The Biology of Plants – Vol. 2

Sixty years after Ornette Coleman released The Shape of Jazz to Come, contemporary musicians continue to challenge and expand upon the core tenets of the genre. Besides its notable anniversary, I mention Coleman’s breakthrough specifically due to its embodiment of disruption. The reception for his playing style has softened considerably…

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ALBUM REVIEW/PREMIERE: Lisathe – Lisathe

Covering music for the blog provides both an avenue for curation as well as a means of tracking stylistic movements in various scenes. We’ve used our platform to chronicle the evolution of dissonant death metal, the new wave of traditional heavy metal, progressive stoner/sludge/doom, and a myriad of other subgenres…

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Zvi – Deer Pink

Sometimes music critics can benefit from adhering to the notion that “form follows function.” It’s an abstract use of the bauhaus principle, but one which feels especially relevant in the modern music landscape. We often slather genre tags on scenes and artists that are growing more and more stylistically agnostic,…

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Vaura – Sables

Of all the musical periods that have risen back into prominence, the ’80s have arguably enjoyed the most success back in the spotlight. Sure, we’re also seeing an influx of influence from ’60s/’70s singer-songwriters in modern folk, pop and rock, as well as some echoes of grunge resurfacing from the…

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HEALTH – VOL. 4 :: SLAVES OF FEAR

As far as I can remember, I’ve never started out a review with a personal anecdote. But HEALTH holds a special place in my musical journey. Back in 2008, my dad took me to see my first concert: Nine Inch Nails at the Verizon Wireless Arena in Manchester, New Hampshire.…

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Conduit – Drowning World

Of all the extreme music subgenres I’ve been tasked with defending to unimpressed friends and family members, crafting a convincing argument for the qualities of noise has by far been my toughest endeavor. Whereas ambient and drone have alluring, relaxing qualities that some outside listeners can appreciate, noise often just sounds…

Mamaleek – Out of Time

Anonymity in black metal has always been a double-edged sword. While it’s refreshing to see artists solely focused on their music and presentation rather than themselves as artists, it can also be frustrating to be unable to spotlight bands that truly excel at their craft. This latter point certainly applies…