Let’s face it; the specter of Black Sabbath also has and always will haunt metal and rock n’ roll. I use “haunt” here in the full Deleuzian sense. To quote the great philosopher, “the time is out of joint”. What better example is there of this then the insistence of music to often…
Heavy Pod Is Heavy Cast!
A bunch of industry news this week! Spotify uniting with Distrokid, revenue shares of services, and ranting about monopolies versus fragmentation. Then some bummer news – Oli from All That Remains passed away, the Ghost members lost their lawsuit, and The Faceless are embarking on a 10th anniversary tour for Planetary Duality. Then some new music! Babymetal, Soilwork, Fractal Cypher, and Beyond Creation. Then cool people time! I gush about The Return of the Obra Dinn, and Eden gushes about Maniac. Enjoy!
For those of you who’ve hung around the metalcore scene since the early 2000s, you have my respect. You’ve been through some real shit. Whether it’s the cringey downward spirals of the scene’s power players into mediocre, wannabe radio darlings or the lackluster output of quality records this side of the decade, things just ain’t the way they used to be. For everyone who jumped ship, word of a new Bleeding Through record may or may not be enough to pique your interest. We’ve seen Killswitch Engage, Underoath, Atreyu and a few other less-notable acts return with relatively disappointing efforts, so you wouldn’t be amiss to be little apprehensive about busting out the dingy sweatbands and studded belts, but if Love Will Kill All has any say in it, you might find yourself sitting on a little Facebook Marketplace goldmine.
So due to technical difficulties, my voice on this episode is pretty messed up. I tried to recover it the best I could, and Anthony helped, but it is what it is. Well, at least Eden is audible this time, and he’s around! We discuss the new Nekrogoblikon album, the Behemoth live album, and the new Ghost single. Finally, the Metalsucks article discussing the difference between bands who make stupid jokes and those who believe in violent ideologies. Then, we do the deep segment on Metallica. Enjoy! (or at least try to)
Of the comments on our post outlining Music Journalism’s Top 25 Metal Albums of 2017, one in particular provided an opinion that’s plagued the metal community for quite some time. The commenter criticized Heavy Blog for being too focused on “wanting to like what’s different as oppose to just listening to an…
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as…
To put it plainly, Ruby the Hatchet’s second full-length offering, Planetary Space Child, reeks of 70s goodness. You can smell the High Life on its breath, the stale weed in its hair, and the sensual mingling of Marlboro funk and stage fog.
Welcome to episode 95 of Heavy Pod Is Heavy Cast! And by 95 we mean 75. This week we talks about some new music, and Eden gets really upset about how much people like the new Mastodon. Ok, I’m being unfair – we have a level headed discussion about how great it is. Or maybe I’m just lying. I guess you can listen and find out! In other news, Papa Emeritus of Ghost is facing legal allegations that he isn’t paying band members, Spotify have introduced a paywall, and the following artists have new music/videos: Sikth, A Sense of Gravity, Russian Circles, Shadow of Intent, Power Trip, Vildhjarta, Prisoner, Scale The Summit. Also, Asira are an amazing new band that you have to check out. Then we do the usual cool people stuff, discussing (with spoilers) Grant Morrison’s comic Nameless and Ada Palmer’s Too Like The Lightning. Enjoy! Also, if you want Eden to get extra salty, let him know in the comments that you think Emperor of Sand is great. Of course, you could tell me I’m wrong and get me salty as well! YOU HAVE SO MUCH POWER IN YOUR HANDS.
Sometimes I like my music to have an element that kind of sends it over the top, so to speak. Not in a corny way, but similarly to the way that Ghost has their unique vocal style and Frontierer has a super unique “beehive” sound with each song. It’s fun to listen to and really seems to break the monotony of listening to metal. While I love the genre as a whole, it can grow tiresome without a small break or change of scenery. King Goat do both, combining elements of doom metal with spaced out prog/stoner/heavy metal, and now you can snag a free download of their track “Conduit”. Check it out
Welcome to our new monthly post, Editors’ Picks! In the recent two years, our editorial body has grown quite a bit: from basically two guys running everything, we now have around seven people managing the blog in an editorial capacity, including two (count ’em, two!) Editors in Chief. We thought we’d harness that unique body of editors and use their over-reaching perspective to shed light on specific releases each month. The way it works is simple: each editor gets to pick one album released in January (or in its proximity, as we just said). We write short pieces about them and link you to the album, allowing you to check it out yourselves. There’s no genre restrictions: expect to see some gnarly stuff on here as most of our editors have a very wide range of musical appreciation. Without further ado, let’s dig in into this month’s offering!