Tribulation – Down Below

Of the comments on our post outlining Music Journalism’s Top 25 Metal Albums of 2017, one in particular provided an opinion that’s plagued the metal community for quite some time. The commenter criticized Heavy Blog for being too focused on “wanting to like what’s different as oppose to just listening to an…

75 – Emperor Of Sand Isn’t (Totally Is) The Best Album Of March

Welcome to episode 95 of Heavy Pod Is Heavy Cast! And by 95 we mean 75. This week we talks about some new music, and Eden gets really upset about how much people like the new Mastodon. Ok, I’m being unfair – we have a level headed discussion about how great it is. Or maybe I’m just lying. I guess you can listen and find out! In other news, Papa Emeritus of Ghost is facing legal allegations that he isn’t paying band members, Spotify have introduced a paywall, and the following artists have new music/videos: Sikth, A Sense of Gravity, Russian Circles, Shadow of Intent, Power Trip, Vildhjarta, Prisoner, Scale The Summit. Also, Asira are an amazing new band that you have to check out. Then we do the usual cool people stuff, discussing (with spoilers) Grant Morrison’s comic Nameless and Ada Palmer’s Too Like The Lightning. Enjoy! Also, if you want Eden to get extra salty, let him know in the comments that you think Emperor of Sand is great. Of course, you could tell me I’m wrong and get me salty as well! YOU HAVE SO MUCH POWER IN YOUR HANDS.

Download A New Track From King Goat!

Sometimes I like my music to have an element that kind of sends it over the top, so to speak. Not in a corny way, but similarly to the way that Ghost has their unique vocal style and Frontierer has a super unique “beehive” sound with each song. It’s fun to listen to and really seems to break the monotony of listening to metal. While I love the genre as a whole, it can grow tiresome without a small break or change of scenery. King Goat do both, combining elements of doom metal with spaced out prog/stoner/heavy metal, and now you can snag a free download of their track “Conduit”. Check it out

Heavy Blog Is Heavy’s Editors’ Picks for January 2016

Welcome to our new monthly post, Editors’ Picks! In the recent two years, our editorial body has grown quite a bit: from basically two guys running everything, we now have around seven people managing the blog in an editorial capacity, including two (count ’em, two!) Editors in Chief. We thought we’d harness that unique body of editors and use their over-reaching perspective to shed light on specific releases each month. The way it works is simple: each editor gets to pick one album released in January (or in its proximity, as we just said). We write short pieces about them and link you to the album, allowing you to check it out yourselves. There’s no genre restrictions: expect to see some gnarly stuff on here as most of our editors have a very wide range of musical appreciation. Without further ado, let’s dig in into this month’s offering!

Hexvessel – When We Are Death

It’s always interesting to see how instrument choices and production techniques can have such a strong effect on dating a band or album. Whether it’s the arena-sized, cannon-shot snare drums of the 1980s or the hyper-compressed, extended-range guitars of today, there are a host of characteristics within rock and metal…

Hey! Listen To Nott!

“Heavy.” What defines heavy? Is it quantifiable? We obviously know when something is heavy, but it’s a little bit harder to delineate what isn’t heavy. Would a band like Elder be considered heavy? What about Ghost? By today’s standards, is Black Sabbath even heavy? Is it even worth trying to…