Tag Archive: Devin Townsend Project


How can anyone hate a face like that?

I wonder how sick you lot are of me talking about Devin Townsend? I’m sure some of you must be annoyed, but I can’t help but get excited about this man, and with all the news that he’s willing to trickle down to his fans, there’s almost always something to be excited about. It’s like as soon as there is the tiniest bit of a lull ol’ Devy goes, “Hey, Check this Shit Out”, and I DO.

Anyways, we’ve already talked about Devin’s next two projects Epicloud, a more commercial metal album, and Z2, the sequel to 2007′s grandiose rock opera, Ziltoid the Omniscient. The former rumored to be released sometime this year, and the latter coming out in about a year and a half. Given the fact that Townsend just finished a massive 4+ album concept that spanned the past three years, you would think he was going to take a bit of break, but that doesn’t seem to be the case. Just this past week Devy announced yet ANOTHER upcoming record that he plans to release in conjunction with the aforementioned Epicloud. Posting on the official Hevy Devy forums, Devin Townsend outlined his three ongoing projects to the masses, including the first mention of his new project Casualties of Cool:

I found as a reaction to the complications of decon and the sheer bulk of work thats been going on (seriously, it’s insane) my writing ended up going in 3 ways recently:

1) A very commercial sounding (for the most part) but beautiful and melencholic album full of easy to digest dev songs…Epicloud. I don’t know why it came out, but it did, so I’m going to get it out of my system

2) Casualties of Cool: a duo with myself and Che (ki)… it sounds like haunted Johnny cash songs. late night music, completely isolated sounding and different than anything I’ve done. Che sings most of the leads, and it’s probably the truest reflection of who I am in life at this point. Trying to release it in tandem with Epicloud.

3) Z2 epic epic epic, complicated, musical, sci-fi, immense expense, the goal of it all I suppose.

Obviously this is very exciting news for fans of Devy and good music in general. It seems that with each announcement I just get even more riled up and excited. Ki is by far my favorite album by Devin, and while I thought Che’s performances on that record were astonishing, I didn’t think she was heavily utilized as she should have been, so this new project will probably be just the thing for someone like me. The other two projects get me excited as well, just so we’re clear.

Devin outlined some other news in his forum posts. Mostly he talked about the changing landscape of his musical career and dealing with new management and endorsement, but he also let loose a little bit of news regarding the sequel to last year’s Ghost:

Lost focus on Ghost 2, but mainly because I wanted to release it and everyone got their shit in a knot about it…so I’m trying to find a way to get it out for free, but thats a bit dicey with folks too.

I do understand why things need to be monetized, it’s expensive and everyones on salary and each month is a struggle, so box sets, dvds , vips etc are pretty important to the big picture. I still feel embarrassed about it all though and fully advocate not being obliged to buy it if you’re unsure… the bigger things get, you’d be suprised at how much control you need to give up just to stay musically creative…

Once the dust settles a bit (a year?) I hope to be able to ‘give back’ a bit with free stuff and everything..

It’s a little sad to think that Ghost 2 won’t get an official release, but free music is always a plus. You can read Devin’s full statement below, and feel free to let us know what you think of these developments in the comments. Cheers!

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Let me be clear, this isn’t a review. It easily could be, but I don’t want it to devolve into that. As I’m such a huge fan of this man’s work, I doubt I could convince people into thinking any review of a boxset containing 4 discs of music that I have already bought previously could be anything other than biased, so there’s really no two ways about this, and the sooner I get this out of the way the better.

I am for all intents and purposes a Devin Townsend fanboy—just look at the damn alias I chose for this site. I love pretty much all of music, his congeniality, his humor, and his down-to-Earth personality. With that said, I don’t love everything he’s done, and I will openly discuss the various works that have disappointed or felt lackluster to me, but yes, for the most part I am a fanboy. So it was only natural that I bought his magnum opus of a boxset, Contain Us. This monolith houses the last four releases from Devin Townsend, and is a shining reminder of all of the hard work and dedication he has put into his craft, not just with DTP, but throughout the entirety of his career. So yes, this is not a review, but a reflection on this project, and the all important pieces of music that have so heavily affected me over the past 3 years.

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Cloudkicker

Let Yourself Be Huge

01. Welcome back
02. Explore, be curious
03. The word water
04. You and yours
05. One, many
06. It’s inside me, and I’m inside it
07. This isn’t
08. Let yourself be huge

Loop

1 – 16

[11/17/11]
[Self-released]

I think it’s safe to say that at this point, Ben Sharp has gained enough notoriety in his project Cloudkicker to allow the bleeding through of his more subdued BM Sharp project, where he trades distorted guitars and polyrhythmic post-metal riffs for an acoustic guitar and soothing melodies. Let Yourself Be Huge and Loop are the convergence of Mr. Sharp’s repertoire as a guitarist and a songwriter, and is a very daring step to make.

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[Not so fast! We have a late addition to our collection of best-of lists! Contributor J Bobski has given us his rundown of albums from 2011 that (bed)rocked thoroughly rocked his shit! - JR]

A lot of cool, progressive, trendy shit came out this year, but I found myself going back to the basics a bit. I definitely favored the things that never go out of style-fat grooves, killer riffs, and memorable songcraft-over adventurous dorkery this year. A lot of ‘djent’ and ‘prog’ albums that you will no doubt find on many a HBIH writer’s list this year simply didn’t do it for me at all. Admittedly, I probably didn’t spend enough time with some of them, but I did try quite a few of them out. I also love me some black metal and grind, but I was so busy jamming the shit out of the albums on this list that I didn’t have much time to get into any of it. I have some catching up to do, no doubt. But for me, 2011 was all about getting hooked on an album and listening to almost nothing else for days, weeks, and maybe months. I listened to my #1 album so many times it’s a wonder I even had time for 14 other albums to fit on this damn list, ya know? Anyhoo, that’s how I tried to structure this list, by how many times I actually listened to an album (so these are my actual favorites, not what I wish were my favorites or what I think you want my favorites to be) Here we go:

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This is probably one of the better years for me since I began listening to metal. I don’t know if it’s due to a broadened taste, me actually paying more attention this year, or if the genre decided to collectively progress, but 2011 was just absolutely fantastic. I knew six months ago that compiling a best-of list for this year would be tricky, and of course it was!

Here’s the thing with my personal top-20 that you’ve probably read of in other lists; after the first couple of albums, the list is completely arbitrary and depending on my mood of the day, this list could be shuffled all about and perhaps replaced. My list also doesn’t follow our ratings scale and essentially came down to what I felt I enjoyed the most this year. So if you’re thinking to yourself, “hey, Alkahest gave X a 4 and Y a 5, then why is X listed higher?”…

Well, you’re going to have to figure that one out on your own, I guess. I’m fickle. Let us begin!

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Once more unto the breach, dear friends. It seems we’re often the last out of our contemporary blogs to put up our ‘best of’ lists, and I think that’s a sure sign that we’ve given it much more thought, and as such are the definitive authority on music for all time ever — NOT that we’re simply too lazy to put it up earlier, and need filler for the time between Christmas and New Year (despite this being all we will be posting).

I talked last year about perhaps how arrogant it is to create these lists and pass judgement on the artistic merits of the year’s music; like there are only ten slots and the rest is tripe, and who am I whose opinions are more worthwhile than yours?

That still holds true to some extent, because we’ve met a lot of new friends this year who have shown us a ton of great stuff – but so does the fact that we work our asses off to listen to all this stuff, and also because, once again, I, and the others after me, filled out the damn application.

I feel this is going to become a continuing theme. I don’t mean it guys; I love you really. As you already have with my fellows, feel free to tell me what you think, and in particular what a huge bag of shite I’m talking; I won’t get offended, honest!

Up at this end of the spectrum, you’re getting your full-on, down to the wire, best ten-only lists (at least with myself and Dormition) – none of this copping out. It was tough, but these are the haggard survivors of the process, but are my personal favourites from the year; based not on technicality, on brutality, or how accomplished I think the release is. No, these are honestly the ten records (and not necessarily albums) that best represent my musical year; that gave me a certain feeling, and that I have come back to again and again, and will continue to do so long into 2012. The same was true of last year’s list; despite my obligations to the new, I still listen the shit out of the old.

BRING FORTH MINE LIST!

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I know this is usually done in the form of a countdown list, but I honestly couldn’t really decide on the placement of these albums. And in the end, who am I to say which album is better than another? I’m just an 18 year old kid who listens to music for fun. I love all of this albums, and I appreciate every band on this list, as well as the multitude of other bands that didn’t actually make it on my list. This year was crazy and there could have easily been 30 or 40 other albums on here, but of course time and space are an issue when dealing with writings. Hell, my original drafted featured 20 different albums, and 6000+ words. So thank me for cutting it down. Anyways, without further ramblings on my part, here are some of my favorite albums from 2011.

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- JR

Devin Townsend Project Remixes

For those who are unaware, Devin Townsend recently released his four part magnum opus, The Devin Townsend Project, in a limited run boxset entitled Contain Us. Among the various goodies of bonus tracks, unreleased demos, and promo videos inside this massive set was the audio stems for two songs; “Bend It Like Bender” from 2009′s Addicted, and “Juular” from Deconstruction, which was released earlier this year.

From these stems, creative Devy fans have taken upon themselves to remix, and remaster the songs in various ways. One of my favorite so far is the wacky “country” remix of “Juular”.

There are many other remixes and redux of Townsend songs out there, and quite a few of them are compiled in a thread on the official HevyDevy forums. So go sign up, and enjoy some awesome fan created content.

- EC

Anyone who reads our humble ramblings on even a semi-frequent basis will know of our love for Devin Townsend. I don’t think there’s one of us on the staff who doesn’t have at least a passing interest in him, and so when it was announced that his Devin Townsend Project would be playing all four albums of the now complete series in a run of special dates in London, I knew that attendance of at least one was compulsory. Being that Deconstruction is by far and away my favourite of the four, this date at the University of London Union was always going to be the one.

The extra treat was that support was to come from Norway’s own Shining, whose stunning 2010 release Blackjazz made a number of our top ten lists, and I had it on excellent authority that they are extremely tight live.

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