For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.
There’s been some fantastic hardcore this year, and it only continues with this band. Maryland’s Insane Power, though new to the scene, showcases a hardcore style with very minor influence from thrash, but is most assuredly HC of the highest kind. It’s noisy, angry, and just fucking brutal in all the right places.
Fucking hardcore. It’s great. It’s crunchy, chaotic, and beautifully ugly. It’s ready to knock out your teeth with one well-aimed fist and send you sprawling into a bloody heap on the ground. You just can’t beat the likes of Converge, Trap Them, or Great American Ghost; they’re just too good at what they do. But when I come across a hardcore band that can go toe-to-toe with any of those latter bands, I pay attention. Dearborn’s Hollow Earth is one of these bands, with a sound that is surprisingly singular in a scene full of bands that can sometimes lack a real musical identity, and a host of incredibly talented musicians behind it all.
I’d like you to take a close look at the album art above. What do you think The Bearer plays? First glance to me says something melodic death metal-ish, maybe even somewhere in the folk realm of things. Whatever it is, the music is sure to sound brutal, right?
Welcome to yet another week of No Heroes In New England, where we scope out the latest, greatest hardcore from the Northeast and give them some much-deserved cred! Let’s get to it, shall we?
Howdy, and welcome back to another week of No Heroes in New England, where we dig through BandCamp to find the best underground punk the East Coast has to offer. Hardcore is the name of the game here, whether it’s brutal and crushing, a throwback to the 1980s, metalcore, or anything in…
It seems like every year a new, incredibly talented metallic hardcore/noise group comes into the fold or gains some much-deserved mainstream recognition. Last year we were treated to Great American Ghost, 2014 found Expire wowing us with Pretty Low, in 2013 Hessian released their debut Manégarmr, and before that, all the way back in 2012, Code Orange came onto the scene with their awesome Love Is Love // Return to Dust album.
While we still have six months left of 2016, I believe that Germany’s Throwers will prove to be a future powerhouse of aggressive hardcore, with their debut Loss setting the foundation of their reign as hardcore royalty.
Welcome to another week of No Heroes In New England, the column where we take a glimpse into the hardcore goings-on in the land of the Patriots and give some lesser-known bands some much deserved kudos. The definition of “hardcore” in this context is a loose one, as the bands…
Welcome to No Heroes in New England, a new feature on Heavy Blog where we give a nod to some of the newest and relatively undiscovered hardcore talent coming out of New England. The word “hardcore” is a term with a bit of history, so we’ll be covering anything within the hardcore genre, whether it’s punk, metallic hardcore, or post-hardcore. As long as it tears faces off with its aggression and comes from New England, we’ll cover it. New England has been one of the capitals of hardcore music since bands like SS Decontrol and DYS broke out of Boston in the 1980s, and in the last thirty or so years it’s cemented its status, giving the world groups like Converge and Killswitch Engage who have indelibly changed the face of metal and hardcore music for the better. To ignore this part of America is missing a crucial chunk of music today, as even relatively new acts such as Trap Them and The Great American Ghost hail from New England.
Rock and metal with a sense of humor is good and all, but with it comes the (often true) stereotype that there isn’t much to it musically. There are obvious exceptions—Frank Zappa managed to make music that was both hilarious and interesting, and Every Time I Die’s sense of humor is always fun to be around; I mean, who else could come up with a track title like “Underwater Bimbos From Outer Space”? The answer to that question is Victorian Whore Dogs, a British-based metal band who recently put out their third studio album Afternoonified last month.