Nigredo – Flesh Torn – Spirit Pierced

Not content to assault their listeners from only one direction, the title of the latest offering from Nigredo constructs a thematic duality of body and mind that is fully reflected in the band’s unique combination of visceral, punishing thrash metal and mind-bending, otherworldly blackened influences. The prominent theme of duality…

Chaos Echœs – Mouvement

First impressions have always been a powerful force when it comes to music consumption. Whether due to a lack of time and/or money, listeners have limited resources to dedicate to the ceaseless torrent of new music and the seemingly bottomless pool of vintage releases. And as superficial as it may…

Kvlt Kolvmn // February 2018

Welcome to Kvlt Kolvmn, “Is This Even Black Metal?!” Edition. We hope you’ve had a frosty, satan-blessed month. But, I mean, let’s be real. Such exclamations are couched in the traditional, stereotypical norms of a community that has built and staked its reputation on an allegiance to popularly assumed constructs…

Kaoteon – Damnatio Memoriae

Metal is often intrinsically tied to story and band narrative. Especially in its most extreme forms, bands are often imbued with an aura of mystique and toil through the auspices of the stories they choose to tell about themselves, whether through marketing, interviews, or their music. Lebanon’s blackened death metal…

Death’s Door 2017 // Death Metal’s Year in Review

Welcome to the final installment of Death’s Door in the Year of Our Nefarious Overlord 2017! Wipe your feet on the mat, remove that stupid holiday-induced smile from your face, and prepare yourself for ultimate year-end audio brutalization. Because, quite frankly, 2017 was one of the best years for death metal in decades. A bold statement indeed, and thankfully one with plenty of data in the form of amazing records to back it up. The overwhelming number of releases in this dirtiest of metal subgenres, coupled with the breadth of quality releases in each of the branches of the death metal tree, all accumulate to create one of the most impressive lists of death metal albums in a given year since the early 1990s. 2017 presented us with exceptional records at such an alarming clip that it was often a full-time task to keep track of them. Death metal this year was in equal measure mind-numbingly technical, socially forward-thinking, compositionally adventurous, and reverent of the past, generating albums that displayed with full clarity all that makes this music the metal behemoth that it is. What a time to be alive. In our final segment of Death’s Door for the year, we will be highlighting the trends and movements within death metal that we found to be the most significant, as well as our own personal top 15 death metal records on the year. Prepare yourself. Madness awaits.

Desolate Shrine – Deliverance from the Godless Void

There is often a mystique surrounding bands that take several years in between projects. Whether they deserve it or not, bands and artists who most often fall into this camp (the Tools and Sufjan Stevenses of the world) tend to be surrounded by hype simply for the fact that they have not released new material in a significant period of time. This isn’t to say that the material released cannot be quality, because it most certainly can be, but rather that there seems to be a strange thread in musical fandom that connects time elapsed between records to expected quality/increased hype. Finnish death metal maestros Desolate Shrine represent the exact opposite of this phenomenon. Having released four albums in just over six years, the band’s fans barely have enough time to absorb their last album before the release of their next project. This pace of material creation also comes with its own potential downsides, but none of them seem to apply to Desolate Shrine, who have topped their previous efforts with each new record, culminating in the crown jewel of their discography, this year’s Deliverance from the Godless Void. In the war of quality over quantity, Desolate Shrine seems to ask: why not both? What a novel proposition.

Enfold Darkness – The Adversary Omnipotent

In 2009, shredtastic metal was the name of the game in metal. Between the huge boom in technical death metal, the rising progressive deathcore bands, and the old prog guard releasing some of their best material, it was a great time for guitar wankery. Buried under the popularity of huge albums like Cosmogenesis, Oracles, and The Great Misdirect, was a little blackened tech death album by a band from Nashville: Our Cursed Rapture by Enfold Darkness. Finding a unique niche in their black metal influenced music, Enfold Darkness turned some serious heads with their debut. Unfortunately, their momentum was lost and they ended up not following up their minor underground success until this year with The Adversary Omnipotent.