Tag Archive: crack the skye


Featuring Brann Dailor as a rather creepy Mr. Rogers with earrings, this brand new video for the track “Deathbound” from Mastodon is apparently a B-side from the Crack the Skye sessions, and serves pretty well to tide us over until the release of their forthcoming album The Hunter.

It’s…well, odd – but given Brent’s recent comical foray into advertising, hardly surprising. They don’t take themselves too seriously, which is pretty cool.

On the subject of Mastodon, and more specifically The Hunter, track titles have been trickling (trackling?) through lately. It was hardly news-worthy every time, but as we’ve got something for you anyway, it’s worth summing up I think. So far we’ve got:

The Octopus Has No Friends
Stargasm
Curl Of The Burl”
Blasteroids
All The Heavy Lifting
The Sparrow
The Ruiner
Dry Bone Valley

Given that Crack the Skye was only seven tracks long, that could very well be it, although I reckon there’s probably a couple more to come at least. More when we have it!

- CG

Mastodon. Pretty happy with themselves.

Mastodon just don’t stop. They played close to a hundred shows across numerous countries last year in support of Crack the Skye. They’re just about to kick off the UK leg of the tour, and beyond that they’re booked for dates in every month until June. They must be knackered.

But, in this maelstrom of live shows, they’ve somehow managed to find the time to write the soundtrack to Jonah Hex, the upcoming DC/Warner Bros film adaptation of the comic book of the same name, about an ex confederate soldier and bounty hunter with a gnarly tomahawk-burned face.

Thomas Jane wanted the title role pretty badly, but luckily he was pipped to it by Josh Brolin of No Country For Old Men fame. That was a good film. Punisher was not. But Megan Fox is also in it, so considering her usual role as plot-hole-masking eye candy, I’m dubious as to how good it’ll be. Obviously Christopher Nolan and to a lesser degree Frank Miller and Zack Snyder have set a high bar as far as the genre goes, but people need to learn that not everything should be adapted just so the generally illiterate public, with their miniscule attention spans (waah, books r teh long, crycry), can digest the often brilliant stories to be found in literature. So if it’s shit, it probably isn’t Mastodon’s fault.

</rant>

The story is that listening to Blood Mountain inspired director Jimmy Hayward to finish the script. One fanboy-phonecall later and guitarist Brent Hinds was on the next plane* to New Orleans to visit the set. Apparently Hinds is now even in the film as the first of a reported one hundred and seventy-two souls to be slaughtered onscreen. Noice.

As for the music itself, no excerpts yet, but Troy Sanders says:

“Some of it was heavy, some of it was very moody,” Sanders said. “A lot of it was spacey, Melvins B-sides, Pink Floyd-like, surreal outer space, like Neil Young’s Dead Man. Swirling, nausea music.”

I’ve got to say, whatever the film is like, it’s basically a new Mastodon album fifteen months after the last one was released, so I’m pretty excited.

Jonah Hex hits cinemas on June 18th, and the internet sometime before or after that.

- CG

* artistic license

Abort this Album

If you aren’t familiar with the band Aborted for some stupid reason, they were a generic death metal/goregrind band that put out some pretty good material in their early career (the albums Purity of Perversion and Engineering their dead mostly).  Their later work is just pseudo core metal on the edge of deathcore. Also known as, it’s terrible. I heard rumors their new EP Coronary Reconstruction was actually good. False as Mastodon’s Crack the Skye.

I’ve been waiting for Aborted to hopefully make a turn back to their old roots, and I was promised that with this.  It’s not even close, but I can see some hope in there still. It’s the same thing over and over, no memorable songs or riffs at all. The production is pretty damn crap too. This isn’t much of an in depth review, because this album doesn’t have enough depth to it to drown someone.  Eugh.

One decent band turned shitty, out of five.

-MW

Mastodon posted the video for their latest single “Oblivion” over on myspace video. I could save time by just posting the video here, but we’ve played this game before. WordPress is an asshole and won’t let me embed video from Myspace Video, so I need to wait to post it when someone steals it and puts it on YouTube.

Anyway, aside from being a tad bit on the corny side (but nowhere near as cheesy as “Divinations”), there is no denying that the visuals are impressive and pretty striking. The music is obviously nothing short of great. Come on, it’s Mastodon. Crack The Skye is probably one of the best albums of the year up to this point.

Watch the trailer for the video below. Watch the actual video by clicking this link.

- JR

This is old footage, but I just found out how to properly post video from Vimeo on here. WordPress is an enigma.

- JR

The album’s been out forever it seems, but as being the best metal album that has came out so far this year, then I feel obligated to review it, but I’m gonna make it fast.

There’s no denying it, Mastodon‘s musical direction has changed for this album. I believe it’s for the best. Crack the Skye is Mastodon’s opus, a progressive rock masterpiece. The album isn’t as heavy or as fast as their past albums, but that isn’t bad at all when the musicianship and songwriting is this grand.

Just like a prog album should, the album feels like one large cohesive piece and the songs flow logically throughout. Each songs take on that similar tone, feeling, and atmosphere. The album has a slower and more psychedelic feel to it than you would expect from a Mastodon record. Right from the get-go, we know this album is wonderfully different. Harsh vocals are few and far between. Well written vocal melodies and harmonies (?!) make this album shine like a gem. The choruses to some of these songs are tastefully catchy and make the album very memorable.

The riffs are crushing, powerful, and catchy all in one. The soaring vocal melodies are often accompanied by kickass guitar licks, as in the chorus of Divinations and the fast section in The Czar, the latter being my favorite moment in the album. Nothing gets me pumped up more than that part. I feel like I can take on the world, but I digress. The solos are exactly how they should be. No solo sounds out of place or forced. Each song progresses naturally into it’s own being.

I could go on and on, but I’ll let the album speak for itself. This album may take a while to get used to for old school Mastodon fans. I’ve heard in some circles that this is a grower. To me, this is a classic record that needs to be heard by everyone who is into progressive or heavy music. This album is perfect, timeless, and fucking amazing!

Oblivion

HBIH star-ratingHBIH star-ratingHBIH star-ratingHBIH star-ratingHBIH star-rating 5/5!

- JR

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