And that’s what I’d like to leave you with before we dive into this month’s picks: we don’t make this list just to showcase our taste or highlight great bands (although the latter is a big part of it, for sure). We also do it because we feel like post rock is an important genre with important things to say, things which relate to the basic human condition, our hopes, dreams, failures and expectations of the world us. So as you go deeper into this post, try asking yourself what emotions, modes of thoughts and perspectives is this mostly instrumental music trying to get across to me? What is being communicated by and underneath the music I am listening to?

Release Day Roundup – 4/13/18

Each month, we always seem to come to the same conclusion when it comes to our Editors’ Picks column: Friday release days open the floodgates and unleash a seemingly endless stream of quality new music. But while some of our Editors and Contributors sit down gleefully each week to dive into this newly stocked treasure…

Post Rock Post – Echotide

You might be wondering why there have been so many of these lately. Some of it has to do with backlog; post rock is a notoriously hard genre to parse, sparse as it is, requiring more time from my ears to translate into words. But some of it is also to do with the sheer amount of interesting post rock that has been released this year. The true beauty of the volume of releases is its quality and variety. There have been great releases from more “classical” post rock bands, like Heron or Ranges, as well as releases doing new and interesting things with the formula, like Afformance or This Patch of Sky. Alongside these younger bands, we’ve also seen the successful return of massively important bands like sleepmakeswaves and Mogwai who have continued to grow their sound and solidify their legacy.

We’ll cover these trends more in depth as we near the year’s end but, for now, it’s safe to say that there’s a spirit of revival running through the oft-beleaguered genre. Adding to this revivification which, if we’re being honest, properly started last year or even a year before that, are Australian Echotide.

Post Rock Post: A Thousand Arms Are Back With “Open Language Vol.II”

A while ago on the blog, we were acquainted with a label/printer/collective called A Thousand Arms. We heard of them via a compilation they released, containing post rock tracks from all over the world. That was then; this is now. Since that time, they’ve released another compilation, much heavier and more oriented towards post and black metal, collaborated with us to create our first run of blog t-shirts (more on that, hopefully, very soon) and geared up work with this year’s Dunk! Festival. Now, never seeming to rest for too long, A Thousand Arms have released Open Language Vol.II. The first part focuses on post-rock bands exclusively from the US, while the second brings you tracks and bands from all over the world. We thought we’d give you a little primer for this insane amount of free music. Oh yeah, didn’t we mention? It’s all completely free!

Post Rock Post – Heron

It’s been a while since I could just write about some excellent, expressive post-rock. No genre slashes, no wild experimentation, just good old expansive, dream-y, beautiful post-rock. Luckily for me, Heron released You Are Here Now and gave me just such an opportunity. The album is an expressive and evocative take on classic post-rock, hitting the same sorrow tinged pressure points as The Khost or mid-era Explosions in the Sky. It manages to shrug off the aura of mediocrity that too often smothers the genre and soars well beyond its confines. On the way, it gathers influences from a range of rock styles and channels them all through a contemplative lens. Let’s meet after your first taste of it.