Progressive death metal outfit Entheos have had a productive three years, to say the least. 2015 saw their formation, shortly followed by the release of their debut EP Primal. 2016 saw the departure of founding guitarist Frank Costa and the introduction of their new guitarist, Malcolm Pugh. Frank had already recorded all of the rhythm guitars for the bands first full length album, so Malcolm came in and knocked out the lead guitars so that The Infinite Nothing could be unleashed upon the world. Only two months after the album’s release, the band announced the departure of Malcolm Pugh and in the same breath announced that former Scale the Summit guitarist Travis LeVrier would be taking his place in the band permanently. Now, in the latter half of 2017 we have received their second album, Dark Future, recorded in the early part of this year.
For all the ubiquity it enjoys today, our current, ‘mainstream’ iteration of progressive metal was hardly all that visible before the turn of the last decade outside of a few relatively tight internet circles. The community around it remained constrained to a few forums, as current ringleaders such as Misha Mansoor and Acle Kahney quietly uploaded bedroom recordings to relatively small audiences.
This week we have a super exciting guest! I’d try to slowroll it, but obviously from the episode title you can guess that it’s Herman Li of Dragonforce. We discuss a variety of topics, including the upcoming Dragonforce album Reaching Into Infinity, success, haters, creativity, Babymetal, video games and more. Herman was a great guest! Also Eden and I discuss some news after the interview. Chuck Berry’s passing and the way the coverage has handled his problematic legacy, a bunch of new music, and Earth’s Hibernaculum and Machine Head’s The Blackening turning 10 years old. The new music includes Somnium Vox, Bloodshot Dawn, Entheos (not that one), Witherfall, Northlane, Emmure, Gorod, Enslaved, Solstafir, Beyond Creation (kind of). We also continue last week’s discussion on how the mentality focusing on new music sometimes makes us overlook albums, in this case Metallica’s latest. In our cool people section we discuss Netflix’s Marvel’s Iron Fist and Better off Ted.
While we’ve previously covered topics more along the lines of specific scales, intervals, and chords, today’s topic is unique in that it concerns a technique (or, well, a subset of that technique) that’s mostly specific to guitar playing, as opposed to a general musical concept.
Last year, we had a narrative. Following on the footsteps of the late, great Brian Shields, we had declared this, our time, The Golden Age™ of Metal. Releases were coming in in flurries and the quality was just as good. We got several of the best albums in recent memory…
A month or so ago, I wrote a post titled “The Occult in Modern Day Metal”. In it, underneath countless of apologies for the simplifications I was about to present the readers, I took a brief look at how the occult has lent words, images, ideas and themes to the metal genre. Charting three main movements, I attempted to offer an initial direction for asking questions, a jumping point for something much more extensive. Perhaps where I’d left the most gaps was with the last part; the post was getting long, the hours were getting late and the subject matter was growing more complex. This should come as no surprise to those versed in the source material itself (and my writing/sleeping habits, if we’re being honest). You see, that final part dealt with the New Age and its ties to progressive metal. The thing is, however, that New Age is one of the most loosely defined, scholarly debated and impossible to understand spiritual movements to have ever existed. It’s right up there with Zen Buddhism, Sufism, Swedenborg-ism (I swear that’s a real thing, you can Google it) and other obscure, esoteric belief systems.
We knew it was coming. April marks the beginning of spring release season, when the number of marquee albums starts going sky high and incredible albums are suddenly dropping left and right. And yet looking back at this past month it’s just utterly astounding how much amazing music came out even from the get-go. April 1 was a humongous day for releases, and it simply did not stop after that. Narrowing down this huge wealth of albums to a select few was nearly impossible, but thankfully we also have our “short”-list to include everything else we completely loved, all of which are included in our Spotify playlist for the month, which is embedded here and on our front page. And with that, let’s get to our editor picks for April!
Welcome to “Beyond the Veil“! In this feature, its name (partially) taken from the Gods of Eden track, we’re going to delve into some theoretical aspect of the music we love in an effort to elucidate the behind-the-scenes workings at play, but in a largely jargon-free manner intended to be accessible to those…
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as…