Soundtracks for the Blind // Jan Jelinek – Zwischen

Like the seminal Swans album, this column contains an eclectic collection of experimental music recommendations, all of which provide sonic landscapes for the listener to lose themselves within. Expect offerings from the genres of ambient, drone, electroacoustic, free improvisation, post-minimalism and more. … There’s nothing quite like being surprised by…

Hey! Listen to Mary Lattimore!

There’s really nothing like the concert experience. From road trips to overpriced venue beers to unforgettable performances, every show’s pros and cons extrapolate from the music to create new, unique meaning. One of my favorite aspects of live shows, and specifically tours, is the ability for larger acts to introduce…

Live at the Jazz Factory – The Latest and Greatest in Free Improvisation & Solo Performance

Free improvisation—and relatedly, solo performance—is one of those genres that’s both self-explanatory and defies classification. As you can imagine, the setup is pretty simple: one or more musicians performing improvised or composed music, to varying degrees. Yet, our understanding of most genres is defined by multiple musical motifs and instrumentation…

Hey! Listen to Mt telegraph!

“Folktronica” may be the most contradictory musical oxymoron permeating the modern musical landscape. Juxtaposing the most organic and synthetic genres seems like a recipe for disaster, and yet, the it’s somehow worked surprisingly well for a subset of modern, electronically-inclined folk artists. Whether it’s indie darlings like Bon Iver or acts like Four…

Úlfur – Arborescence

No genre has experienced a more distinct shift in its cultural purpose than classical music. What was once the sole form of musical expression in Western culture has been largely relegated to specific roles in society. Modern classical certainly hasn’t lost any of its esteem, but in terms of popular…

Heavy Vanguard: AMM // Before Driving To The Chapel We Took Coffee With Rick And Jennifer Reed

Free improvisation is hardly a new subject on Heavy Blog; Scott and I have written extensively on the subject. However, we haven’t touched on some of the more interesting modes inherent in the genre—namely, EAI, or electroacoustic improvisation. The definition of EAI, along with most avant-garde “genres”, is murky at…

Heavy Vanguard: Iannis Xenakis // Electronic Music [Compilation]

Avant-garde classical music took a huge leap forward in the 50s and 60s when a handful of composers (including John Cage and Karlheinz Stockhausen, among others) began to play around with simply wild ideas in terms of composition, beyond anything that the likes of Schoenberg or Webern had done in the past. One of the minds essential to this period was one Iannis Xenakis, a Greek composer and architect who applied the same mathematical concepts he used to to make buildings to compose music, eventually coining the term “stochastic” music to refer to the mathematical, statistical, and physical principals being applied to music. While he’s perhaps not as well remembered as Cage or Stockhausen, Xenakis was nonetheless an important composer, and an early adopter of electronic music, with this compilation today being a collection of his earliest musique concrète compositions. (The term musique concrète was a French term coined by Pierre Schaefer, whose early experiments with tape recordings essentially laid the foundation for the future of electronic music.)