Metal and science fiction clash along various cultural axes. Their marriage begins with tone; both have a penchant for the wildly grandiose and imaginative personas, for personality writ large across a vast canvas. The juxtaposition continues along more “meta” lines, with both being adopted (or perhaps relegated to) the “geek”…
Welcome back to our Heavy Blog Guest List feature where we give some of the bands we covered (or just adored) in 2016 a chance to publish their own Top 10 Albums of 2016. Brutai, after having released their debut album Born, are set to rock the mainstream prog world…
Editor’s note: Welcome back to our Heavy Blog Guest List feature where we give some of the bands we covered (or just adored) in 2016 a chance to publish their own Top 10 Albums of 2016. Binary Code have had an eventful 2016, to say the least. After releasing their first full-length in 7 years, the impressive Moonsblood, the band hit the road across North America for much of the rest of the year with fellow prog-heads Leprous and Earthside. In spite of all of that though, Binary Code founder and guitarist Jesse Zuretti found plenty of time to stay on top of the goings-on in metal and elsewhere this year and eagerly wrote up his top ten metal and non-metal albums for us, which you can find after the jump!
Editor’s note: welcome back to our Heavy Blog Guest List feature where we give some of the bands we covered (or just adored) in 2016 a chance to publish their own Top 10 Albums of 2016. This time around we have Cyborg Octopus, a band who produced one of the funnest and most well thought out progressive metal albums of the year. Their approach to differing influences, ideas and styles can definitely be seen reflected in their chosen Top 10, which is, once again, presented to you the reader completely unedited and untouched! If you’re interesting in the kind of music that a group with these far-flung tastes might make, check out their album below. Enjoy the list!
With our general list for 2016 out of the way, we can now shift the focus from our aggregate opinion to individual ones. Both outlooks have their own merit; the former provides us with an overview of our year in music. However, the latter shines a light on something we’re extremely proud of and that’s the varied and eclectic nature of our staff these days. We used to have a very certain type of music associated with Heavy Blog and while we still have a long way to go, we feel like we’ve done a good job at expanding our palettes and the representation of different kinds of music and metal in our staff. The lists below reflect that; you’ll find black metal, avant-garde, technical thrash metal, hip hop, rap, noise, ambiance, post metal and rock, melodic death metal and much more throughout these lists.
We wrote a pretty big check to ourselves when we closed off 2015. Publishing not only a list which proclaimed the triumph of 2015 but also a whole editorial dedicated to the idea of “The Golden Age of Metal”, we set ourselves up for disappointment. Like the rest of the music establishment which, in numerous places implicit and explicit, was apparently ready to join in the social lynching of 2016, we were well positioned to find it a sobering, dreadful, faith shattering year for music in general and metal specifically. Except it was nothing of the sort and we cannot stress our amazement at metal/music journalism’s reaction so far. 2016 was an absolutely fantastic year, building on the trend of solid and often groundbreaking releases from established acts and simply astounding, out of left field releases from virtually nameless bands. Sure, it had its disappointments for us from huge bands we had expected more from (although signs of their demise were certainly forthcoming) but, overall, it was a year which will surely be remembered in our circles as one of the best years for music in general.
Editor’s note: welcome back to our Heavy Blog Guest List feature where we give some of the bands we covered (or just adored) in 2016 a chance to publish their own Top 10 Albums of 2016. Today, we have A Sense of Gravity, a band whose praises we’ve sung relentlessly over the last two years or so. Fresh off their release of the brilliant “Atrament”, we’ve invited these Seattle locals to share with us what albums moved them in 2016. Below is their unedited list!
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.
Oddland are a bit of an oddball (heh) in the gamut of progressive metal. Rising from the fertile grounds (for metal, at least) of Finland, they garnered quite a bit of hype with scene insiders. Their The Treachery of Senses (2012) was an interesting take on the darker, Tool influences that have been running strong through the scene for more than a decade now. However, with only one album and then a prolonged silence, fans and critics were unable to fully flesh out a firm idea of what the band was about; the album certainly sounded great, but what was the approach behind it all? Luckily, Origin marks 2016 as the year where the gaps in the Oddland tale are finally filled in. The album builds firmly on the strata of dark progressive but also gives us further insight into what Oddland want to bring to table, what they want to modulate and very within the scene.
I’ll admit it. When it comes to the metal and instrumental music I listen to, I often tend to gravitate towards the serious, complex, and more cerebral side of things without taking into serious consideration something as basic as whether it’s actually fun to listen to. Not that the music I like isn’t fun or enjoyable at all, but sometimes I take for granted that something can be heavy and well-executed without requiring many listens just to unlock its secrets. Occasionally I’ll hear a band or piece of music that reminds me of this though, that can just take me on a fun ride for a while without requiring too much mental processing power but that still has more than enough going on to keep my attention.