Tag Archive: Deathspell Omega


Dodecahedron – Dodecahedron

Dodecahedron

Dodecahedron

01. Allfather
02. I, Chronocrator
03. Vanitas
04. Descending Jacob’s Ladder
05. View from Hverfell I: Head Above the Heavens
06. View from Hverfell II: Inside Omnipotent Chaos
07. View from Hverfell III: A Traveller of the Seed of the Earth

[01/24/12]
[Season of Mist]

It’s not like it’s some big new revelation that black metal is one of the most unsettling genres out there. Some of the most controversial, confrontational, and extreme records of all time have emerged from its depths, and while it’s not my particular cup of tea, there has been some work coming out that is so unsettling and bizarre that I have to show my appreciation. Bands like Blut Aus Nord and Deathspell Omega have set quite the precedent in their abstract approach at the genre and influencing an avant-garde niche to grow, and Dutch newcomers Dodecahedron are following in those footsteps with their self-titled debut record.

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Ulcerate – The Destroyers Of All

Ulcerate

The Destroyers of All

01. Burning Skies
02. Dead Oceans
03. Cold Becoming
04. Beneath
05. The Hollow Idols
06. Omens
07. The Destroyers of All

[01/25/11]
[Willowtip]

Woah, what am I doing reviewing a record that not only came out at the beginning of the year, but we once reviewed already? Well, with their recent signing to Relapse Records bringing Ulcerate back into my field of view and my discontent with the negative (yet valid!) score they received, I felt compelled to give their most recent album The Destroyers Of All a shake from my side of the aisle. If you’ve never heard of these New Zealanders before, their sound is characterized by creeping dissonant guitar lines and blistering fast and technical drumming. It’s all absolute chaos that challenges the status quo of not only in the realm of death metal, but progressive metal and sludge as well. Hell, I even raised the question earlier this year about their categorization as “Post-Death Metal.” Sound interesting enough? It should.

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Smohalla – Resilience

Smohalla

Resilience

01. Quasar
02. Au Sol Les Toges Vies
03. Le Repos Du Lezard
04. Oracle Rouge
05. Marche Silencieuse
06. L’homme Et La Brume
07. Aux Mille Dieux
08. Nos Sages Divisent

[10/13/11]
[Arx Productions]

I’m sure most people who frequent this website are familiar with my love affair for Post-Black Metal. In my search for similar acts who dabble in taking black metal to it’s opposite extreme, I discovered Smohalla, a band with a touch more avant-garde flair than your run-of-the-mill Niege projects that seem to saturate the niche genre. While Smohalla were indeed a break from the shoegaze-oriented bands that I enjoyed, their brand of music entails more madness and psychedelic disorder similar to that of Ulver rather than just another Alcest, still managing to transcend the genre’s boundaries. This was about a year ago, and there was only an EP and a single or two available, so there was really nothing significant to write home about. Now though, Smohalla popped up again seemingly out of nowhere with their full-length debut album Resilience. I must admit, it’s an experience I wasn’t ready for.

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In this modern age of music, it seems that new sub-genres and tags are being created by the week to match a somewhat constant push towards innovation. Much to the chagrin of elitists and the conservative-minded that are, for some reason or another, afraid and enraged by evolving sounds. Every time a new buzzword of a genre is created, you have a flock of early adapters as well as an army of nay-sayers that scoff at passing trends. I saw it happen with nu-metal in the 90s, metalcore back in the early 2000′s, deathcore in its rise, and with the current state of the djent scene. We at Heavy Blog have always sort of held a magnifying glass at emerging trends and gave it its fair shake, and more often than not we like to roll with where the tides carry us (save for that whole crabcore and autotuned crap, of course).

So yes, I tend to pick up on fringe movements. From Sumeriancore to Post-Black Metal, I just enjoy hearing fresh ideas. Some call that trend-hopping, and I can sort of see where these people are getting at, but that’s not it at all. I sincerely dig hearing and partaking in what could very well be the next wave of metal. I just don’t enjoy sticking to just a handful of genres, and I certainly don’t intend on staying that way for the rest of my life. Music and music taste, ideally, is constantly evolving. I mean, I intend to be a listener of more extreme and underground genres when I’m, say, 50, but I’ll probably be following whatever sort of futuristic concoction happens to be going strong, and not clinging to djent and progressive metal for dear life and ramble about how “kids these days don’t understand the magic that was djent!” while shaking my fists in anger at kids who happen to be getting a little to close to my lawn.

These so-called ridiculous subgenres are seriously interesting to me, and over the past year or so, my attention has slowly been turning towards something I’m going to call “Post-Death Metal.” I can hear the anger emanating from within the elite hivemind right now at the mere mention of it. Most readers of HBIH are pretty open minded, and this isn’t so much about you regular readers, but there are some people out there that still deny that Post-Metal isn’t a genre. Seriously?! But back on point, Post-Death Metal is slowly emerging from the murky depths of metal, and in a year or so, it might just be commonplace. It’s so new and there’s so few bands doing it right now that the genre is sort of like an amorphous blob that hasn’t really been fully taken shape or even defined, from what I can gather. Today, I’m going to make an argument for its existence, and offer up a few qualifiers.

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Pyrrhon

An Excellent Servant But A Terrible Master

01. New Parasite
02. Glossolalian
03. Idiot Circles
04. Correcting a Mistake
05. Gamma Knife
06. The Architect Confesses (Spittlestrand Hair)
07. Flesh Isolation Chamber
08. A Terrible Master

[02/07/11]
[self-released]

As you probably know already, New York City has a metric shitload of great heavy bands. See exhibit A (NYC Sucks Vol. 1) and B (NYC Sucks Vol. 2), the highly excellent compilations put together by the mighty Metalsucks.net. If you haven’t downloaded these FREE comps yet, get over there and do so immediately-there is literally not a bad tune in the bunch.

Pyrrhon is one of the bands featured on NYC Sucks Vol. 1, and a damn fine band at that. They recently self-released their first full-length, An Excellent Servant But a Terrible Master. And while it’s probably not for everybody, it is proof positive that Pyrrhon are a force to be reckoned with.

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Mitochondrion – Parasignosis

Mitochondrian

Parasignosis

01. Plague Evockation (Pestilentiam Intus Vocamus, Voluntatem Absolvimus Part I)
02. Lex Ego Exitium (Pestilentiam Intus Vocamus, Voluntatem Absolvimus Part II)
03. Tetravirulence (Pestilentiam Intus Vocamus, Voluntatem Absolvimus Part III)
04. Trials
05. Rift Apex
06. Parasignosis
07. Banishment (Undecaphosphoric)
08. Kathenotheism
09. Untitled
10. Untitled
11. Ambient Outro

[01/18/2011]
[Profound Lore]

Mitochondrion aren’t a band I’m entirely familiar with, having only one previous album, but I do remember their name being mentioned in association with bands like Portal, Deathspell Omega and Ulcerate. So I went into listening to Parasignosis with those pre-conceptions in mind, however what I came across is something far less defined and more nebulous, but at the same time this album is as natural as it is unnatural.

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Deathspell Omega – Paracletus

Deathspell Omega

Paracletus

01. Epiklesis I
02. Wings of Predation
03. Abscission
04. Dearth
05. Phosphene
06. Epiklesis II
07. Malconfort
08. Have You Held the Fevers
09.  Devouring Famine
10. Apokatastasis Panton

[11/22/10, Season of Mist]

If you’re not familiar with Deathspell Omega yet, don’t kick yourself-NOBODY is familiar with Deathspell Omega. The mysterious French band never plays live, has no website, and have only given a handful of interviews in their existence. They are not interested in merchandising, commercializing, or self-promotion of their avant-garde brand of black metal in any way. They don’t care if you know who they are, in fact, they probably prefer if you don’t know who they are. Their music is for the select few who seek them out. It is not ideal for mass consumption. This is a refreshing change in an era when “black metal” bands like, say Dimmu Borgir and Cradle of Filth, are very interested in visibility and sales-see their commercialized symphonic take on the Norwegian formula, their comical videos, and outrageous costumes. Hell, Dimmu’s Galder is on the back of my Decibel magazine this month trying to sell me the Peavey 6505 amp. Now, that is not exactly a sellout move, but it doesn’t help his “black metal mystique“, you know? Deathspell Omega have no such problem, they require the listener to focus entirely on the art itself and not the people who create the art.

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I’m a bit of a webcomic fan, and there is no doubt in my mind that when it comes to character development and addictiveness, no one does it better than Jeph Jacques’ Questionable Content, which stars Marten Reed (left in above pic) as he and his circle of friends… exist. It is seriously the first thing I do when I wake up in the morning; I roll over, turn off my alarm clock, and I check QC.

In the series, Marten is the guitarist in the instrumental post-metal band Deathmøle, which fans of Isis, Pelican, Cloudkicker, and Cult of Luna should enjoy. Much like Metalocalypse’s Dethklok, this virtual band releases music, and has released all of their work for free (which you can download here.)

In a surreal turn of events, I was actually able to get an interview with Marten. It wasn’t easy, and don’t ask me how, but I managed to make contact with him and ask him a few questions!

Deathmøle – Two Chord

Thank you for talking with me today. First thing’s first: introduce yourself!

Okay uh my name is Marten Reed and I play guitar in the band Deathmøle.

How long have you been playing guitar?

I started when I was like 14 and I am 24 now so about 10 years!

I mean no offense, but you seem to be the indie hipster type of guy, so what made you decide to be in a metal band like Deathmøle?

Well it sort of happened by accident, the other guys in the band with me when we were starting out (Amir [Bass] and Nat [Keyboard/Sonic Texturalist], Nat’s not in the band anymore since she broke up with Amir) were more into the metal stuff and I just kind of went along with it. And it turns out that playing metal is pretty fun! Especially now that we have an actual drummer.

On that subject, what music inspires you, metal or otherwise?

Oh most of the stuff I write is pretty Isisy or Pelicany I guess, then sometimes I’ll be playing a riff and Amir will be like “dude that is a total High on Fire riff if you speed it up!” So I speed it up! My girlfriend is actually way more into metal than I am, she’s all about Behemoth and Opeth and Deathspell Omega and all these other bands. I really like Gojira, those dudes write some great stuff and their drummer is CRAZY GOOD. But I listen to all sorts of things, mostly indie rock but some electronic things too. I guess I get most of my guitar inspiration from people like Hum or Failure or Isis, those guys were all really good at doing huge guitar sounds.

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