Tag Archive: Bulb


Chances are, he has more talent at 17 than you do at 25.

I love this era of “do it yourself” metal. Anyone with passion and drive can create an album and put it online for the masses to digest. Sure, you get a lot of amateurish shit, but we tend to weed through and pick out the gems. Metal, in particular, is getting a great surge of sound in the home-spun “djent” department, what with Cloudkicker, Keith Merrow, Bulb/Periphery, Chimp Spanner, Tre Watson (whose album you can pick up here at HBIH), and the like.

In that regard, I got an email from one Andrew Reynolds (not the pro skater) concerning his one-man project Drewsif Stalin’s Musical Endeavors. Andrews a young gun, recently turning 17 in April. His music fits right in alongside in the djent sound, but in the same vein as Cloudkicker, Andrew throws in a twist of atmospheric post-rock and shoegaze from time to time, particularly on his EP, A Particularly Beautiful Day. He also has a full length album called An Insomniac’s Narrative, which features vocals on some tracks!

Just like the norm in this DIY genre, this shit’s free. Get your double-take of free music, courtesy of Drewsif Stalin’s Musical Endeavors. This may very well be my favorite music submission we’ve gotten so far. Thanks, Andrew!

- JR

REVIEW: Periphery – Periphery

After waiting for a couple of years, rotating band members, and extensive touring, it’s finally here. Periphery‘s debut album Periphery is out. But was it worth all the wait and anticipation?

You bet your tits it was.

If you’re some jerk who is not familiar with Periphery, they combine the groove and complex math metal riffs of Meshuggah with soaring vocal melodies and beautiful ambient guitar work. This mending of styles works wonderfully. How’s about we combine the musical stylings of Meshuggah and Cynic together and give them an ambitious and passionate singer? You’re in for a treat.

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So a few weeks ago or whatever, Periphery announced the departure of singer Chris Baretto and the inclusion of new singer Spencer Sotelo. Well, yesterday, Haunted Shores, one of Periphery guitarist Misha “Bulb” Monsoor‘s music projects, announced that Chris Baretto will be handling vocal duties. Wut?

Chris and Haunted Shores guitarist Mark Holcomb

Well that’s weird. Clearly, Misha and Chris are still friends and want to work together, but randomly taking Chris out of Periphery and now him joining Haunted Shores? I wonder how that conversation went down.

“Hey bro, you’re a great singer and all…”
“Yeah?”
“We’re bros and shit, but… like… we found a better singer.”
“WAT”
“I know, I know… but this is our label debut and we want to make it sound as good as possible.”
“I don’t even.”
“Oh don’t worry, bro. Come over and hang out with us at Haunted Shores.”
“Well that’s kinda pointless. Why couldn’t you just put the new guy over there?”
“That’s not confusing enough.”

Yeah. That likely happened.

Anyway, the new Haunted Shores track “When In Oslo”, featuring Baretto on vocals, sounds great. Go listen to it on the HS Myspace. This is gonna be good.

- JR

Guy with big hair = gone.

Hell if I know how many different singers Periphery have through so far. They haven’t even put out an album yet and they’ve had three or four different vocalists on board. I don’t know when previous vocalist Chris Baretto was dropped, but when listening to the new album sampler posted on MySpace, I noticed the singing was different. Specifically, in the clip of “Light”, the new vocalist is hitting notes a whole fucking octave higher than the version recorded with Baretto.

The new vocalist is Spencer Sotelo, and I think I’m liking his voice better than Baretto’s. Periphery’s debut album is shaping up to be one of the most anticipated albums of the year. It will be out on Sumerian Records April 20th.

Again, check out the sampler on Periphery’s MySpace and get excited!

- JR

Carving out a niche of their own in a genre filled with Meshuggah clones, London based experi-metal group Cyclamen is making a name for themselves with a fanbase growing by the day. Cyclamen boasts a repertoire featuring both mathcore chaos and technical aggression to the seemingly polar opposite with post-rock atmospheres and calming beauty in a genre I like to call post-djent.

I swapped emails with Cyclamen mastermind Hayato Imanishi for Heavy Blog Is Heavy’s first ever interview to gain some insight to the world of Cyclamen.

Revenge-of-the-Geeks1.mp3

A quick Google search for Cyclamen leads one to find out that a Cyclamen is a flower. What inspired you to name your project after a flower?

Cyclamen is pronounced “Shikuramen” in Japanese, and since “Shi” means death and “Ku” means suffer in Japanese, so even though it’s a pretty flower it’s a taboo to give it in some occasion, like to people who are in a hospital. Also its “Hanakotoba” (translates to “flower word” – In Japanese culture, pretty much every flower has some sort of meaning and it’s important to know the meaning when you are giving flowers to someone) changes according to its colour. Red means “Envy”, white means “Innocence”, for instance.
I thought Cyclamen was fitting name because my music isn’t restricted in one genre – it could be aggressive (e.g. Revenge of the Geeks) or beautiful (e.g. Senjyu) or both in one song (e.g. Never Ending Dream) depending on what songs need to express certain emotion I am aiming to translate via music.

I remember reading on the Cyclamen MySpace a while back that Cyclamen basically started out because you missed your favorite band, Sikth, and wanted to write music in the same vein as them. In light of this, getting the attention of [Sikth vocalist] Mikee Goodman must have been a surreal experience for you, to say the least. How did this collaboration come about and how did it go down?

It was very valuable experience to work with such an awesome and creative vocalist, but since we both are perfectionists we ended up exchanging mails for about 3 months until the final version was made! He was very open to my opinion and understood what I wanted – Awesome guy all around and was real pleasure to work with him. Everyone should check out his new band The Painted Smile, it’s very different from SikTh but still very exciting : )

Sleep-Street.mp3

As time moved on, Cyclamen started to sound less like Sikth and started sounding more like its own thing. Was this a conscious decision or was it just an organic change that happened as writing progressed?

It may sound selfish, but I always write music just for myself. At that time I really needed SikTh-esque tech metal, but right now I am enjoying more post-rock (MONO, This Will Destroy You) and pop (The Ting Tings, B’z (Japanese rock duo)) so that probably reflects to what I write. I am sure once I get enough of these music I will write songs with different influences. But I think there is always certain Cyclamen sound that stays in every song I write – And I always make sure they are good songs obviously haha

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