Tag Archive: Crydebris


One For The Future: Lusheeta

Awwwwwwwwwwwwwwwwwwww hell yeah.

Word reached my ears this morning of a new project that I’m pretty much totally 100% completely positive will be awesome beyond awesome (no pressure), so get your listening faces on.

Lusheeta are a three-piece collaboration between brothers Daniel and John Hoang and our very own favourite Japanese hombre Hayato Imanishi. There’s so much awesome going on here that I’m finding it hard to write rationally, but I’ll give it my best shot. Labelling themselves ‘ghibli-core’, and in conjunction with the image at the top – which comes from veteran Japanese animation proprietors Studio Ghibli’s 1986 film Laputa: Castle In The Sky – you might begin to have an idea of what they are about.

The Hoang brothers used to be in a phenomenal metalcore band called Crydebris many years ago (which also included Matthew Holden of the now-defunct Rinoa, and more recently Ancients). I’ve spoken about them a few times before (most recently in my ‘Five Reasons Why Metalcore Isn’t Total Shit‘ series), but to recap they were one of those incredibly bright but short-lived lights in the metal scene, and only released one EP – The Severing – which contained the epic track “Mononoke Picture“:

Although only in its infancy, Lusheeta promises big things. Imanishi, widely known for the dichotomous Cyclamen and Withyouathome projects, will lend his expertise to their sound, which is purported to be continuations of some old Crydebris demos. I could not be happier.

They already have their first track “Emerald” up over at their Facebook page. Go check ‘em out and keep your eyes peeled!

- CG

Ancients, the ambient metal collaboration between ex-members of Crydebris, Rinoa and Mehdi Safa of *shels, have released their first digital single “Constellations” through shelsmusic, and you can listen to the whole thing below!

Constellations” has been drifting around for a while now – used as the demo track to get a bit of interest in the band – but you can now own it for yourself, along with two versions of a new song, “De Stella Nova” (standard and acoustic).

It’s some awesomely chilled stuff, and hopefully it’ll placate you if we don’t get much content up today, because the world is devoid of interesting reportage this sunny September morn.

Have a great day anyway! I don’t say that enough. Alkahest does, but I think he’s just nicer than I am. Ah well.

- CG

Due to the overwhelming success of Jimmy’s ‘Five Reasons Why Deathcore Isn’t Total Shit‘ series last summer, Heavy Blog Is Heavy will be backing further up the ladder of ‘core’ for the next two weeks, and counting down the five reasons why metalcore isn’t full of shit. It gets a bad rap sometimes, and being the underdog(?) champions that we are, we’re making a stand for the fat kid and suplexing the skinny elitist bully right on his stupid face.

Make sure to throw your $0.02 at me and tell me why I’m completely wrong in the comments section, if you wish. I shall use it to buy soap to wash the spittle from my forehead, safe in the knowledge that I’ll be your boss at the plant some day.

So far…

#5) The Chariot – Long Live

It’s a well known and unfortunate fact in the music industry that a lot of great bands go by unnoticed and break up with barely a breath of recognition. Crydebris were one of those bands. It’s a damn shame, because had they continued, they might have saved the metalcore genre some of the embarrassment from which it currently suffers.

Remarkably (or perhaps not), when they were active, Crydebris were pretty young; we’re talking mid to late teens here. Usually these are the formative years of a young person’s musical abilities, and are inevitably laced with suck – but it was not so; not for these four songs.

The Severing, a four-track EP, was their one and only true release, and as a snapshot statement of the band’s musicianship, it’s a fucking cracker. The opening riff to the title track is simple, catchy, and absolutely fucking furious. Breaking from metalcore tradition, the next two tracks are both over seven minutes long, but Jesus fuck, I wish they went on longer. Such mature song-writing skill from a group so young is hard to come by, and even more rarely successful.

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*shels have the honour of being one of the earliest bands I ‘found’ for myself with 2007′s mind-blowing Sea of the Dying Dhow. This made the connection I formed with the music pretty deep, and as a result I’ve jumped on any piece of news about the long-rumoured new albums, Plains of the Purple Buffalo. It seems like this year is finally the year I’ve been waiting for, and I recently got the chance to talk with vocalist/guitarist Mehdi Safa.

We chatted about the new album, the shelsmusic label, and his new side project with ex-members of Rinoa and Crydebris.

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You may remember last week I mentioned a band new band from the people who brought you Rinoa, Crydebris, Mahumodo and *shels. You do remember, right? I mean I don’t just write all these witty articles for my own benefit.

Anyway, Ancients only posted a preview last week, but today in the spirit of the new month we have an entire track “Constellations“, complete with the awesome vocals of Mr. Mehdi Safa.

No embedding feature, but you can head to their Facebook or Myspace to hear the track in full.

- CG

Something quite exciting appeared on my news feed last Thursday. It came via *shels, and consisted of the following words:

“New project featuring members of Rinoa, *shels, Mahumodo and Crydebris coming soon.”

Now, any one of those bands being name-dropped would have caught my eye, but all fucking four? This had to be investigated.

Luckily I didn’t even have to don my Deerstalker of Mystery (+5 Intelligence), as a handy sampler was also attached to the message, along with some details.

Ancients are the project in question, and features David Gumbleton and Matt Holden of Rinoa, Holden’s ex-bandmate in Crydebris Dan Hoang, and the almight Mehdi Safa who currently fronts *shels, and used to be in the legendary Mahumodo. Check it:

Initial recordings have been handled by Jonny Renshaw of Devil Sold His Soul, who is fast becoming the UK’s answer to Kurt Ballou. With this impressive line-up and production credits, as well as a swift wave of interest, I’m pretty excited to hear what will come from this.

You can read an interview with David Gumbleton conducted by RockSound here for a few more details.

- CG

Best of British: Rinoa

Britain is small, isolated, and confuses the hell out of a lot of people – but trust me, it’s not all toffs, tea and queuing politely. We have produced, and still are producing some kick-arse bands

This is your chance to learn a little something about the British metal scene, and for me to spout off a bunch of nonsensical idioms. It’s gonna be reet good! And so ladies and gentledudes, with that in mind, Heavy Blog Is Heavy is proud to present:

Let’s just dive right in shall we?

Rinoa, featuring ex-members of Crydebris and Symmetry, have had both of their solo efforts produced by the mighty Johnny Renshaw of Devil Sold His Soul, as well as releasing a split EP in 2009 with the now defunct Bossk, from which the above track, Fires In The Distant North, is taken.

They’re from Essex, where ‘levva’ is a material made from cow skins, a ‘corta panda’ is a hamburger, and those with a lot of money are considered ‘welfie’ – but we won’t hold such linguistic transgressions against them

Czech ‘em on the Space of My.

- CG

Hemingway: once shot a motherfucking lion.

So. Bands break up. It sucks, but that’s the way of things. For most of them, the reason is pure and simple; on some level, they suck. Whether it’s only a little, or harder than a $20 hooker, it doesn’t matter; the world doesn’t lose a whole bunch. The members go on with their lives, and probably go on to make a greater impact in other areas of society. Like washing my car.

Then there are bands that are forced into submission for other reasons: money, conflict – both personal and artistic – or sometimes the fanbase only comes after they’re long gone.

This is a chronicle of those bands. Most you will not have heard of, for the very reason that they’re not even around to promote themselves any more. But trust me, they are bands that you really really should have heard of.

BONG: behold Crydebris.

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One Night (with) Mare

Ha. Ha. Ha. I’m hilarious…

Yet another one of those bands I came to way too late (i.e. after they broke up), Mare played a unique mix of uber-sludgy doom with part haunting falsetto, part ball-achingly screechtastic vocals from Tyler Semrick-Palmateer (vocalist for The End on Transfer Trachea Reverberations From Point: False Omniscient). Caleb Collins of Circle Takes the Square handled drums, and there was…urm…some dude on bass.

They only put out one EP before going to the great gig in the sky (re: Crydebris, Push Me Under, a load of more obvious bands I’m probably forgetting) but it got them signed to Hydrahead. They announced the split three years ago this month, but I just got wind of a one-off reunion show they played in Mississauga, Ontario last summer. Some thoughtful guy thought to film it and whack that shit on YouTube: +10 internets for him. The audio quality is pretty damn good, too, and there are some flashy song titles if you didn’t already know them.

Check the related videos for the rest of the set. It’s good.

- CG

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