Tag Archive: Brain Drill


Fallujah – The Harvest Wombs

Fallujah

The Harvest Wombs

01. Alpha Incipient
02. Ritual Of Godflesh
03. Become One
04. Cerebral Hybridization
05. Prison of the Mind
06. The Flame Surreal
07. Enslaved Eternal Phenomenon
08. Hallucination
09. The Harvest Wombs
10. Assemblage of Wolves

[11/22/11]
[Unique Leader]

Many a metal fan has become desensitized towards technical death metal. When a genre is defined by being overly technical and complicated, it’s easy to push the envelope when it is a purely metric measure. However, in the end, the bands that shine are those who focus on songwriting and coherence, which is why Obscura are the best act in the genre for me. Fallujah, who used to be blackened deathcore, have decided to try their hand at TDM in The Harvest Wombs, and they seem to have gotten the memo, as their songs are songs first, technical exercises second. They also have brought their blackened flair into the genre, which is definitely a welcome sound that makes them even more unique. What’s so special about this album? Let’s take a look.

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Electro Quarterstaff – Aykroyd

Electro Quarterstaff

Aykroyd

01. The Wolf Shall Inherit the Moon
02. McNutty
03. Waltz of the Swedish Meatballs
04. Unholy Gravy
05. Descent By Annihilation Operator
06. The Blacksmith
07. Stroganoff
08. Japanese Upside Down Cake

[10/18/11]
[Willowtip]

There are several kinds of instrumental bands. Most of them are ‘shred your brains out’ style, a la Jeff Loomis‘s Zero Order Phase. Then there’s the ‘just write cool songs’ school of Levi/Werstler or Christian Muenzner. Finally, there is the combination school of ‘write really good songs, but they’re also super technical but not shreddy’, a la Animals as Leaders. Electro Quarterstaff are of the final category; there’s barely any shredding of the conventional sense on Aykroyd. But they have three extremely skilled guitar players, and this is perhaps the best execution of the triple-axe-wield I’ve heard so far. All of the songs are very precise on both songwriting and technical playing, and they also make for very good songs. This isn’t like Brain Drill though; every song has identifiable sections and nothing is ever over the top.

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So you can now add Awaken To The Suffering to the ever growing list of great artwork produced by Par Olofsson, a list which now includes work for The Faceless, Revocation, Brain Drill, Abysmal Dawn and other upcoming monolithic projects (*cough*).

Best of all, I think this proves that the ever-unpredictable Victory Records’ signing of Pathology wasn’t just a one-off occurrence and instead was a real foray into the world of slamming death metal, which is hardly a cashcow in any sense of the word. In fact, I would be very interested in seeing the overall sales figures for Legacy Of The Ancients just so I can complain when Design The Shiteline outsell it.

Either way, the business talk means nothing when you can slam like this and we can all look forward to some more mid-tempo madness on 13th September.

- DL

You love Son of Aurelius, right? Of course you do. Well, you’ll be happy to know that Max Zigman and new vocalist for Son of Aurelius Riley McShane has a side project, which is called Smaragos.  Here is some info by the band themselves.

Constructed in the summer of 2010, Smaragos is a two-piece exploration of avant-garde cacophony. Partners in progressive, technical death metal giants Son of Aurelius, project architect Max Zigman and vocalist Riley McShane bring together influences ranging from the heaviest of heavy music to the most sublime of compositions of the last 700 years. Zigman assembles the mixture as both musician and studio engineer with exquisite attention to the details of recording, programming, mixing and mastering. McShane’s vocal stylings help define the musical and lyrical themes of the Smaragos sound.

Most awesome, indeed.  The band also makes use of Ivan Munguia (Brain Drill/Arkaik) for a guitar solo on “Scaphist“, as well as Alan Brown and Michael DeMartino for sitar and tabla solos, respectively, on the track “Furnace“.  You can listen to their self-released self-titled EP via their Bandcamp.  It costs $5 (SHOCKER! Having to pay for EP’s on Bandcamp!), but I assure you that it is well worth it.

- GR

So I’m fucking stoked for the Abysmal Dawn, The Human Abstract, and Omnium Gatherum records to bless my ears this winter.  And then I realized, “Damn. I’m short on material.”  I was thinking about a “Guilty Pleasures” article, but figured I’d save that for a later date.  I was inspired by Gein’s new article on Songs I Like by Bands I Don’t, and figure I’d chime in again with some more bands I can’t listen to except for that certain gem.  So let’s do this!

After The Burial – Berzerker

Beast Vocals.  Shreddy guitar.  Monstrous drums.  On paper, I should be obsessed with this band.  But I’m not.  And I have no idea why.  I’ve tried to get into Rareform and In Dreams forever, but I never have gotten myself to like them, except for the incredible song “Berzerker”.  The way the song is constructed always get me.

Enslaved – Ethica Odini

I can’t say that I am a fan of black metal.  Save for a few choice albums, like Agollach‘s Marrow of the Spirit, I stray from anything blackened. Enslaved is no different.  “Ethica Odini” is a masterpiece, but I’ve failed to enjoy anything else by them, which is a bummer, because they are extremely talented.

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Beneath the Massacre

Marée Noire

01. The Casket You Sleep In
02. Black Tide
03. Drill Baby Drill
04. Designed to Strangle
05. Anomic

[Prosthetic | 09/14/10]

I have a love/hate relationship with tech-death. You’ve got a genre full of musicians with potential, but only a handful are able to reach that potential. Where bands like Necrophagist, The Faceless, and Gorod have repeatedly shown their dominance and talent, bands like Brain Drill and Burning the Masses are just not very good at all. It’s definitely hard to get right. You can’t just string wank together and have people take you seriously. You need to work for it.

Beneath the Massacre are a band I have been neglecting. I may have put them off because I heard Burning the Masses once and didn’t like it, so I got them confused with each other later. Their names are too damn similar! However, I’ve finally corrected this confusion and picked up Marée Noire based on the recommendations from a few friends. I must say, this is probably the heaviest thing I’ve enjoyed upon several listens in a while!

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Tech death can be a bit of a hit and miss genre. You have bands like Gorod and Decrepit Birth who know how to write technical death metal that actually has musical merit. And then you have bands like Brain Drill that are pretty much nonstop wank. Yeah, I get it. You can play guitar… but can you write songs?

The Faceless are an extremely talented and progressive-minded band that are at the forefront of this Sumeriancore movement, even after dropping most of what made them -core in the first place. Their first album, Akeldama, was one of my reasons why deathcore isn’t total shit and Planetary Duality, their sophomore effort, saw a jump to full-fledged proggy tech death that was praised by critics and fans alike. Needless to say, not only can The Faceless play their instruments, they can also write some fucking songs, which is exactly what they’re up to right now, The PRP reports.

Here’s what producer and guitarist Michael Keene had to say about the upcoming album:

“After the Summer Slaughter tour wrapped up, we were left with a very refreshing sense of energy and change. It was great to get out and play such killer shows with all of those talented bands and the experience has super charged the excitement of writing new material and pushing ourselves to new musical boundaries as a group and individual musicians/performers.

The writing process for our upcoming third record is in full swing and it’s a very exciting, fulfilling musical journey so far. We’ll be debuting a new song on our upcoming tour with Suffocation, which I feel is a great example of the direction in which the new material is headed. Expect a very progressive and vibey record, that maintains the high-energy that you would expect of THE FACELESS and even more thought provoking lyrical content than ever before.

We’ll be hitting the road in just a few days to wrap-up the touring cycle for Planetary Duality. We’ll be locked up in my recording studio in Los Angeles once we get home. You can expect lots of studio updates and blogs along the way. This will be the last tour we’ll be doing until we complete the recording of our new record. With that said, we want to make this a special tour for fans who may have seen us on the Summer Slaughter tour. Therefore, we’ll be playing more old songs than usual and debuting a brand new song for you! Come and meet us at a merch table and we hope to see you all soon.”

tl;dr: You lucky fucks who can make it out to the Suffocation tour ( WHICH STARTS TODAY!) will be getting the first taste of new The Faceless music.

The Faceless are easily one of my favorite bands and they put on an excellent show this year at Summer Slaughter. It feels much longer than two years since Planetary Duality came out. At any rate, it’s about time! Hopefully they can continue the trend and top their last one!

After the jump, Suffocation (w/ The Faceless, Decrepit Birth, Through The Eyes Of The Dead, Fleshgod Apocalypse) tour dates, just in case you missed it the first time.

- JR

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Wretched – Beyond The Gate

Wretched

Beyond the Gate

01. Birthing Sloth
02. The Deed of Elturiel
03. In the Marrow
04. A Still Mantra
05. Cimmerian Shamballa
06. On the Horizon
07. Part I – Aberration
08. Part II – Beyond The Gate
09. My Carrion
10. The Guardians of Uraitahn
11. The Talisman
12. Eternal Translucence

[Victory | 08/03/10]

Wretched is a tough band to describe. Personally, I consider them to be technical-death metal. Some will read this and immediately think of Beneath the Massacre or Brain Drill, but Wretched sounds nothing like either. They use technical and progressive riffs throughout, but they take a back seat to the blast beats  and shreds that sound most similar to The Black Dahlia Murder. The proggy and techy riffs are deliberately written as part of the song structure, and for this reason never interrupt the listening experience like one might think. This description specifically describes their latest album, Beyond the Gate.

Wretched’s first album, The Exodus of Autonomy, was a little more chuggier and at times sounded like Through The Eyes of The Dead’s Bloodlust. Beyond the Gate trades out much of the chugging (though not all of it) for plenty of screaming guitar solos. The shift in album art between the two albums coincides with this change, displaying an ominous face melting blast furnace.

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Fleshwrought – Dementia/Dyslexia

Fleshwrought

Dementia/Dyslexia

01. Mental Illness
02. Inner Thoughts
03. Programming the Herds
04. Weeping Hallucinations
05. Conceptual Flesh
06. State of Desolation
07. Dyslexic Interlude
08. Self-Destructive Loathing
09. Relevant Intoxication
10. Final Nausea

[Metal Blade | 08/03/10]

Tech death is a bit of an iffy genre for me, as it tends to be filled with soulless wank under the guise of stellar musicianship. I let my opinion on the subject known in my Brain Drill review a few months ago, so I wont delve too much into that diatribe. Thankfully however, there are bands out there that know how to be technical and still produce something that’s both listenable and enjoyable, and new Metal Blade signing Fleshwrought are one of those bands.

Formerly known as Fleshrot, Fleshwrought consists of multi-istrumentalist Navene Kopperweis (ex-Animosity, Animals As Leaders) and vocalist Jonny Davey (Job For A Cowboy). Between the two and their musical escapades, a lot of hype and high expectations for their debut record, Dementia/Dyslexia, were built to an uncomfortably high level that lesser men would not have been able to live up to. However, every detail and note of the album’s 32 minutes were carefully crafted and re-examined before they were even signed, and this attention to detail returns on the investment.

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I’m as big a fan of wank as the next guy. There’s nothing wrong with being flashy and showing off your technical ability; in fact, I enjoy a showcase of fretboard wizardry from time to time. However, with great power comes great responsibility. You can have all the technical ability in the world, it means absolutely nothing if you don’t put that skill to good use and write a creative album with some substance. Case in point: Brain Drill.

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