Der Weg einer Freiheit – Finisterre

Germany is a stunning country. From the odd, historically juxtaposed vistas of Berlin, to the mist-covered streets of Hamburg, or the lush solitude of Burgstadt, it is a beautiful tapestry of rich and horrifying history, amazing beer, and incredible architecture. With such a fantastic backdrop it is somewhat surprising, unfortunately, that Germany is not particularly known for its homegrown metal scene. While the country is not without its fair share of well-known bands of the heavy variety (Kreator, Rammstein, Caliban, and The Ruins of Beverast to name a few), the nation’s black metal scene has never been an especially notable one. Der Weg einer Freiheit (DWEF from here on out) set out to change that with their own distinct flavor of post-/atmoblack, flying surprisingly mostly under the radar as their first few records received marginal amounts of buzz. However, in 2014 their third full-length album, Stellar, made waves in the scene with an absolutely stunning assault of black metal ambition that landed them on many a metal year-end list (including that of yours truly). It was a panoramic, emotionally invigorating record that catapulted the band’s already solid reputation into the stratosphere. With the release of their fourth record¸ this year’s Finisterre, the band are posed with the challenge of following up their best record with something equally impactful. On every count, they have succeeded. If you have been sleeping on this band, awake. We are witnessing the rise of a group that is sure to become the bedrock of German metal for years to come.

Hello, This Is a Play By Play Rebuttal Of David Hall’s Terrible Article And Also A Rebuttal to A Rebuttal by Clrvynt’s Editor And Some Thoughts About The Metal Community

Let’s state facts: Clrvynt’s preface to “The Director of ‘Maryland Deathfest: The Movie’:’Metal is the Fucking Worst'” (this is literally how the post’s title was formatted by the way, I didn’t change it) is bullshit. Running an article filled with borderline/not-really-borderline-at-all misogyny, homophobia, and very palpable hatred for a huge swath of the community you’re part of is a terrible thing to do. However, if you’ve already decided to do that, don’t cop out by writing a six-line preface nominally denouncing the opinions contained therein. At least own the fact that you’re giving shitty opinions a stage and have some honesty.

Ghost Bath – Starmourner

When last we checked in on the Colorado blackgaze band Ghost Bath, they had put out Moonlover, their sophomore record, one that could easily be summed up as “pretty good.” While it was well-written and avoided the self-indulgence that far too often pervades the more atmospheric side of black metal, there was…

Kvlt Kolvmn – March 2017

Well, third time’s a charm, I guess—this here is the third consecutive installment of Kvlt Kolvmn Take Two, a monthly round-up of my favorite BM releases from the past 30-ish days. The only reason I’m surprised I could fill the column out this month is because of relatively little time I spent with black metal this month; there was just way too much incredible music coming out from virtually every other genre (seriously, if you haven’t yet, take a read through this month’s Editors’ Picks). Still, the black metal I did listen to was some of the best I’ve heard so far this year, with one album currently in the running for my BM AOTY. So without further ado, let’s dive in:

Planning for Burial, With “Whiskey and Wine”

There aren’t many labels that balance consistency and quality quite like The Flenser. Since launching in 2009, the San Francisco-based curator of “dark experimental” music has presented some of the best bands fitting of this classification. And though it was probably due to my own personal taste evolving more than anything else, 2014 seemed to be a particularly phenomenal year for The Flenser’s roster, complete with incredible releases from Botanist, Have a Nice Life, Kayo Dot, White Suns and Wreck and Reference. But of all these gems, perhaps the most lasting release from the bunch has been Planning for Burial’s Desideratum, Thom Wasluck’s captivating blend of shoegaze and ambient drone that feels like an organic, non-GMO version of Jesu’s poppy doom metal.

Hey! Listen to Wolvserpent!

The idea of an album/EP being one entire song isn’t an entirely new idea in metal (considering it’s been twenty years since Edge of Sanity’s Crimson among other releases), but it’s an idea that’s starting to resurface in a plethora of new and intriguing ways. This year alone we have…