Tag Archive: Cormorant


Well, this is the last giveaway we have for Prog-Metal March, but fret not! We’re kicking around ideas for ways we can get you guys some cool stuff!

Last week, we decided to give away the new Obscura album Omnivium courtesy of Relapse Records to one person who could identify last week’s hidden album, which was The FacelessAkeldama (right). Reader Brandon W. should be getting the new Obscura album in the mail soon enough. Congrats, and thanks to all of those that entered.

We’re ending Prog-Metal March on what I feel is a high note! Arthur von Nagel, vocalist and bassist of Cormorant, was kind and generous enough to  hook us up with both of their releases, The Last Tree and Metazoa, to give away to you folks. Much appreciated, dude!

To win these two excellent releases, all you have to do is send an email to mail(at)heavyblogisheavy.com with the subject “Cormorant Giveaway” with your name and address with the answer to the following question:

WHAT IS THE NAME OF THE ARTIST AND ALBUM HIDDEN IN THE LETTER ‘L’ IN “METAL” IN THE ABOVE PROG-METAL MARCH IMAGE?

You have until 8 PM EST next Tuesday to answer! Good luck!

If, for some reason, you’ve been neglected of the wonders of Cormorant, you can listen to “Salt of the Earth” from Metazoa after the jump.

- JR

View Full Article »

One post about Cormorant today isn’t enough, as this band deserves some recognition.

There’s some heated comment-voting wars between fans of Cormorant and much less interesting band called A Walk With The Wicked. Cormorant are the obvious choice on the matter of unsigned talent. However, some people don’t think so and AWWTW are getting pretty close to winning from what I can tell; it’s gonna be close. So, leave a vote over at Ultimate-Guitar by commenting with simply “Cormorant.” Flame some mouthbreathers if you want (0ne dude said Cormorant fans were fat neckbeards) but that won’t help our cause much.

Props to Alex_P of TNOTB for prompting me to post this.

- JR

Have fun with it.

-MW

According to the band’s facebook page, they estimate to be in the studio around spring time, and supposedly all they have left to write is the lyrics.

Get pumped bros. Here’s the song Ronin, which will be featured on a later album to pass you over.

-MW

A blog called Distractions of Living Alone has posted a recent live set by bay area favorites Cormorant, featuring two new songs. Both songs are still without vocals, but they sound great so far.

The quality of the recording is pretty decent, despite the low volume. I boosted the volume a little and cut the set into tracks for your listening and downloading pleasure below. If the songs don’t open their own players in this page, try refreshing.
Be sure to thank Teruist from DOLA for making this available, and of course the guys in Cormorant for being awesome in the first place.
- JR

gay face

Sorry if you guys have missed me for the past three weeks. I’m a busy man with busy plans. But school has finally finished for me so that means this summer is finally free for me. I have a little planned but not so much. I will be gone on the second to last week of June and then the first week of August but otherwise I am pretty much free. I’m not planning on going to many shows if any, which sucks. That was my summer’s resolution originally because I usually go to two or three a summer so I was planning on going to four or five this summer but with neither the Scream the Prayer tour or the Summer Slaughter tour coming within a five hour drive, I’m not going to many shows if any. I might go see Every Time I Die (who was the first band I ever saw live so it would awesome to have some nostalgia), Norma Jean (who I love all of their material and don’t get why people hate the newer stuff even though it’s different from the old stuff), and Cancer Bats(who are just a fun time). Otherwise, maybe see some indie music by seeing Thao with The Get Down Stay Down at a restaurant that’s about 45 minutes away but otherwise I probably won’t be going to that many concerts.

View Full Article »

Cormorant (Package) Get

Click images for larger detail

A couple days ago I ordered Cormorant‘s albums The Last Tree and Metazoa since I couldn’t hold out for the Metazoa vinyl to come out if it ever does. Arthur sent them out Tuesday and I got them today (Wednesday). So, not only did he ship that shit quick as tits but he threw in some small extra stuff (a sticker (the package already comes with one), a Greg Nelson business card, and a note) because I do awesome things. Besides the fact that Arthur is an outstanding man, the albums are fantastic. As noticeable the artwork is gorgeous. Especially the Metazoa digipack by Julie Dillon. The quality increase on The Last Tree is outstanding (just as amazing as the music quality). To put all this bluntly, buy their shit. Their dedication to fans is absurd and the album covers are amazingly done, especially for just being CDs.

<3

-MW

Buy Their Stuff // Julie Dillon

Spawning from the bay area, the band Cormorant broke forth into the metal scene by creating two unique releases titled The Last Tree (an EP) and Metazoa. With a fusion of talent, diverse influences, minds, and immense passion the band Cormorant have gained love and fans across oceans without ever playing outside of their native California. In a few moments, you’ll be reading my attempt at picking the brain of Arthur von Nagel, the long winded, kind, and very intelligent bassist and vocalist of the band.

The teeth of lions sown by the wind,
Spurned by the salt of the
Earth’s fallow and barren skin,
Find fertile ground in me.

Rains of red poppies
Burst from the blue.
Fireflies and harpies
Beat their wings anew.
The wine from man’s fountains
Imparts courage to implore:
“Gods, step down from your mountains.
Fish, rise up from the shore.”

Cormorant - Salt of the Earth

MW: How old were you when you first got into music, and how did the interest come about?

AvN: My first musical memory was my mother taking me to see Wagner’s Tristan und Isolde.  I was 3 or 4.  Looking back on it now, the whole production was very metal.  Huge sets, bombastic music, crushing drums, horses, betrayal, myth, swords, blood.  All it needed was Manowar.  I regret that I fell asleep halfway through, but then again the damn thing was four hours long.  I still love opera.  I’m looking forward to the San Francisco Opera’s take on Faust later this year.

Growing up there was always music.  My father was into lots of late 60s counter-culture stuff like Captain Beefheart, Bob Dylan, and King Crimson.  My mother always had me listening to classical, lots of Tchaikovsky, Handel and Bach.  We had a beautiful old jukebox stacked with French traditionals and classic rock songs.  When I was a kid, I would fall in and out of love with different genres.   I had a hip-hop stage, a jazz stage, a folk stage, and I even recall not being interested in music at all sometime in my early teens.  I don’t know what I was thinking.  Probably rebelling against nothing.


How did you decide you wanted to make Cormorant a band?

Brennan Kunkel (drums) and I met playing in a thrash/punk band when I was 16.  It was fun but a bit limiting.  We got bored.  So we started creating quirky, poorly produced progressive black metal demos as a two-piece.  While the sound quality was garbage and we had no idea what we were doing, there were some cool ideas there and a lot of those early riffs went on to become parts of Cormorant songs.  We brought in Nick Cohon (guitars), a friend of Brennan’s from high school, and his style immediately clicked with ours.  We recorded our EP The Last Tree as a three-piece.  Apart from the song Ballad of the Beast, I don’t think we had quite discovered our sound yet.  It was when we met Matt Solis (guitars/vocals) at an Enslaved gig that we were really able to fully realize that expansive, progressive style the EP hints at, and Metazoa embraces.


How do you go about mixing the influence from other genres in your music? Or does it just come naturally?

We don’t really think about it. It’s a natural thing.  We’re just writing what we enjoy listening to.  I don’t know what genre Cormorant falls into anymore anyway.  That’s why we laugh along with the silly “Tiberian Ass Bastard Folk” tag fans have given us: it’s just as accurate as any of the more convoluted descriptions of our sound.  “Progressive blackened death-folk NWOBHM?”  I’ll pass.

View Full Article »

2009 in an Awesome Nutshell

Here’s my best of the best, the worst, and the middle ground. I know it’s been a shit load of time since we last posted so I’ll make this a good one and explain my choices quickly unlike how I did on last.fm, so here we go.

1. Blut aus Nord – Memoria Vetusta II: Dialogue With the Stars

This is black metal at it’s finest, in very many ways. Everything works together to create atmosphere. A ridiculously disturbing atmosphere, which lets up, only to lock you back into the suitcase and throw you in the dungeon again.

2. Sunn O))) – Monoliths and Dimensions

This is a lot similar to the reason why I chose Blut aus Nord. The atmosphere. But it takes normal Sunn O))) to another level, and then some. It goes from the evil, provocative drone to something beautiful, and they did it well. Very well done infact.

3. Isis – Wavering Radiant

I don’t know how to explain this, it’s just fucking good. As silly as it seems.

4. Portal – Swarth

This is possibly the most evil album ever. This shit makes Satan look like a bitch. A lot of atmosphere here too and excellent use of 8 strings.

5. Human Mincer – Degradation Paradox

This is kind of a big step for brutal death metal. It would have been bigger if Wormed didn’t release Planisphaerium yet. Anyway, this is one of the few brutal death album that use brutality as a means, and not an end point to start at. It’s very smart, well done, and has purpose. Phlegeton needs to be vocalist more often.

6. Devin Townsend Project – Addicted

Devin Townsend is obviously a brilliant musician, and when he said he was going to do a pop record I was a bit baffled. But this is just an extension of the interesting ideas he has coming into flesh. It’s how pop sounds if a really angry, confused, drug addict metal musician would make it. It’s him exploring new territory, and it’s actually pleasing.

7. Despondency – Revelation IV (Rise of the Nemesis)

Similar to why I chose the Human Mincer release. It’s brutal death with a purpose. I feel something from it and the songs stick with me. Not only that, but it’s a massive step up from the crappy God on Acid album.

Honorable Mentions (In no particular order.)

Cormorant – Metazoa

This takes a lot of interesting ideas, good musicianship and songwriting and throws it over a post-black foundation, and it’s good. Arthur is a pretty cool guy too.

Cannibal Corpse – Evisceration Plague

It’s just a standard CC album. All the tracks are extremely listenable death metal and have great riffs, and bass lines. The title track is especially bangin’.

Obscura – Cosmogenesis

This is basically Death if they were interesting or Pestilence on the Spheres album if it wasn’t ruined by bad production, guitar tone, and vocals.

Between the Buried and Me – The Great Misdirect

It’s a BtBaM record all right, but it’s not quite the album that Colors and Alaska were. I was really expecting more. Desert of Song is a fucking terrible song too. That really knocked it down here.

Dagon – Terraphobic

I usually hate melodic death metal, but this album sticks with me. It’s interesting, they have a H.P. Lovecraft reference for a name and they love the ocean. Every riff is a keeper, the bass is tight and has growl and the duel vocals are awesome. These guys put on an amazing show as well. I wish the tiny crowd was more into it when I saw them. They deserved that.

Vomit the Soul – Apostles of Inexpression

This is just what deathcore should be, watered down catchy brutal death. That’s what it is, and it’s a step in the right direction for the shit genre. It’s also only like 10% deathcore at most.

Dying Fetus – Descend into Depravity

It’s a kickin’ album with some wicked switches between technicality and breakdowns. I really like the vocals too.

Lividity – To Desecrate and Defile

This album isn’t very special, it’s just really fun.

The Biggest Dissapointments

Nile – Those Whom the Gods Detest

This isn’t Nile at all. It’s just crappy death metal. What happened to Annihilation of the Wicked and In Their Darkened Shrines?

Mastodon – Crack the Suck

This shit really, really sucks. It’s the worst (real prog, not what all you idiots think when you call Obscura or shit like Veil of Maya prog. Because they aren’t.) prog metal album I’ve ever heard. The first two songs are remotely entertaining but nothing special. I liked the banjo. The rest of the album is like improv by a bunch of drunk high school kids. It never goes anywhere, the songs drag, it sounds like crap. Another band turned to poop.

I hope to be posting more on this. I had actually forgot about it until I made a comment on metalsucks today.

-MW

Powered by WordPress. Theme: Motion by 85ideas.