Djent had an explosive entrance into the world of heavy music, around the start of the decade. It was a truly exciting occurrence, with first-wave acts like Periphery, Animals As Leaders and Cloudkicker filtering the technically-driven progressive sound of acts like Meshuggah, Sikth, and those of the budding “Sumeriancore” movement, into something altogether more accessible, while still retaining much of their forebears’ technical and progressive edge. Yet, like most new sub-genres, djent quickly devolved into pastiche and gave way to over saturation—perhaps a little bit quicker than most. Djent, it seems, has had a propperly ballistic trajectory, and—in 2017—as its momentum trails off, it’s hard to get excited about this once-promising phenomenon.
Even a cursory glance of our biweekly “What Heavy Blog Is Really Listening To” posts will reveal that there is a great deal of variety among our staff’s musical tastes. Due to this, we brainstormed the idea of “Playlist Swap,” another biweekly segment that takes place between playlist updates. We randomly select two of the participants from each update, have them pick their favorite track from each of the nine albums in their grid and then send the list over to the other person to listen to and comment on. Within these commentaries occurs praise, criticism and discovery, and we hope that you experience a few instances of this last point as well. This week’s post has staff writer Matt MacLennan face off against senior editor Nick Cusworth.
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.
Last week, Invisible Oranges made a very good case for the death of deathcore citing the absolute disasters that Suicide Silence and Emmure put out this year, the diminishing commercial success of the genre, and the disappointing follow-ups of some of the genre’s most promising acts. To be clear, there is no defending Suicide Silence and Emmure, but there is more to deathcore’s story to be told in 2017 and beyond.
This week we have a super exciting guest! I’d try to slowroll it, but obviously from the episode title you can guess that it’s Herman Li of Dragonforce. We discuss a variety of topics, including the upcoming Dragonforce album Reaching Into Infinity, success, haters, creativity, Babymetal, video games and more. Herman was a great guest! Also Eden and I discuss some news after the interview. Chuck Berry’s passing and the way the coverage has handled his problematic legacy, a bunch of new music, and Earth’s Hibernaculum and Machine Head’s The Blackening turning 10 years old. The new music includes Somnium Vox, Bloodshot Dawn, Entheos (not that one), Witherfall, Northlane, Emmure, Gorod, Enslaved, Solstafir, Beyond Creation (kind of). We also continue last week’s discussion on how the mentality focusing on new music sometimes makes us overlook albums, in this case Metallica’s latest. In our cool people section we discuss Netflix’s Marvel’s Iron Fist and Better off Ted.
It’s necessary to start this review with a bit of a history lesson, because, frankly, I’m not really sure anybody who reads our blog has exactly kept up with Emmure’s turmoil as a band: at the very tail end of 2015, every instrumentalist in Emmure walked away from the band in…
This post probably seems way out of place among the many pieces I’ve written for Heavy Blog. But for anyone that knows me, bands like Emmure comprised the bulk of my high school listening, and I threw down hard during their set at Warped Tour 2010. That same year marked the peak of my adoration for “-core” music, though, as I started gravitating more towards the old school metal bands that my friend Mark would show me during lunch. My iPod started filling up with songs like “Dead but Dreaming” by Deicide rather than “Dead but Dreaming” by Carnifex, and before I knew it, I was another metal elitist scoffing at the very thought that Emmure used to be one of my favorite bands. Thankfully, I’ve matured quite a bit since then; not to the point where I’d write an “In Defense Of” post for Emmure, but enough to ignore any news updates about the band rather than leaving an unproductive shitpost in the comments section (“lol, binary code metal, amirite???”). And as I saw updates on their latest album Look at Yourself, it made me reminisce about my old listening habits and prompted me to revisit what used to be my favorite record of theirs: Felony. The result was the following nostalgia-ridden Stepping Stone for a band I view as both one of the worst and most important bands that defined the trajectory of my growth as a metal fan. It was my full intention going into this to be as objective and honest as possible, and I hope this will read as a fair critique of one of metal’s most polarizing bands.
Guess which one we’re talking about! This week we talk about a bunch of new music as usual. Also Tidal news! Kanye and Tidal are getting sued for misleading marketing. More importantly, we have new music or teasers from Gojira, Mephistopheles, The Fall of Troy, Black Crown Initiate, Vektor, Winds of Plague, Gates, Gone is Gone, If These Trees Could Talk, The Schoenberg Automaton 65daysofstatic and Eths. Also, Emmure is Glass Cloud now. Yeah. Then we do our balls deep on Opeth. Oops! I spoiled it! Oh well.
Even a cursory glance of our biweekly “What Heavy Blog Is Really Listening To” posts (last weeks update here) will reveal that there is a great deal of variety among our staff’s musical tastes. Due to this, we brainstormed the idea of “Playlist Swap,” another biweekly segment that takes place…
Last week I caught Thy Art Is Murder in Glasgow alongside their Australian cohorts Aversions Crown, Feed Her To The Sharks and Earthrot. The all Australian tour package drew a great crowd full of moshers, deathcore kids and fans of extreme metal. Were I a few years younger and a…