As is Christmas tradition, we at Heavy Blog Is Heavy have once again reached out to some friends and family in the online metal community to put together a small gift to our readers in the form of Heavy Comp Is Heavy. This year, we’ve collected nearly twenty tracks from…
With our general list for 2016 out of the way, we can now shift the focus from our aggregate opinion to individual ones. Both outlooks have their own merit; the former provides us with an overview of our year in music. However, the latter shines a light on something we’re extremely proud of and that’s the varied and eclectic nature of our staff these days. We used to have a very certain type of music associated with Heavy Blog and while we still have a long way to go, we feel like we’ve done a good job at expanding our palettes and the representation of different kinds of music and metal in our staff. The lists below reflect that; you’ll find black metal, avant-garde, technical thrash metal, hip hop, rap, noise, ambiance, post metal and rock, melodic death metal and much more throughout these lists.
We wrote a pretty big check to ourselves when we closed off 2015. Publishing not only a list which proclaimed the triumph of 2015 but also a whole editorial dedicated to the idea of “The Golden Age of Metal”, we set ourselves up for disappointment. Like the rest of the music establishment which, in numerous places implicit and explicit, was apparently ready to join in the social lynching of 2016, we were well positioned to find it a sobering, dreadful, faith shattering year for music in general and metal specifically. Except it was nothing of the sort and we cannot stress our amazement at metal/music journalism’s reaction so far. 2016 was an absolutely fantastic year, building on the trend of solid and often groundbreaking releases from established acts and simply astounding, out of left field releases from virtually nameless bands. Sure, it had its disappointments for us from huge bands we had expected more from (although signs of their demise were certainly forthcoming) but, overall, it was a year which will surely be remembered in our circles as one of the best years for music in general.
I’m lazy so I’ll copy paste this from last week:
So we’re doing a two-part series on picking the podcast’s official albums of the year 2016. We start with the blog’s list of 400+ albums that are worth consideration this year, whittle it down to 86 albums we care about, and then start cutting them. The objective is to get to a ranked list of 10 items and an overall list of 20 albums. We got down to about 45 last week until the cuts really start to hurt. This week we go down to 20, then to 10. This was real fun to do, so I hope you all enjoy too! The lists will be posted below.
So we’re doing a two-part series on picking the podcast’s official albums of the year 2016. We start with the blog’s list of 400+ albums that are worth consideration this year, whittle it down to 86 albums we care about, and then start cutting them. The objective is to get to a ranked list of 10 items and an overall list of 20 albums. We get down to about 45 this week until the cuts really start to hurt. This was real fun to do, so I hope you all enjoy too! The lists will be posted below.
Hello everyone, welcome to psychology 101. In today’s class we’re gong to be looking at a host of psychological biases and contextualising them through numerous examples found within the music community. Most people already know what a bias is, but let’s start off with a definition to make sure we’re…
We make much ado about cohesion over here at Heavy Blog; it’s a quality that often separates good albums from great one, as well-made music transcends tracks and becomes an album. However, whether it wasn’t possible due to lack of ability or to the circumstances surrounding an album’s release, it’s possible to have great albums without it. Take Painted in Exile’s long awaited album, The Ordeal. It is a progressive metalcore release in a style that has fallen out of fashion in the years we have been waiting for it, calling back to the heyday of Between the Buried and Me’s Colors and The Great Misdirect. Unlike those albums, however, The Ordeal is more far-ranging, almost scattered in its approach to variation and growth throughout the release. The result is a challenging and borderline confusing album which, somehow, still manages to be endearing and moving.
[Note: the following article is satirical, as is the song! Cyborg Octopus are actually an up-and-coming Californian progressive metal band who are re-releasing their debut album, Learning To Breathe, on November 25th via Apewhale Entertainment. If you’re curious about the band’s actual sound, check out their single
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.
In true soap-opera-that-outlived-its-course fashion, we’re replacing the actor who plays the part of Eden with David Wu of Cyborg Octopus! Yeah, he’s been here before, exactly 10 episodes ago!First, we talk about how artists feel about criticism, delve into the creative process a bit, and while we cover some of the same ground we did before, we end up in a different place! Then, we do the news, talking about Oathbearer, An Endless Sporadic, Metallica, Dance Gavin Dance, The Depression Sessions (The Acacia Strain, Thy Art Is Murder, Fit For An Autopsy), Virvum, Ninjaspy and Devin Townsend. Also, check David’s new channel he alluded to last time, RiffShop!