Palehorse/Palerider Get Meditative on New Track “Fire Gone Out”

The Denver trio Palehorse/Palerider embody the core aesthetics of doomgaze, meticulously crafting sweeping soundscapes ripe with mysticism and guttural power. Layering Brandon Richier’s shimmering guitar work and ethereal vocals over the muscular low end provided by bassist David Atkinson and drummer Nate Marcy, they possess the ability to transport listeners…

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A Gift to Artwork – Elder

A Gift to Artwork, taken from the Caligula’s Horse song “A Gift to Afterthought”, breaks down and analyses your favourite album artwork. The first time an album’s name appears, it will link to a large and (where possible) high-resolution image of the cover so that you can take a closer…

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We Hunt Buffalo – Head Smashed In

It takes all of about .01 seconds to deduce that We Hunt Buffalo are riff purveyors of the big, fat and ugly tonal variety. With a name like that, you can’t go around peddling post-punk or tinny garage rock. It’s basically Stoner Metal 101 that bands named after huge, heavy…

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Spaceslug – Eye the Tide

Last year, Polish trio stoner doom trio Spaceslug coughed up two worthwhile slabs of psychedelic and forward-thinking beefiness. They are great albums, but more importantly, they cemented the group’s distinct identity. They aren’t quite your daddy’s bloodshot-eyed stoner metal dirtbags, nor do they strive to achieve soul-crushing gloom via monolithic…

EXCLUSIVE PREMIERE – Fill Your Belly With Some Post Metal Goodness With Cavern’s “Eater”

When will the bad premiere post titles stop, you ask? Never! Honestly, naming these posts is a nightmare so falling back on puns and silly double entendres is all we have, give us a break. OK, on to the matter at hand which is Cavern’s excellent brand of stoner-tinged post metal. This Oakland based duo seems to have learned the adage of “less is more” since their release in 2015, stripping back their sound to the bare necessities. The result is a type of post metal that seeps urgency and immediacy, no note out of place and no transition unnecessary. This lends them a kind of instrumental flow which lends them in the category of bands like Russian Circles and set and setting but also with Elder and their ilk. How so? Check out “Eater” below, the title track from their upcoming EP!

Holy Roar Records Files Pt. 8 – Garganjua’s Through The Void

It’s really not fair to other record labels that Holy Roar Records exists. While Matt has been the main voice of our adoration for them on Heavy Blog, there are plenty more of us that are just in awe with the work they’ve been doing. Not only do they have an excellent roster but they also drip with style, professionalism and the willingness to deviate from what you’d normally expect to come out of their releases. To such an exception we turn our eyes today in this, the third of my contributions to our ongoing series checking in with the label. This time around, we have Garganjua, a band whose comparison to Pallbearer is immediate and somewhat shallow, as they add much to the formula of “emotional doom” espoused by Pallbearer’s meteoric rise to fame.