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When it was announced earlier this year that Jesse Leach had rejoined Killswitch Engage as their permanent vocalist a lot of people got really, really excited. Which is totally understandable. Killswitch’s original line-up recorded two of the most ground breaking albums in the early part of the last decade; the band’s self-titled album, and the critically acclaimed Alive or Just Breathing. Both are pretty great albums, but the latter in particular holds a spot in hearts of most metal fans, and will probably go down as the definitive metalcore album. And even to this day it sounds fresher and much more energetic than practically any other metalcore release that’s being peddled in today’s market.

With all that said, Jesse rejoining the band doesn’t guarantee that the band is going to be putting out another great album, or even a decent one at that, and that’s okay, because as soon as we found out that Leach had rejoined, people started to realize what year it was. 2012, the tenth anniversary of Alive or Just Breathing. While it originally started out as sheer speculation, with absolutely no evidence, people really had high hopes that some sort of tribute to the album would be played. And well, Killswitch isn’t made up of a bunch of dummies. When the lineup for California Metalfest was announced, Killswitch announced that they would be performing their seminal sophomore album in full at the fest, as well as performing during the album’s tenth anniversary tour. A pretty smart move on everyone’s part.

As Cali-Metal fest took place this weekend, it’s no surprise that a diligent fan was able to capture the full performance, and upload it to the internet. I haven’t had the time to watch it myself, but from what I hear the band was pretty amazing. So while you can bet this video won’t be the most crystal clear quality, you’ll still probably get an impression of the awesomeness that took place. You can view the video below, and let us know what you think in the comments.

- EC

Bad news for fans who were wanting to see Decrepit Birth this year at California Metalfest: Decrepit Birth have parted ways with drummer KC Howard and guitarist Dan Eggers have left the band. Here’s the band’s official statement, via their MySpace page:

Drummer KC Howard and guitarist Dan Eggers have both decided to part ways with the band. We want thank them very much for the hard work. KC left the band right after the recording of the new album, to pursue his career as a fulltime music teacher. KC contributed since 2004 and has been an integral part of the band over the past years. Dan who joined in 2008, decided to part ways to due to personal career choices. We wish them the best of luck and success in whatever they do.

For live shows, we will be bringing in drummers Samus Paulicelli (Ex-Abigail Williams) and Lee Smith (Estradasphere) both helping us (separately) on various future tours.

As well, guitarist Chase Fraser (Animosity, Son of Aurelius) will bring his amazing guitar skills to the table.

This temporary reconstruction of the bands lineup has left us no choice but to cancel for the 4th annual California Metal fest. We apologize to all the fans that were looking forward to seeing Decrepit Birth at the CAMF this year. We will be back for the Summer Slaughter tour 2010 with a new lineup and ready to perform a new setlist featuring songs from our upcoming album Polarity which will be released 7/27 on Nuclear Blast Records.

Well this sucks, but it’s good that they’ll be able to make it out in time for Summer Slaughter. The musicians that they’ve enlisted to help out are also very capable at pulling this off. Hopefully Decrepit Birth are able to pull together full time members in the future.

As announced, their upcoming album Polarity will be out July 27th on Nuclear Blast Records.

- JR

Let’s face it,  there are way too many scene kids out there ripping off Gothenburg style riffs and throwing in whiny vocals and passing themselves off as a metal band. It’s hard to appreciate melodic death metal anymore (thanks a whole fucking lot, Massachusetts). And then there’s deathcore, a genre cluttered with chugging riffs, breakdowns at every turn, and a general lack of doing anything different.

But that’s not to say there aren’t good bands out there that make use of these musical styles. A lot of bands have their roots in metalcore/deathcore add their own flair of nuance and progressions that make everything seem interesting again. Between The Buried And Me, The Faceless, Arsonists Get All The Girls, August Burns Red; all great -core bands.

Sacramento based metal group Conducting From The Grave are a band that I feel don’t get enough recognition for what they do. They take the melodic death metal sound and add technical flair and subtle progression that makes for a great listening experience. I had to opportunity to interview their guitarist John Abernathy to discuss the music scene, their upcoming album, and future plans for CFTG.

For those that don’t know, who are you and what do you do?
I’m John Abernathy. I play guitar for Conducting From the Grave mainly, but also recently joined Embrace the End and a small local band with a kid I was giving guitar lessons to called Aurelia.

[wpaudio url="http://www.heavyblogisheavy.com/wp-content/uploads/2010/03/05-Marching-Towards-Extinction.mp3" text="Marching Towards Extinction" dl="0"]

To me, it’s refreshing to hear you guys. I mean, you’re smack in between deathcore and metalcore, which have been getting fairly boring in the last few years. It seems that you take the good aspects of both and you make something that stands out from the rest of the mediocrity. Do you have any comments on the scene in general?
Thanks man! I don’t have much to say on the “scene” but as far as those two genres go I definitely think its very flattering to hear someone say they think we are doing something a cut above the rest because that definitely is what we strive for. That is definitely my biggest complaint about the genres or “scene” of both metalcore and deathcore is that they are so watered down with shit generic bands yet it definitely seems like kids going to shows support some of these other bands (I’m not gonna name names) far more than they are willing to support us. We don’t sit around writing like “man bro this next breakdown is gonna be soooo br00(00×10)tal, kids are gonna mosh soo hard bro!” we try to just be passionate about writing some killer riffage that’s progressive and forward thinking and structuring it in a cohesive manner that makes sense (like put breakdowns where they will be good for the song as a whole, not just filler for kids to mosh to), whereas it seems like there are so many no talent assclown bands out there that just play breakdown after breakdown after breakdown.

Are you familiar with the term “Sumeriancore?” If so, how do you feel about that label and it being applied to CFTG?
hahaha a while back some girl commented our myspace saying “you guys sound great, but you are on Sumerian, where are the polyrhythm breakdowns?” To which I responded “Well we have been a band for longer than Sumerian has been a label and we have always just written the music we would want to hear and that is fun for us to play.” So in essence it doesn’t make much sense to lump us in that category, we were playing progressive off time metal with sweeps and whatnot back in 2003, we are just fortunate that Sumerian recognized us for what we do and wanted to sign us. We definitely don’t compromise who we are as a band to fit some stereotype of what our label wants, but I think the material on our upcoming album does have a more modern sound since all 11 tracks were written in a few months as opposed to the last album which was songs spanning over 5 years of writing. Thus our influences have changed over time since we are constantly growing as musicians, but I think we definitely still have our own touch to the sound as you said in your first question that hopefully will set us apart from the pack.

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